Dawn—Early Spring
Dwight William Tryon American
In the mid-1860s James McNeill Whistler had begun to envision, create, and title his works in the abstract language of music, calling them symphonies, harmonies, nocturnes, and so forth. A perceptive critic observed in 1902 that Tryon followed Whistler’s lead, distilling from nature rather than transcribing it, in landscapes such as this one: “Tryon’s pictures . . . are almost, literally speaking, musical in their effect, not unlike the pizzicato notes on the A string of a violin. . . .He composes his pictures as a composer does his score. His parallelism of horizontal and vertical lines is like melodic phrasing.”
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
This artwork is meant to be viewed from right to left. Scroll left to view more.