Eharo Mask

Date: early 20th century

Geography: Papua New Guinea, Orokolo village, Papuan Gulf

Culture: Elema people

Medium: Barkcloth, cane, paint

Dimensions: H. 29 1/2 x W. 21 x D. 16 in. (74.9 x 53.3 x 40.6 cm)

Classification: Bark-Sculpture

Credit Line: The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1972

Accession Number: 1978.412.725


The Elema people of the eastern Papuan Gulf region in southeast New Guinea formerly practiced a lengthy cycle of masked rituals centered on the visitation of water spirits. The large masks representing the water spirits were highly sacred. However, other masks, called eharo, such as that seen here, were created primarily for amusement. Described as maea morava eharu (things of gladness), eharo performed during two stages of the cycle as prelude to more serious activities. Most depicted spirits and totemic species associated with individual clans. Others, including possibly this example, portrayed characters from local oral tradition.

Eharo masks were made and worn by men from neighboring villages at the request of the village hosting the ceremony. As they entered the host village, the resident women pelted them with shredded coconut to neutralize their seductive powers, which might otherwise prove irresistible. The eharo then danced, surrounded by women from their home villages. A lighthearted atmosphere prevailed and eharo performances were often boisterous and bawdy.