Jeanne d'Evreux, Queen of France (by 1328–d. 1371) ; bequeathed to Charles V, King of France (1371–d. 1380) ; bequeathed to Charles VI, King of France (from 1380) ; Jean, Duke of Berry d. 1416 (listed in inventories from 1401–d.1416) ; Louis-Jules de Châtelet and Christine de Gleseneuve, Bar, France (ca. 1618–before 1672) ; Adolphe Carl Rothschild, Château de Pregny, Geneva (until d. 1900) ; bequeathed to his wife, Caroline Julie Anselme Rothschild 1830–1907 (1900–d. 1907) ; bequeathed to Baron Maurice Edmond Charles de Rothschild 1881–1957, Paris (1909–collection looted by Nazi officials January 1941) ; stored in Neuschwanstein Castle, Füssen, Germany (inventory no. R.1052) ; recovered in 1945 and restituted to Baron Maurice Edmond Charles de Rothschild 1881–1957, Château de Pregny, Geneva (1948–54) ; [ Rosenberg and Stiebel, Inc., New York (sold 1954)]

Cleveland Museum of Art. "Treasures from Medieval France," Novemer 16, 1966–January 29, 1967.

New York. The Metropolitan Museum of Art. "In the Presence of Kings: Royal Treasures from the Collections of The Metropolitan Museum of Art," April 19–September 4, 1967.

Bibliothèque nationale de France. "La Librairie de Charles V," October–December 1968.

Los Angeles County Museum of Art. "The Middle Ages: Treasures from The Cloisters and The Metropolitan Museum of Art," January 18, 1970–March 29, 1970.

Chicago. Art Institute of Chicago. "The Middle Ages: Treasures from The Cloisters and The Metropolitan Museum of Art," May 16, 1970–July 5, 1970.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 14, 1970–June 1, 1971.

New York. The Cloisters Museum & Gardens. "The Secular Spirit: Life and Art at the End of the Middle Ages," March 28–June 15, 1975.

Pavillon de Marsan, Palais du Louvre. "Les Fastes du Gothique: Le Siècle de Charles V," October 1981–January 1982.

J. Paul Getty Museum. "Prayerbook for a Queen: The Hours of Jeanne d'Evreux," April 7–July 5, 1998.

The Metropolitan Museum of Art. "Prayerbook for a Queen: The Hours of Jeanne d'Evreux," May 11–August 29, 1999.

New York. The Metropolitan Museum of Art. "Pen and Parchment: Drawing in the Middle Ages," June 2–August 23, 2009.

New York. The Cloisters Museum & Gardens. "Search for the Unicorn: An Exhibition in Honor of The Cloisters' 75th Anniversary," May-14-Aug-18-2013.

Cleveland Museum of Art. "Myth and Mystique: Cleveland's French Gothic Table Fountain," October 9, 2016–February 26, 2017.

New York. The Metropolitan Museum of Art. "Making The Met, 1870–2020," August 29, 2020–January 3, 2021.

Leber, Jean Michel Constant. Collection des meilleurs dissertations, notices et traités particuliers relatifs à l'histoire de France. Vol. 19. Paris: Dentu, 1838. p. 165.

Delisle, Léopold. "Les Livres d'Heures du duc de Berry." Gazette des Beaux-Arts, 2nd ser., 29, no. 4 (April 1884). no. XXXII, p. 108.

Guiffrey, Jean. Inventaires de Jean duc de Berry (1401-1416). Vol. 1. Paris: Ernest Leroux, 1894. no. 850, p. 223.

Guiffrey, Jean. Inventaires de Jean duc de Berry (1401-1416). Vol. 2. Paris: Ernest Leroux, 1894. no. 171, p. 32; no. 1078, p. 275.

Martin, Henry. "Les Miniaturistes à l'Exposition des Primitifs français: IV. Les enlumineurs, leurs noms et leurs œuvres, du XIIIe siècle à Charles V." Bulletin du Bibliophile et du Bibliothécaire (1904). pp. 456–58.

Delisle, Léopold. Les Heures Dites de Jean Pucelle: Manuscrit de la Collection de M. le baron Maurice de Rothschild. Paris: D. Morgand, 1910. discussed throughout.

Mâle, Emile. "L'iconographie française et l'art italien au XIVe siècle et au commencement du XVe." La Revue de l'Art Ancien et Moderne 37 (1920). pp. 8–16.

Mâle, Emile. "La Vie de Saint Louis dans l'Art Français au Commencement du XIVe Siècle." In Mélanges Bertaux: Recueil de Travaux Dédié à la Mémoire d'Émile Bertaux. Paris: E. de Boccard, 1924. pp. 196–204.

