معراج العذراء

Bernardo Daddi Italian

On view at The Met Fifth Avenue in Gallery 952

كان دادي يُعدّ من كبار رسّامي الجيل الذي جاء بعد جيوتي بمدينة فلورنسا في القرن الرّابع عشر الميلادي. ومن المحتمل أن تكون هذه اللّوحةُ الجزء العلويَّ من رافدة مذبح ذات قيمة هامّة رُسِمت لفائدة الكنيسة الخاصّة ساكرو سينقولو في كاتدرائيّة براتو بالقرب من فلورنسا حيث يُحفظ حزام العذراء (الـ سينغلو) على سبيل الإجلال. وقد مدّت العذراء التي رفعها ستّةُ ملائكة إلى السّماء، حزامَها إلى القدّيس توماس برهانا على عروجها. وفي النّاحية السّفلى على اليسار نلحظ يديْ هذا الحواريّ. أمّا أسفل الرّافدة، وهو مفقود في الوقت الرّاهن، فمن المرجّح أنّه يجسّم القدّيس توماس مصحوبا بعدد من الحواريين مجتمعين حول رأس سرير العذراء وهي تحتضر.

The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground

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The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground

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