The True American

ca. 1874
On view at The Met Fifth Avenue in Gallery 758
Perry painted this oil in preparation for a widely distributed chromolithograph that uses humor to mock the impossible ideal of national unity. The True American, also titled The Bummers (meaning a bum or vagrant), implies that the subjects of the painting are coarse, non-thinking citizens. The cropped sign above the door reads "The National Hotel." The mindless male figures, one of whom reads the newspaper "The True American," present only their backsides, with heads concealed, as does the depicted horse at left, and the dog at right. In these terms, the artist comments on the willful ignorance of the voting population in the United States during the Reconstruction era.

Artwork Details

Object Information
  • Title: The True American
  • Artist: Enoch Wood Perry (1831–1915)
  • Date: ca. 1874
  • Culture: American
  • Medium: Oil on canvas
  • Dimensions: 11 7/8 x 16 1/8 in. (30.2 x 41 cm)
  • Credit Line: Arthur Hoppock Hearn Fund, 1955
  • Object Number: 55.177
  • Curatorial Department: The American Wing

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.