Robb, David M. "The Iconography of the Annunciation in the Fourteenth and Fifteenth Centuries." The Art Bulletin 18, no. 4 (December 1936). pp. 493–96, 499, 500, fig. 15.

Blum, Rudolph. "Jean Pucelle et la miniature parisienne du XIVe siècle." Scriptorium 3, no. 2 (1949). pp. 211–17.

Panofsky, Erwin. Early Netherlandish Painting: Its Origins and Character. Vol. 1. Cambridge: Harvard University Press, 1953. pp. 62–65, 385 (p. 62 n. 3–6), 389 (p. 74 n. 4), 458 (p. 249 n. 3).

Panofsky, Erwin. Early Netherlandish Painting: Its Origins and Character. Vol. 2. Cambridge: Harvard University Press, 1953. fig. 5, 7, pl. 3.

Rorimer, James J., ed. The Hours of Jeanne d'Évreux, Queen of France, at the Cloisters, the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1957. discussed throughout; 48 fol. ill.

Grancsay, Stephen V. "Medieval Armor in a Prayer Book." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 10 (June 1958). pp. 287–292.

Randall, Richard Jr. "Frog in the Middle." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 10 (June 1958). pp. 271, 274–275.

Winternitz, Emanuel. "Bagpipes for the Lord." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 10 (June 1958). pp. 276–286.

Canaday, John. Metropolitan Seminars in Art, Great Periods in Painting, Portfolio B: Earth, Heaven, and Hell; Man and Mystery in the Middle Ages. New York: The Metropolitan Museum of Art, 1959. pp. 19–20, 23, fig. 18.

Freeman, Margaret B. "The Annunciation from a Book of Hours for Charles of France." The Metropolitan Museum of Art Bulletin, n.s., 19, no. 4 (December 1960). p. 109, fig. 5.

Randall Jr., Richard H. A Cloisters Bestiary. New York: The Metropolitan Museum of Art, 1960. pp. 11, 18, 27, 28, 31, 49, 54, 58.

Birkmeyer, Karl M. "The Arch Motif in Netherlandish Painting of the Fifteenth Century, Part One." The Art Bulletin 43, no. 1 (March 1961). pp. 6–7, fig. 6.

Morand, Kathleen. "Jean Pucelle: A Re-examination of the Evidence." Burlington Magazine 103, no. 699 (June 1961). pp. 207–11, fig. 4, 5.

Faye, C. U., and W. H. Bond. Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York: Bibliographical Society of America, 1962. p. 328.

Janson, Horst Woldemar. History of Art: a Survey of the Major Visual Arts from the Dawn of History to the Present Day. New York: H. N. Abrams, 1962. pp. 279–80, fig. 438.

Morand, Kathleen. Jean Pucelle. Oxford: Clarendon Press, 1962. no. 6, pp. 1–36, 41–42, pl. VIII, IX, Xa, c, XI, XXVIId.

Freeman, Margaret B. "A Shrine for a Queen." The Metropolitan Museum of Art Bulletin, n.s., 21, no. 10 (June 1963). p. 332, fig. 8.

Lyna, F. "De Jean Pucelle à Jerome Bosch." Scriptorium 17 (1963). p. 313.

Rorimer, James J. The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park. 3rd revised ed. New York: The Metropolitan Museum of Art, 1963. pp. 149–50.

Bainton, Roland Herbert. The Horizon History of Christianity. New York: American Heritage Publishing Co., 1964. p. 201.

Crist, Larry Stuart. "The Breviary of Saint Louis: The Development of a Legendary Miracle." Journal of the Warburg and Courtauld Institutes 28 (1965). pp. 321–22, pl. 46c.

Hoving, Thomas. "The Thread of Patronage: The Medieval Collections of The Metropolitan Museum of Art and The Cloisters." Apollo 82, no. 43 (September 1965). pp. 180, 184, fig. 7.

Nickel, Helmut. "The Little Knights of the Living-Room Table." The Metropolitan Museum of Art Bulletin, n.s., 25, no. 4 (December 1966). pp. 172–3, fig. 8.

Randall, Lilian M. C. Images in the Margins of Gothic Manuscripts. Berkeley: University of California Press, 1966. pl. XXV, fig. 120; pl. LI, fig. 250; pl. LII, fig. 254; pl. LVIII, fig. 277 and 279; pl. LXVIII, fig. 329; pl. XCVI, fig. 464; pl. CVI, fig. 510 and 511; pl. CVII, fig. 516; pl. CXXXVIII, fig. 661; pl. CXLV, fig. 693; pl. CLIV, fig. 723.

