Vase

The pottery established at University City in 1909, outside of Saint Louis, Missouri, was the brainchild of visionary Edward Gardner Lewis. He sought to experiment with a new approach to women’s education, which included publishing a journal and offering mail-order classes. To launch his pottery enterprise, Lewis lured Taxile Doat, the eminent French ceramist from Sèvres; Adelaide Alsop Robineau, master porcelain artist from Syracuse, New York, and her husband, Samuel; and English –born potter Frederick Hurten Rhead to University City. Having discovered a vein of kaolin clay (the key ingredient for porcelain) during the excavation for Lewis’s publishing headquarters, he decided that the pottery would exclusively focus on porcelain. The intimate environment of these superbly talented potters fostered close collaboration among the artists there. Unfortunately, University City’s Utopian ideals proved impossible to sustain, and the principle ceramists disbanded in the Spring of 1911. Later that year, however, the pottery reorganized and Doat returned to University. Although he continued to create some elaborately decorated showpieces, most of the production concentrated on cast forms, many recalling shapes Doat had produced at Sèvres. They generally featured seductive, often shimmering crystalline glazes. This vase is one of the larger forms from University City. Dated 1913, it also bears Doat’s initials, a likely indication that he ware responsible for the design of the original form.

This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.