前线来的俘虏

Winslow Homer American

On view at The Met Fifth Avenue in Gallery 762

作为《哈勃周刊》的艺术家通讯员，霍默曾两次造访内战时期的联邦前线。这幅画作于战争结束以后，描绘了陆军准将佛朗西斯·钱宁·巴罗在1864年5 月的斯波特瑟尔韦尼亚战役中俘虏了南部邦联的士兵和军官。画中刻画了参战双方的典型特征，并以他们中间的距离和成对比的姿势象征南北之间在意识形态上的分裂。这幅画确立了霍默在纽约国家设计学院的声望，在1867年的巴黎世界博览会上展出时也获得了评论界的赞誉。

Prisoners from the Front, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), Oil on canvas, American

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Prisoners from the Front, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), Oil on canvas, American
Prisoners from the Front, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), Oil on canvas, American
Prisoners from the Front, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), Oil on canvas, American
Prisoners from the Front, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), Oil on canvas, American

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