Stoddard, Whitney S. Monastery and Cathedral in France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries. Middletown, CT: Wesleyan University Press, 1966. pp. 346–48, fig. 402.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Late Fourteenth Century and the Patronage of the Duke. Volume 1, Text. London: Phaidon Press, 1967. pp. 19–20, 23, 87, 100, 117, 119, 125, 141, 163, 171, 174, 182, 190, 204, 211, 287, 294, 300, 311, 383 n. 112, 389 n. 45.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Late Fourteenth Century and the Patronage of the Duke. Volume 2, Plates. London: Phaidon Press, 1967. fig. 250, 335–38, 342.

Metropolitan Museum of Art. In the Presence of Kings: Royal Treasures from the Collections of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1967. no. 10.

Wixom, William D. Treasures from Medieval France. Cleveland: Cleveland Museum of Art, 1967. no. V–15, pp. 198–201, 214, 220, 222, 368–69.

Howett, John. "The Master of the St. George Codex." PhD diss., University of Chicago, 1968. p. 78, fig. 93.

Ostoia, Vera K. The Middle Ages: Treasures from the Cloisters and the Metropolitan Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1969. no. 82, pp. 178–79, 259.

Avril, François. "Trois Manuscrits de l'entourage de Jean Pucelle." Revue de l'Art 9 (1970). p. 42.

Metropolitan Museum of Art. Masterpieces of Fifty Centuries. New York: Dutton Publishing, 1970. no. 151, p. 176, ill. p. 39; misidentified as 54.1.1.

Sandler, Lucy Freeman. "A Follower of Jean Pucelle in England." The Art Bulletin 52, no. 4 (December 1970). pp. 366, 369, fig. 1–3.

Deuchler, Florens. "Looking at Bonne of Luxembourg's Prayer Book." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). pp. 269, 274, fig. 2, 11.

Deuchler, Florens. "Jean Pucelle: Facts and Fictions." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). p. 255, fig. 3.

Flinn, Elizabeth H. "A Magnificent Manuscript: A Historical Mystery." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). pp. 257–260, fig. 1–2, 4.

Hoffeld, Jeffrey M. "An Image of St. Louis and the Structuring of Devotion." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). pp. 261–266, fig. 1–11.

Wright, Georgia Sommers. "The Tomb of Saint Louis." Journal of the Warburg and Courtauld Institutes 34 (1971). pp. 66–67, fig. 20b.

Deuchler, Florens. "The Cloisters: Ein Museum für mittelalterliche Kunst in New York." Du 32, no. 2 (1972). p. 112.

Randall, Lilian M. C. "Games and the Passion in Pucelle's Hours of Jeanne d'Évreux." Speculum 47, no. 2 (April 1972). pp. 246–57, fig. 1–2.

Simson, Otto von. Das Mittelalter II: das Hohe Mittelalter. Propyläen Kunstgeschichte, Vol. 6. Berlin: Propyläen Verlag, 1972. p. 134, fig. 104.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. Volume 1, Text. New York: G. Braziller, 1974. pp. 70, 107, 157, 276, 458 n. 305, 460 n. 342, 479 n. 107.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. Volume 2, Illustrations. New York: G. Braziller, 1974. fig. 890.

Grössinger, Christa. "English Misericords of the Thirteenth and Fourteenth Centuries and Their Relationship to Manuscript Illuminations." Journal of the Warburg and Courtauld Institutes 38 (1975). p. 105, fig. 17d.

Husband, Timothy B., and Jane Hayward, ed. The Secular Spirit: Life and Art at the End of the Middle Ages. New York: The Metropolitan Museum of Art, 1975. p. 228.

Raggio, Olga, ed. Patterns of Collecting: Selected Acquisitions, 1965-1975; Explanatory Texts. New York: The Metropolitan Museum of Art, 1975. p. 18.

Zarnecki, George. Art of the Medieval World: Architecture, Sculpture, Painting, the Sacred Arts. Englewood Cliffs, NJ: Prentice-Hall, 1975. pp. 445–46, fig. 473.

Bénézit, E., ed. "Pucelle, Jehan." In Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs: de Tous les Temps et de Tous les Pays. Vol. 8. 3rd ed. Paris: Librairie Gründ, 1976. p. 516.

Thomas, Marcel. "L'Iconographie de Saint Louis dans les Heures de Jeanne de Navarre." In Septième Centenaire de la Mort de Saint Louis: Actes des Colloques de Royaumont et de Paris (21-27 Mai 1970),. Paris: Les Belles Lettres, 1976. p. 210.

Harthan, John. Books of Hours and Their Owners. London: Thames and Hudson, 1977. pp. 40–41, 44.

Avril, François. Manuscript Painting at the Court of France: the Fourteenth Century (1310-1380). New York: G. Braziller, 1978. no. III, pp. 12–22, 44–59, pls. 3–10.

