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Pope Benedict XIV (Prospero Lambertini, 1675–1758)

1746
On view at The Met Fifth Avenue in Gallery 627
Subleyras was chosen to paint Pope Benedict XIV’s state portrait, but this direct, informal image takes us much closer to the man whom antiquarian and Grand Tourist Horace Walpole described as “a priest without insolence or interest, a prince without favorites.” His slack jawline and five o’clock shadow humanize the most holy sitter in Europe. A supreme colorist, Subleyras was perfectly suited to tackle the limited palette of papal winter garb of an ermine‑lined cape (mozzetta) and hat (camauro). The stole is decorated with the papal keys and family armorial devices.

Artwork Details

Object Information
  • Title: Pope Benedict XIV (Prospero Lambertini, 1675–1758)
  • Artist: Pierre Hubert Subleyras (French, Saint-Gilles-du-Gard 1699–1749 Rome)
  • Date: 1746
  • Medium: Oil on canvas
  • Dimensions: 25 1/4 x 19 1/4 in. (64.1 x 48.9 cm)
  • Classification: Paintings
  • Credit Line: Purchase, Friends of European Paintings Gifts, Bequest of Joan Whitney Payson, by exchange, Gwynne Andrews Fund, Charles and Jessie Price Gift, and Valerie Delacorte Fund Gift, in memory of George T. Delacorte, 2009
  • Object Number: 2009.145
  • Curatorial Department: European Paintings
More Artwork
The Mass of Saint Basil, Pierre Hubert Subleyras  French, Oil on canvas, transferred from canvas
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Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), Adélaïde Labille-Guiard  French, Oil on canvas
Adélaïde Labille-Guiard
1785
The Serpent of Airan, Pierre Hubert Subleyras  French, Etching
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18th century
Ceramic Horn, Glazed pottery, French
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late 18th or early 19th century

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