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ご来館の計画

エウティケスのミイラ肖像画

Roman Period
A.D. 100–150
On view at The Met Fifth Avenue in Gallery 111
何世紀にもわたり外国の支配を受け、広い地域に外国人が定住したエジプト社会は、2世紀までには完全に多文化社会となっていました。この信頼しきった悲しい瞳をした身なりの整った青年の肖像画には、「カサニオスの自由民エウティケス—エヴァンドロスのヘラクレイデスの息子(またはエヴァンドロスの息子ヘラクレイデス)、自署」と記されています。青年は、カサニオスによって奴隷から開放されながらも若くして亡くなったようです。名前が記されている他のふたりのうちのひとりは、この肖像画の制作を依頼したか、代金を払った人物である可能性があります。ギリシャ様式で描かれたこの肖像画は、それまで何千年にもわたって使われていた面具に代わり、ミイラの包帯のなかに入れられ、青年の頭部を覆ったものと思われます。

Artwork Details

Object Information
  • 題: エウティケスのミイラ肖像画
  • 時代: ローマ時代
  • 月日: 100–150年
  • 手法: 板、蝋画法、塗料
  • 寸法: 38 x 19 cm
  • 提供者: エドワード S. ハークネス寄贈、1918年
  • 受け入れ番号: 18.9.2
  • Curatorial Department: Egyptian Art

Audio

以下でのみ利用可能: English
Cover Image for 3536. Portrait of the Boy Eutyches

3536. Portrait of the Boy Eutyches

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NARRATOR: The portrait of this smooth-faced young boy is particularly fine. It was made to be included in the wrappings covering his mummified body. Across the neck of his white tunic we see a painted inscription. The Greek letters seem to follow the folds of cloth. They tell us his name: Eutyches, and that he was a freed slave. Roger Bagnall is professor of Greek and ancient history at Columbia University.

ROGER BAGNALL: Only a small percentage of the mummy portraits have names on them; and Eutyches is an unusual portrait in that it not only has a name but an inscription that tells us something about who he was. What kind of a name is Eutyches? It’s Greek, actually, it means “Lucky.” And so you might say that Eutyches was a Greek, right? Well, it’s not actually that simple. For one thing he was an ex-slave and probably his parents didn’t give him his name, his owner did. For another, Eutyches is a name often used in Egypt to refer to the god of good luck, Shai, an Egyptian god but referred to in Greek translation.

NARRATION: By the time this portrait was painted— in the second century AD— the Greek and Egyptian cultures had been commingling for generations.

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