Gaborit-Chopin, Danielle. Ivoires du Moyen Age. Fribourg: Office du Livre, 1978. p. 158.

Calkins, Robert G. Monuments of Medieval Art. New York: Dutton Publishing, 1979. pp. 224–26, fig. 187.

Lacaze, Charlotte. The "Vie de St. Denis" Manuscript (Paris, Bibliotheque nationale, Ms. fr. 2090-2092). New York and London: Garland Publishing, Inc., 1979. pp. 205, 226, 246, 366, fig. 157, 158, 178, 181, 183, 202, 211, 228.

Samoyault, Jean-Pierre. "Pucelle." In Petit Larousse de la Peinture, edited by Michel Laclotte. Vol. 2. Paris: Librairie Larousse, 1979. p. 1515.

Schapiro, Meyer. "Marginal Images and Drôlerie (1970)." In Late Antique, Early Christian and Mediaeval Art: Selected Papers. New York: George Braziller, Inc, 1979. p. 196, fig. 1.

White, John. Duccio: Tuscan Art and the Medieval Workshop. New York: Thames and Hudson, 1979. p. 170, fig. 127.

Gillerman, Dorothy. "The Arrest of Christ: A Gothic Relief in The Metropolitan Museum of Art." Metropolitan Museum Journal 15 (1980). p. 83, fig. 23.

Grimme, Ernst Günther. Die Geschichte der abendländischen Buchmalerei. Cologne: DuMont Buchverlag, 1980. pp. 150–52, fig. 51.

Hibbard, Howard. The Metropolitan Museum of Art. New York: Harper & Row, 1980. pp. 162, 166, fig. 315.

Ciardi Dupré Dal Poggetto, Maria Grazia. Il Maestro del Codice di San Giorgio e il Cardinale Jacopo Stefaneschi. Florence: Edam, 1981. pp. 97–102, 107, fig. 154–160.

Hamburger, Jeffrey F. "The Waddesdon Psalter and the Shop of Jean Pucelle." Zeitschrift für Kunstgeschichte 44, no. 3 (1981). pp. 243–57, fig. 21–26.

Baron, Françoise, ed. Les fastes du Gothique: Le siècle de Charles V. Paris: Galeries nationales du Grand Palais, 1981. no. 239, pp. 292–93.

Bell, Susan Groag. "Medieval Women Book Owners: Arbiters of Lay Piety and Ambassadors of Culture." Signs: Journal of Women in Culture and Society 7, no. 4 (Summer 1982). p. 753 n. 40.

De Winter, Patrick M. "The Grandes Heures of Philip the Bold, Duke of Burgundy: The Copyist Jean L'Avenant and His Patrons at the French Court." Speculum 57, no. 4 (October 1982). p. 798.

Büttner, Frank. Imitatio Pietatis: Motive der christlichen Ikonographie als Modelle zur Verähnlichung. Berlin: Gebr. Mann Verlag, 1983. p. 72 n. 32.

Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983. no. 21, p. 368.

Lacaze, Charlotte. "Gothic Splendor in Paris: A Review." Gesta 22, no. 1 (1983). p. 86, fig. 1.

Cazelles, Raymond. The Très Riches Heures of Jean, Duke of Berry: Commentary to the Facsimile Edition of Manuscript 65 from the Collection of the Musée Condé, Chantilly. New York: H. N. Abrams, 1984. pp. 32, 44.

Ferber, Stanley. "Jean Pucelle and Giovanni Pisano." The Art Bulletin 66, no. 1 (March 1984). pp. 65–72, fig. 1, 3, 5, 9, 12.

Land, William G. The Prayer Book of Bonne of Luxembourg: A Personal Document. Preliminary ed. Washington, D.C.: William G. Land, 1984. pp. 101–2, 130, 156.

Eissengarthen, Jutta. Mittelalterliche Textilien aus Kloster Adelhausen im Augustinermuseum Freiburg. Freiburg im Breisgau: Adelhausenstiftung, 1985. p. 43.

Snyder, James. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. New York: Harry N. Abrams, 1985. pp. 20–22, fig. 9–10.

Grancsay, Stephen V., and Stuart W. Pyhrr. Arms & Armor: Essays by Stephen V. Grancsay from the Metropolitan Museum of Art Bulletin 1920–1964. New York: The Metropolitan Museum of Art, 1986.

Marrow, James H. "Symbol and Meaning in Northern European Art of the Late Middle Ages and the Early Renaissance." Simiolus: Netherlands Quarterly for the History of Art 16, no. 2/3 (1986). pp. 158–60, fig. 7–9.

Pächt, Otto. Book Illumination in the Middle Ages: an Introduction. London: Harvey Miller Publishers, 1986. p. 195, pl. XXVIII.

