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Two turkeys

late 16th–early 17th century
Not on view
Modeled from memory, not life, and virtually identically cast, with their wattles wobbling in the same direction, the birds were conceived as reliefs. One’s fingers fit rather comfortably in the spaces between feet and volutes. They probably served as door pulls, perhaps even in a private aviary. The turkey, craved by the masses, became a status symbol, perhaps especially so in Venice: a sumptuary law of 1557 banned its meat from all tables but those of patricians. The subject alone recalls Giambologna’s gloriously plumed Turkey in the Bargello, Florence, said to have been a portrait of grand duke Cosimo’s favorite fowl. But the dark, glinting, painterly surfaces of the Met pair are ultra-Venetian.

Artwork Details

Object Information
  • Title: Two turkeys
  • Date: late 16th–early 17th century
  • Culture: Italian, Venice
  • Medium: Bronze with black painted patina
  • Dimensions: Overall (each, confirmed): 5 3/4 × 3 1/2 × 2 3/4 in. (14.6 × 8.9 × 7 cm)
  • Classification: Sculpture-Bronze
  • Credit Line: Promised Gift of Alexis Gregory, 2004
  • Object Number: 2004.562.1, .2
  • Curatorial Department: European Sculpture and Decorative Arts
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