Paddle (Hose)
Buka is home to two main clans: Nakaripa represented by the Kua (bush fowl) totem, and Naboen represented by the Manu (eagle) totem. According to oral histories, the bush fowl cannot fly while the eagle can, so the Nakaripa own the land while the Naboen own the sky. The other two are sub-clans on Buka; the Nakas, whose totem is the Kinon (a dingo-like dog which is now extinct on Buka Island), and the Natasi, with the totem of Popoei (seafoam). And whilst the Nakas is largely affiliated with the Nakaripa clan, the Natasi is with the Naboen clan. Bougainville is largely a matrilineal society in which land is owned by women and chiefly titles pass through the female line; with the exception of South Bougainville which is patrilineal. The highest rank of chief is the Patu, a position that is considered equivalent to sacred beings. Nakaripa and Naboen each have a Tohe Kau Mal (female paramount chief) and her brother, the Tsunono Mal (male paramount high chief). The second in line to the chiefs fulfils the role of voice and knowledge holder, and acts as the bridge between the chiefs, clan members and the general public. The information about this paddle was provided to the Metropolitan Museum by curator Sana Reana Balai, voice of the Nakaripa kabe kabe golehe clan.
The anthropomorphic designs on this paddle are known as kokorra, which is also a name given to the decorated ceremonial paddles themselves. Both faces of the paddle decorated with low relief carvings of kokorra in the colors of red, black and white. Their squatting pose is seen in representations of kokorra on other ceremonial paddles and dance clubs. The kokorra figure represents a fetus (koreritu) a symbol of creation and journeys in life. The figures on both sides of the paddle wear upe (head adornments), which on Bougainville are worn by young male initiates. On Buka, the upe is worn by the male chief during the mourning ceremony and ritual for a Paramount Chief who had passed on. On this paddle, the figures with the red-colored upe represent the living, while the figures with the black colored upe represent the dead or ancestors. The overall design composition on this paddle therefore refers to the creation of life, and the passage to Kolu, the land of the ancestors. According to local belief, when a chief is ready to die two eagles will fly above the village, giving that chief permission to pass through the sky as he/she travels to Kolu.
Such paddles would be used in several ceremonies on Buka, including a sole (wedding ceremony). During the sole, the paddle would be held by the bride as she is carried to meet the family of her future husband. If the marriage is accepted, the bride passes the paddle to her aunt on her mother’s side, who keeps it until the bride falls pregnant, at which time the paddle would be placed at the at the front of the woman’s house to announce the pregnancy. It is then kept in a tsuhana (clan meeting house). When the chief dies the paddle will be placed on her grave to gradually decay, completing the life cycle of the carving.
Many of the ceremonial paddles that survived in the villages were destroyed in the ten year civil war in Bougainville during the 1990s, so those that are held in museums are among the only surviving examples. Bougainville, also known locally as North Solomons Province is currently campaigning for independence from Papua New Guinea.Artwork Details
- Title: Paddle (Hose)
- Date: late 19th–early 20th century
- Geography: Papua New Guinea, Bougainville or Buka Island, Bougainville Province
- Culture: Bougainville or Buka Island
- Medium: Wood, paint
- Dimensions: H. 66 3/4 × W. 6 1/2 × D. 1 in. (169.5 × 16.5 × 2.5 cm)
- Classification: Wood-Implements
- Credit Line: The Michael C. Rockefeller Memorial Collection, Purchase, Nelson A. Rockefeller Gift, 1966
- Object Number: 1978.412.1491
- Curatorial Department: The Michael C. Rockefeller Wing
Audio

1778. Kokorra (ceremonial paddle), Buka Island artist
Sana Balai
SANA BALAI: In our culture, we have this saying that the present looks to the past to see the future. My name is Sana Reana Tangere Balai. I am a daughter of a patu, which is the highest chief of the Nakaripa clan.
KATERINA TEAIWA (NARRATOR): For the Nakaripa and Naboen clans of Buka Island, canoe paddles like this one played an important ceremonial role, marking transitions at key stages of life.
The squatting figures that decorate the paddle…
SANA BALAI: …it’s called “kokorra.”
KATERINA TEAIWA: The kokorra represents a fetus, and refers to the beginning of life, or journeys within life. Look at the three-part kokorra figure on the bottom.
SANA BALAI: It’s actually one person. It’s transitioning from life to death.
KATERINA TEAIWA: The red and black figure on top also represents a woman… and a chief.
SANA BALAI: The structure of the clan system in Buka or Bougainville has a matriarchal system. The woman is the head of the family. The woman is a chief.
KATERINA TEAIWA: Sana Balai’s older sister is now the patu, the chief, of the Nakaripa clan. When she was married in the 1960s, she and her future husband each held paddles like these as their families carried them on platforms to the ceremony.
SANA BALAI: The name of the ceremony is called sole, s-o-l-e. It means I’m taking my daughter to her future husband.
So on her wedding day, she was carried high up by four people and surrounded by our warriors, singers, and our dancers. And on the platform, she will be holding the paddle.
Both parties will be dancing, and the woman’s family will sing a song that says, “We’re looking for a husband. We’re looking for a husband,” and the husband’s family will respond and will say, “We’re fishing for a wife.”
KATERINA TEAIWA: The husband’s family pretends to shake the bride off her platform, and she falls.
SANA BALAI: If the husband’s people catch her, then the wedding goes ahead, but if the woman’s family catch her, then it all starts again from scratch. Anyway, after that, the woman then hands the one or the paddle to the aunty. And then that one is kept until when she has a baby.
KATERINA TEAIWA: Traditionally, the paddle is placed in front of her house to announce her pregnancy. And when a woman passes to the afterlife, the paddle is called upon again.
SANA BALAI: The one will be then taken and put on the cemetery. And that represents the whole lifecycle, and then the thing starts again.
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Music: Sole (wedding) song for woman chief courtesy of Sana Balai.
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