Schrader, J. L. "A Medieval Bestiary." The Metropolitan Museum of Art Bulletin, n.s., 44, no. 1 (Summer 1986). p. 22, 24, 32, 50, 55.

Stokstad, Marilyn. Medieval Art. New York: Harper & Row, 1986. pp. 328–30, fig. 51.

Shepard, Mary B. Europe in the Middle Ages, edited by Charles T. Little, and Timothy B. Husband. New York: The Metropolitan Museum of Art, 1987. pp. 14, 111–13, pl. 105.

Snyder, James. The Renaissance in the North. The Metropolitan Museum of Art, Vol. 5. New York: The Metropolitan Museum of Art, 1987. p. 7, fig. 1.

Sterling, Charles. La Peinture Médiévale à Paris, 1300-1500. Vol. 1. Paris: Bibliothèque des Arts, 1987. no. 10, pp. 88–99, fig. 40–49.

Cazelles, Raymond. Illuminations of Heaven and Earth: the Glories of the Très Riches Heures du duc de Berry. New York: H. N. Abrams, 1988. p. 203.

Camille, Michael. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge: Cambridge University Press, 1989. pp. 208–209, fig. 112.

Forsyth, William Holmes. "Popular Imagery in a Fifteenth-Century Burgundian Creche." Metropolitan Museum Journal 24 (1989). pp. 124, fig. 14.

Krieger, Michaela. "Die 'Heures de Jeanne d'Evreux' und das Pucelle Problem." Wiener Jahrbuch für Kunstgeschichte 42 (1989). pp. 101–132, fig. 1–9, ill. pp. 269–272, 278.

Snyder, James. Medieval Art: Painting, Sculpture, Architecture, 4th-14th century. New York: H. N. Abrams, 1989. pp. 442–43, fig. 564, 565.

Sterling, Charles. La peinture médiévale à Paris, 1300–1500. Vol. 1. Paris: Bibliothèque des Arts, 1990. pp. 22, 68, 74, 84, 88, 89, 92–95, 97, 99, 258, fig. 40–49.

Avrin, Leila. Scribes, Script and Book: the Book Arts from Antiquity to the Renaissance. London: British Library, 1991. p. 256, pl. 220.

Marrow, James H. "Dutch Manuscript Painting in Context: Encounters with the Art of France, the Southern Netherlands and Germany." In Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, edited by Koert van der Horst, and Johann-Christian Klamt. Studies and Facsimiles of Netherlandish Illuminated Manuscripts, Vol. 3. Doornspijk, The Netherlands: Davaco, 1991. p. 56, fig. 5.

Alexander, Jonathan J. G. Medieval Illuminators and Their Methods of Work. New Haven: Yale University Press, 1992. p. 122.

Benton, Janetta Rebold. The Medieval Menagerie: Animals in the Art of the Middle Ages. New York: Abbeville Press, 1992. pp. 51–52, fig. 51.

Brown, Sarah. Stained Glass: An Illustrated History. London: Bracken Books, 1992. pp. 80–81.

Camille, Michael. Image on the Edge: The Margins of Medieval Art. Cambridge, MA: Harvard University Press, 1992. pp. 136–38, 145–46, fig. 73, 79.

Gould, Karen. "Jean Pucelle and Northern Gothic Art: New Evidence from Strasbourg Cathedral." The Art Bulletin 74, no. 1 (March 1992). pp. 51–74, fig. 2, 3, 7, 9, 23.

Schmidt, Gerhard. Gotische Bildwerke und ihre Meister. Vienna: Böhlau Verlag, 1992. pp. 77, 137 n. 54, 343 n. 77.

Alexander, Jonathan J. G. "A Metalwork Triptych of the Passion of Christ in The Metropolitan Museum, New York." Wiener Jahrbuch für Kunstgeschichte 46/47, pt. 1 (1993–1994). p. 29.

Caviness, Madeline H. "Patron or Matron? A Capetian Bride and a Vade Mecum for Her Marriage Bed." Speculum 68, no. 2 (April 1993). pp. 333–62, fig. 1, 2, 5, 8, 10–12, 16, 18–27, 30, 32, 33, 37-40, 42.

Chastel, André. L'Art Français: Volume 1, Pré-moyen âge, Moyen âge. Paris: Flammarion, 1993. pp. 286–90.

Marks, Richard. Stained Glass in England during the Middle Ages. Toronto: University of Toronto Press, 1993. pp. 158–59, fig. 126.

Pippal, Martina. "Die Maestà von Massa Marittima und Pucelles „Italienische Reise“. Zur Frage des künstlerischen Austausches zwischen Paris und Siena im zweiten Jahrzehnt des 14. Jahrhunderts." In Wiener Jahrbuch für Kunstgeschichte. Vol. 46/47, pt. 2. 1993/94. pp. 557–59, 837, fig. 4.

