観音菩薩と執金剛神を傍らに控えた着座釈迦像

second half of the 10th century
On view at The Met Fifth Avenue in Gallery 247
個別に鋳造された7つの部分から成るこの像は、現存するジャワの青銅作品のうち、最も精巧なつくりのものです。中心の像は掲げた手が説法の印相を示していることから釈迦牟尼(歴史上の仏陀)またはその超越的な現れである大日如来を表していることが分かります。中心の台座から突き出る獅子は、釈迦の氏族名を表しています。左側に座っている観音菩薩をナンディン(子牛と雄牛が合体した乗り物)が支えており、右側の執金剛神にはマカラ(ワニと象が合体した神話の動物)が付き添っています。三体の仏像の細身の体と痩せた顔は、初期東ジャワ期に特有のものです。

Artwork Details

Object Information
  • 題: 観音菩薩と執金剛神を傍らに控えた着座釈迦像
  • 時代: 初期東ジャワ期
  • 月日: 10世紀後半
  • 地理: インドネシア、ジャワ
  • 手法: 青銅
  • 寸法: 29.2 x 21.9 x 12.7 cm
  • 提供者: 購入、ロジャーズ基金、モーティマー D. サックラー、テレサ・サックラー家より助成、2004年
  • 受け入れ番号: 2004.259
  • Curatorial Department: Asian Art

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Cover Image for 7913. Trinity with a Preaching Buddha Flanked by the Bodhisattvas Avalokiteshvara and Vajrapani

7913. Trinity with a Preaching Buddha Flanked by the Bodhisattvas Avalokiteshvara and Vajrapani

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This trinity features a Buddha flanked by two Bodhisattvas. Notice how the Buddha is portrayed differently from his companions. He wears a simple robe and no jewelry. This reminds viewers that the Buddha abandoned his life of luxury to pursue enlightenment. On the other hand, the Bodhisattvas, who help human beings toward enlightenment, are portrayed as princes, wearing crowns, armbands, and necklaces.

This work is from the Indonesian island of Java, a key location on the trade route between India and China. Buddhist thought and imagery spread from India throughout Asia along these routes. However, each culture developed its own style. Javanese workshops are known for producing intricate bronzes, like this one. Artists cast these richly ornamented sculptures with jewel-like precision. This one is made of seven separately cast pieces, which, remarkably, have survived intact for a thousand years.

The sculpture was probably used for personal devotion. On the left, is the Boddhisattva of compassion, Avalokiteshvara, In front of him is a Brahmin Bull, on which he can ride. On the right, Vajrapani, the Bodhisattva of wisdom, appears with his makara, a fantastic crocodile elephant, who serves a similar function. The hand gesture of the Buddha indicates that he is preaching. This Buddha may be either Shakyamuni, the historical Buddha, or Vajrayana, his transcendent manifestation.

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