耶稣受难与最后的审判

Jan van Eyck Netherlandish

ca. 1436–38

On view at The Met Fifth Avenue in Gallery 605

这两幅画并列展示了基督为拯救人类而作出的牺牲与“最后的审判”，它们是十五世纪欧洲最知名的画家——布鲁日艺术家扬·范·艾克的晚期作品。《耶稣受难》以现场目击的角度，在远景的衬托下描绘了这一场景。与之形成对比的是，《最后的审判》则按属灵的地位分三个层次构图，巧妙地通过改变人物比例来突出相互的重要性。原画框上的文字在画面中得到了非凡的逐一诠释，因此在文字和图像之间建立起一种互动。《最后的审判》的上半部分是由画家的一位助手参与创作的。

Artwork Details

标题: 耶稣受难与最后的审判
艺术家: 扬·范·艾克和画室助手，尼德兰，约1390–1441年
创作日期: 约1440年
材料: 布面油画，从木板上转移而来
尺寸: 每块221⁄4 x 73⁄4 英寸（56.5 x 19.7厘米）
来源信息: 弗莱彻基金，1933年
藏品编号: 33.92ab
Curatorial Department: European Paintings

More Artwork

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Virgin and Child in a Niche, Jan van Eyck Netherlandish, Oil on wood — Virgin and Child in a Niche
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Saint Barbara, Jan van Eyck Netherlandish, Metalpoint, brush drawing, and oil on wood — Saint Barbara
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The Crucifixion, Jan van Eyck or Workshop(?) Netherlandish, Goldpoint and silverpoint, pen and black ink, traced with a metal stylus, on gray prepared paper (discolored), laid down on a second paper support, varnished at an early stage — The Crucifixion
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Moses Striking the Rock, Abraham Bloemaert Netherlandish, Oil on canvas — Moses Striking the Rock
Abraham Bloemaert
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The Adoration of the Magi, Quinten Massys Netherlandish, Oil on wood — The Adoration of the Magi
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