Wixom, William D. "A Thirteenth Century Support Figure of a Seated Friar." In Wiener Jahrbuch für Kunstgeschichte. Vol. 46/47, pt. 2. 1993/94. pp. 789–99, fig. 8, 10.

Randall Jr., Richard H. The Golden Age of Ivory: Gothic Carvings in North American Collections. New York: Hudson Hills Press, 1993. pp. 14, 72, 123.

Smeyers, Maurits. Vlaamse miniaturen voor Van Eyck (ca. 1380–ca. 1420). Corpus of Illuminated Manuscripts, Low Countries series, Vol. 4. Leuven: Peeters Publishers, 1993. p. 227.

Ayres, Larry. "Bibbie Italiane e Bibbie Francesi: il XIII Secolo." In Il Gotico Europeo in Italia, edited by Valentino Pace, and Martina Bagnoli. Naples: Electa, 1994. p. 371.

de Hamel, Christopher. A History of Illuminated Manuscripts. London: Phaidon Press, 1994. pp. 170, 183–84, pl. 162.

Holladay, Joan A. "The Education of Jeanne d'Evreux: Personal Piety and Dynastic Salvation in her Book of Hours at the Cloisters." Art History 17, no. 4 (December 1994). pp. 585–611, fig. 32–40.

Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed. New York: The Metropolitan Museum of Art, 1994. no. 21, p. 402.

Binski, Paul. Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200-1400. New Haven: Yale University Press, 1995. p. 181.

Calkins, Robert G. "Pucelle, Jean." In Medieval France: An Encyclopedia, edited by William W. Kibler, and Grover A. Zinn. Garland Encyclopedias of the Middle Ages, Vol. 2. New York and London: Garland Publishing, Inc., 1995. pp. 769–70 [1450–51].

Gathercole, Patricia May. Animals in Medieval French Manuscript Illumination. Lewiston, N.Y.: E. Mellen Press, 1995. p. 47.

Guest, Gerald B. "A Discourse on the Poor: The Hours of Jeanne d'Evreux." Viator 26 (1995). pp. 153–80, fig. 1, 7, 8–10.

Krieger, Michaela. Grisaille als Metapher: zum Entstehen der Peinture en Camaieu im frühen 14. Jahrhundert. Vienna: Verlag Adolf Holzhausens, 1995. pp. 1, 4, 6–36, 43, 120–69, 172–77, 182, fig. 6-17, 119, pl. I-VIII.

Stahl, Harvey. "Narrative Structure and Content in Some Gothic Ivories of the Life of Christ." In Images In Ivory: Precious Objects of the Gothic Age, edited by Peter Barnet. Detroit: Detroit Institute of Arts, 1997. pp. 105, 109, 114 n. 47, fig. VII–7.

Avril, François, ed. L'art au temps des rois maudits: Philippe le Bel et ses fils, 1285-1328. Paris: Réunion des Musées Nationaux, 1998. pp. 136, 150, 154.

Boehm, Barbara Drake. Prayer Book for a Queen: The Hours of Jeanne d'Évreux. Los Angeles: J. Paul Getty Museum, 1998. pp. 1–8.

Manion, Margaret M. "Women, Art and Devotion: Three French Fourteenth-Century Royal Prayer Books." In The Art of the Book: Its Place in Medieval Worship, edited by Bernard J. Muir, and Margaret M. Manion. Exeter: University of Exeter Press, 1998. pp. 28, 30.

Naughton, Joan M. "Books for a Dominican Nuns' Choir: Illustrated Liturgical Manuscripts at Saint-Louis de Poissy, c.1330-1350." In The Art of the Book: Its Place in Medieval Worship, edited by Bernard J. Muir, and Margaret M. Manion. Exeter: University of Exeter Press, 1998. pp. 78–80, 85 n. 63.

Boehm, Barbara Drake, Abigail Quandt, and William D. Wixom. Das Stundenbuch der Jeanne d'Evreux / The Hours of Jeanne d'Evreux / Le Livre d'Heures de Jeanne d'Evreux: Commentary. Lucerne: Faksimile Verlage Luzern, 2000. discussed throughout.

Das Stundenbuch der Jeanne d'Evreux / The Hours of Jeanne d'Evreux / Le Livre d'Heures de Jeanne d'Evreux: Facsimile. Lucerne: Faksimile Verlage Luzern, 2000.

Erlande-Brandenburg, Alain. Le Sacre de l'Artiste: La Création au Moyen Âge, XIVe–XVe siècle. Paris: Fayard, 2000. pp. 29–30, 73.

