William Bell (American (born England) Liverpool 1831–1910 Philadelphia, Pennsylvania)
Albumen silver print from glass negative
Image: 28.2 x 20.2 cm (11 1/8 x 7 15/16 in.)
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005
Not on view
By the time the government's appropriations for George Wheeler's 1872 expedition were made, Timothy O'Sullivan had already signed up with Clarence King's survey for the season. Wheeler therefore asked William H. Bell, a photographer who had worked for the American Medical Museum, to take O'Sullivan's place in his corps.
Unlike O'Sullivan, who regarded the problem of landscape as a rational arrangement of vacancy and mass, Bell perceived landscape dramatically and vertically, related to the upright posture of man. Whereas O'Sullivan composed in a planar and lapidary fashion, carving out powerful blocks of tone, Bell composed in depth, setting off the plunging perspectives of the Grand Canyon against the rocks in the foreground. Here, from the shadow of the slanting overhang of a cliff, the viewer sees the blare of sun on the canyon's opposite wall like dawn's curtain rising.
This photograph is part of the Colorado River Series in a rare album of thirty-five prints of Bell's photographs for Wheeler's 1872 season. A companion volume of thirty-five prints of O'Sullivan's photographs for Wheeler's 1871 season is in the collection of the Metropolitan Museum. The prints in both albums probably were made by O'Sullivan in the winter of 1872-73, either to encourage appropriations for the next season or as prototypes for the composite albums of the Wheeler surveys that the government would publish in 1874-75.
[Paul Katz]; Gilman Paper Company Collection, New York, October 15, 1985
Greenough, Sarah. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. 1st ed. Washington, D.C.: National Gallery of Art, Washington D.C., 1989. no. 42.
Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Virginia Heckert, and Jeff L. Rosenheim. The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection. New York: The Metropolitan Museum of Art, 1993. no. 123.