The deep-blue opaque glass used for this female head evokes lapis lazuli, a rare and valuable stone mined only in Afghanistan and therefore highly prized in antiquity. Few examples of mold-pressed glass figures remain intact today. The work may represent the goddess Juno and was likely placed in a temple or private sanctuary.
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Title:Glass portrait head of a woman
Period:Mid Imperial
Date:1st half of 2nd century CE
Culture:Roman
Medium:Glass; mold-pressed and carved
Dimensions:H.: 7 1/2 in. (19.1 cm)
Classification:Glass
Credit Line:Fletcher Fund, 1959
Object Number:59.11.8
Said to have been found in North Africa (possibly, Cyrenaica)
Prior to 1929, collection of Dr. Arnold Ruesch (1882-1929), Zurich, Switzerland; [with Jacob Hirsch (1874-1955), Geneva and New York]; prior to 1955, purchased by Ray Winfield Smith from Jacob Hirsch; until 1959, collection of Ray Winfield Smith, Dublin, New Hampshire; acquired in 1959, purchased from Ray Winfield Smith.
Smith, Ray Winfield. 1949. "The Significance of Roman Glass." Bulletin of the Metropolitan Museum of Art, 8(2): p. 58.
Faider-Feytmans, Germaine. 1954. Verres antiques de la collection Ray Winfield Smith. Musée de Mariemont, 8 mai - 15 septembre 1954. no. 40, p. 16, pl. XI, Brussels: Editions J. Duculot.
Corning Museum of Glass. 1957. Glass from the Ancient World: the Ray Winfield Smith Collection. no. 189, p. 115, fig. 189, Corning, New York: Corning Museum of Glass.
Weitzmann, Kurt. 1979. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century no. 267, p. 289, New York: The Metropolitan Museum of Art.
Megow, Wolf-Rüdiger. 1987. Kameen von Augustus bis Alexander Severus, Antike Münzen und geschnittene Steine, XI, Deutsches Archaologisches Institut, ed. no. B 42, p. 267, pl. 44.9, Berlin: Walter de Gruyter & Co.
Sorabella, Jean. 2001. "A Roman Sarcophagus and its Patron." Metropolitan Museum Journal, 36: p. 58.
von Saldern, Axel. 2004. Antikes Glas. p. 198, fig. 196, Munich: Beck.
Williams, Dyfri, Kenneth Lapatin, Nicholaus Dietrich, Judith M. Barringer, Francois Lissarrague, and Edinburgh University Press. 2022. Images at the Crossroads : Media and Meaning in Greek Art, Judith M. Barringer and Francois Lissarrague, eds. pp. 415–16, fig. 18.16, Edinburgh.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.