Higgitt, John. The Murthly Hours: Devotion, Literacy and Luxury in Paris, England and the Gaelic West. London: British Library, 2000. pp. 158, 178.

Boehm, Barbara Drake. "Le Mécénat de Jeanne d'Évreux." In 1300…L’art au Temps de Philippe le Bel, edited by Danielle Gaborit-Chopin, and François Avril. Paris: Ecole du Louvre, October 2001. pp. 24–27, fig. 7–8.

Perkinson, Stephen. "'Engin' and 'artifice': Describing Creative Agency at the Court of France, ca. 1400." Gesta 41, no. 1 (2002). p. 58, fig. 11, p. 58, color ill,, discussed p. 62.

Gludovatz, Karin, and Michaela Krieger. "'La Contesse de Bar, Jean le Noir, Enlumineur, et Bourgot, sa Fille, Enlumineresse de Livres': Zu Konzeption und Ausführung der 'Heures de Flandre'." Wallraf-Richartz-Jahrbuch 64 (2003). pp. 83, 85–88, fig. 3.

Mellinkoff, Ruth. Averting Demons: the Protective Power of Medieval Visual Motifs and Themes. Vol. 2. Los Angeles: Ruth Mellinkoff Publications, 2004. pp. 134–35, 192, fig. III.34–35, V.20.

Mellinkoff, Ruth. Averting Demons: the Protective Power of Medieval Visual Motifs and Themes. Vol. 1. Los Angeles: Ruth Mellinkoff Publications, 2004. pp. 98–99, 117.

Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven: The Metropolitan Museum of Art, 2005. no. 62, pp. 98, 196.

de Hamel, Christopher. The Rothschilds and their Collections of Illuminated Manuscripts. London: British Library, 2005. pp. 6, 34, 37, 42–46, pl. 19c.

Carns, Paula Mae. "The Cult of Saint Louis and Capetian Interests in the Hours of Jeanne d’Evreux." Peregrinations 2, no. 1 (2006). discussed throughout.

Fajt, Jiri, and Barbara Drake Boehm, ed. Karl IV., Kaiser von Gottes Gnaden: Kunst und Repräsentation des Hauses Luxemburg 1310-1437. Munich: Deutscher Kunstverlag, 2006. p. 81.

Lagabrielle, Sophie, ed. Vitraux: Musée national du Moyen âge-Thermes et Hôtel de Cluny. Paris: Réunion des Musées Nationaux, 2006. pp. 57–58, fig. 33.

Husband, Timothy B. The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry. New York ; New Haven: The Metropolitan Museum of Art, 2008. pp. 6, 8, 24, 26, 282, fig. 26, 99.

Barnet, Peter. "Medieval Europe." In Philippe de Montebello and The Metropolitan Museum of Art: 1977–2008, edited by James R. Houghton. New York: The Metropolitan Museum of Art, 2009. p. 23.

Borchert, Till-Holger. "Color lapidum: una aproximación a las representaciones en grisalla en la Baja Edad Media." In Jan Van Eyck: Grisallas, edited by Till-Holger Borchert. Madrid: Museo Thyssen-Bornemisza, 2009. pp. 19–25, 241–245.

Borchert, Till-Holger, ed. Jan Van Eyck: Grisallas. Madrid: Museo Thyssen-Bornemisza, 2009. pp. 139, 143, 145, 286, 288–290, fig. 74.

Carns, Paula Mae. "Cutting a Fine Figure: Costume on French Gothic Ivories." Medieval Clothing and Textiles 5 (2009). pp. 74–75.

Chapuis, Julien. "Policromía parcial en la escultura." In Jan Van Eyck: Grisallas, edited by Till-Holger Borchert. Madrid: Museo Thyssen-Bornemisza, 2009. pp. 81, 265.

Holcomb, Melanie. Pen and Parchment: Drawing in the Middle Ages. New York and New Haven: The Metropolitan Museum of Art, 2009. no. 49, pp.161–163.

Holcomb, Melanie. "Virtuosismo en blanco y negro: del dibujo a la grisalla." In Jan Van Eyck: Grisallas, edited by Till-Holger Borchert. Madrid: Museo Thyssen-Bornemisza, 2009. pp. 59–65, 257–259, fig. 29, 30.

Avril, François. "The Bibliophile and the Scholar: Count Paul Durrieu's List of Manuscripts Belonging to Baron Edmond de Rothschild." In The Medieval Book: Glosses From Friends and Colleagues of Christopher de Hamel, edited by James H. Marrow, Richard A. Linenthal, and William Noel. 't Goy-Houten: Hes & De Graaf, 2010. p. 369.

