Terracotta statuette of the Diadoumenos (youth tying a fillet around his head)
Connoisseurship and the origins of the discipline of art history began in the Hellenistic period. Greek statues of the fifth century B.C., notably works by Polykleitos, Phidias, and others, were sought out and frequently replicated. The pose of the famous statue of the Diadoumenos by Polykleitos is recognizable in this statuette, but the slender, graceful forms conform to Late Hellenistic taste.
Although terracotta was one of the most abundantly available and inexpensive materials of sculptural production in antiquity, it was used to make miniature copies less widely than might be expected. Apparently, only a few centers of production concentrated on this sculptural genre, and those that did limited their choices of subject considerably. The Greek city of Smyrna on the west coast of Asia Minor was among the most important copying centers, and a number of large- and small-scale replicas or variations of well-known statuary types, from both the Classical and Hellenistic periods, were made there.
Artwork Details
- Title: Terracotta statuette of the Diadoumenos (youth tying a fillet around his head)
- Period: Hellenistic
- Date: 1st century BCE
- Culture: Greek
- Medium: Terracotta
- Dimensions: 11 7/16in. (29cm)
- Classification: Terracottas
- Credit Line: Fletcher Fund, 1932
- Object Number: 32.11.2
- Curatorial Department: Greek and Roman Art
Audio
1082. Terracotta statuette of the Diadoumenos (youth tying a fillet around his head)
You’re standing before a small terracotta copy of a famous statue known as the Diadoumenos. It represents a young athlete with his arms raised as he ties a victory fillet around his head.
The original bronze statue of the Diadoumenos is attributed to Polykleitos, one of the most famous Greek sculptors of the fifth century B.C. It probably stood in a sanctuary, such as Olympia or Delphi, where Pan-Hellenic games were held on a regular basis and victors in the competitions could have statues erected in their honor.
In the second and first centuries B.C., Roman generals conquered Greek cities and looted their sanctuaries for war booty. They took to Rome hundreds of original Greek works, most of them made in the earlier Classical period of the fifth and fourth centuries B.C. When original statues became scarce, full-size copies were carved in marble, and smaller versions, like this one, were made in terracotta.
Notice how the young man stands with most of his weight on the right leg. This contrapposto pose is a well-known feature of sculptures by Polykleitos.
However, this version was made in the Hellenistic period, at least three hundred years after Polykleitos. The artist who made it has slightly elongated the original proportions according to the stylistic preferences of his time.
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