The tomb group represents one of the richest and most impressive sets of Etruscan jewelry ever found. It comprises a splendid gold and glass pendant necklace, a pair of gold and rock-crystal disk earrings, a gold dress fastener (fibula) decorated with a sphinx, a pair of plain gold fibulae, a gold dress pin, and five finger rings. Two of the rings have engraved scarabs that revolve on a swivel bezel; one is decorated with embossed satyr heads, and the other two have decorated gold bezels.
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Artwork Details
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Title:Set of jewelry
Period:Late Archaic
Date:early 5th century BCE
Culture:Etruscan
Medium:Gold, glass, rock crystal, agate, carnelian
Dimensions:Length (L. of necklace): 14 3/16 in. (36 cm) Diameter (D. of disks): 2 3/8 in. (6.1 cm) Length (L. of fibula): 1 15/16 in. (5 cm) Length (L. of fibulae): 1 5/8 in. (4.1 cm) Length (L. of pin): 2 7/8 in. (7.3 cm) Diameter (D. of ring with youth intaglio): 7/8 in. (2.2 cm) Diameter (D. of ring with Herakles intaglio): 15/16 in. (2.4 cm) Diameter (D. of ring with bird intaglio): 1 1/16 in. (2.7 cm) Diameter (D. of plain ring 31/32): 15/16 in. (2.5 cm) Diameter (D. of ring with lion intaglio): 7/8 in. (2.2 cm)
Classification:Gold and Silver
Credit Line:Harris Brisbane Dick Fund, 1940
Object Number:40.11.7–.18
From a tomb in Vulci (Camposcala), Italy (Lenormant 1834, p. 246; Campanari 1835, p. 203)
1832 or 1833, excavated in Vulci (Camposcala); [with Domenico Campanari, Rome]; 1834, acquired by Vicomte Gustave-Adolphe Beugnot (1799-1861), purchased from Domenico Campanari; 1834, acquired by Rougemont de Löwenberg, possibly as a gift, from Vicomte Beugnot; collection of baron Rougemont de Löwenberg and descendants, Neuchâtel, Switzerland; [by 1930 and until 1940, with Charles Albert de Burlet, Basel, Switzerland]; acquired in 1940, purchased from Charles Albert de Burlet, Basel, Switzerland.
Lenormant, Charles. 1834. Annales de l'Institut de Correspondance Archéologique, 6: pp. 243–64.
Instituto di Corrispondenza Archeologica. 1834-1838. Monumenti Inediti, Vol. 2. pl, VII, Roma.
Campanari, Domenico. 1835. "Sopra alcuni rari sepolcri volcenti." Bullettino dell'Instituto di Corrispondenza Archeologica, : pp. 203–5.
Jahn, Otto. 1854. Beschreibung der vasensammlung könig Ludwigs in der Pinakothek zu München. p. XVIII n. 28, Munich: J. Lindauer.
Blümner, Hugo. 1885. "Das Kunstgewerbe im Altertum." Geschichte des kunstgewerbes in einzeldarstellungen. pp. 146ff., figs. 102–7, Leipzig: G. Freytag.
Richter, Gisela M. A. 1940. Handbook of the Etruscan Collection. p. 33, fig. 106, New York: Marchbanks Press.
Grancsay, Stephen V. 1940. "The Art of the Jeweler: A Special Exhibition." Bulletin of the Metropolitan Museum of Art, 35(11): p. 217.
Richter, Gisela M. A. 1940. "Four Notable Acquisitions of the Metropolitan Museum of Art." American Journal of Archaeology, 44 (4): pp. 434–39, figs. 7–12.
Richter, Gisela M. A. 1940. "A Set of Etruscan Jewelry." Bulletin of the Metropolitan Museum of Art, 35(11): pp. 223–36, figs. 1-6.
Higgins, R. A. 1961. Greek and Roman Jewellery. p. 135, London: Methuen.
Cristofani, Mauro and Marina Cristofani Martelli. 1983. "Vulci: il complesso di oreficerie del Metropolitan Museum." L'Oro degli Etruschi. nos. 127–34, pp. 158-9, 289, 290, Novara: Istituto Geografico De Agostini.
Riis, Poul Jørgen. 1998. Vulcientia Vetustiora: A Study of Archaic Vulcian Brronzes, Historisk-filosofiske Skrifter 19. pp. 92–8, n. 218, Copenhagen: Royal Danish Academy of Sciences and Letters.
Haynes, Sybille. 2000. Etruscan Civilization: A Cultural History. p. 158, fig. 138, Los Angeles: J. Paul Getty Museum.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 344, pp. 296, 473, New York: The Metropolitan Museum of Art.
de Puma, Richard Daniel. 2013. Etruscan Art in the Metropolitan Museum of Art. no. 7.1–7.7, pp. 10, 253–57, New Haven and London: The Metropolitan Museum of Art.
Campbell, Virginia L. 2017. Ancient Rome. p. 95, New York: Thames and Hudson.
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