Dillon, Emma. The Sense of Sound: Musical Meaning in France, 1260-1330. New York: Oxford University Press, 2011. pp. 193, 218–21, 243–86, fig. 6.6, 6.18, 6.29, 7.1–.6.

Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary ed. New York and New Haven: The Metropolitan Museum of Art, 2012. p. 99.

Husband, Timothy B. Les Belles Heures du Duc de Berry, edited by Hélène Grollemund, and Pascal Torres. Italy: Musée du Louvre Editions, 2012. pp. 42, 44, fig. 22.

Hourihane, Colum P., ed. The Grove Encyclopedia of Medieval Art and Architecture. Vol. 3. New York: Oxford University Press, 2012. pp. 349–50, ill.

Metropolitan Museum of Art. The Metropolitan Museum of Art Guide. New Haven, CT: Yale University Press, 2012. p. 214.

Boehm, Barbara Drake. "Perfect Penmanship: Pucelle's Creativity in the Margins of the Hours of Jeanne d'Évreux." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 53–63, fig. 1–11.

Charron, Pascale. "Color, Grisaille and Pictorial Techniques in Works by Jean Pucelle." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 91, 103, 105, fig. 5.

Gil, Marc. "Jean Pucelle and the Parisian Seal-Engravers and Goldsmiths." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 29, 35–38, 41, 45, 46, 48–51, fig. 4.

Hand, Joni M. Women, Manuscripts and Identity in Northern Europe. Burlington, Vt.: Ashgate, 2013. pp. 6, 14, 69.

Holladay, Joan A. "Jean Pucelle and His Patrons." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 20–26.

Keane, Marguerite A. "Collaboration in the Hours of Jeanne de Navarre." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 131 n. 5, 135, 137, fig. 4, 6.

Kuroiwa, Mie. "Working with Jean Pucelle and His Successors: The Case of the Saint Louis Master (Mahiet?)." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. p. 126.

Lowden, John. Medieval and Later Ivories in the Courtauld Gallery: Complete Catalogue. London: Courtauld Gallery, 2013. pp. 16–17, fig. 11.

Pyun, Kyunghee. "Pucellian Influence in Illuminated Liturgical Manuscripts." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 171, 183, 184, 187, 189–91.

Russakoff, Anna D. "Collaborative Illumination: Jean Pucelle and the Visual Program of Gautier de Coinci's 'Les Miracles de Nostre Dame'." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 65–73, fig. 5.

Wieck, Roger S. "Introduction." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. pp. 7–13.

Logemann, Cornelia. "Bild, Text und Raum im Buch: Perspektiven einer Spätmittelalterlichen Heiligenlegende." In Kanon Kunstgeschichte. Einführung in Werke, Methoden und Epochen: Volume 1, Mittelalter, edited by Kristin Marek, and Martin Schulz. Berlin: Wilhelm Fink, 2015. p. 283, fig. 1.

Postec, Amandine. "Les Manuscrits." In D'or et d'ivoire: Paris, Pise, Florence, Sienne, 1250–1320, edited by Marguerite Marie-Lys, and Xavier Dectot. Lens: Musée du Louvre-Lens, 2015. pp. 133–34, fig. 49.

Fliegel, Stephen. "The Cleveland Table Fountain." In Myth and Mystique: Cleveland's Gothic Table Fountain, edited by Stephen Fliegel, and Elina Gertsman. Cleveland Masterwork Series, Vol. 3. Cleveland: Cleveland Museum of Art, 2016. pp. 17, 38, fig. 38.

Fliegel, Stephen, and Elina Gertsman, ed. Myth and Mystique: Cleveland's Gothic Table Fountain. Cleveland Masterwork Series, Vol. 3. Cleveland: Cleveland Museum of Art, 2016. no. 9, pp. 124–27.

Husband, Timothy B. The World in Play: Luxury Playing Cards 1430–1540. New York: The Metropolitan Museum of Art, 2016. p. 124, fig. 166–67.

Stein, Wendy A. How to Read Medieval Art. New York: The Metropolitan Museum of Art, 2016. no. 5, pp. 13, 15, 36–39, 126, 128, fig. 6, 25–26.

Ciseri, Ilaria, ed. Gli avori del Museo nazionale del Bargello. Milan: Museo Nazionale del Bargello, 2018. pp. 215, 261–2, fig. 13.

Brennan, Christine, and Yelena Rakic. "Fragmented Histories." In Making the Met, 1870-2020, edited by Andrea Bayer. New York: The Metropolitan Museum of Art, 2020. pp. 178–79, fig. 195.

Little, Charles T., and Miguel Ayres de Campos. The McCarthy Collection: Sculpture. Vol. IV. London: Ad Ilissvm, 2024. p. 246, fig. 96.1.