English
DonateMembershipTickets

Seated Portuguese figure

Merchants and explorers from Portugal first made contact with the kingdom of Benin in 1486, initiating an economic relationship that ultimately had a profound impact upon the art and politics of this West African state. Benin's oral histories relate how Oba Esigie, who ruled Benin in the early sixteenth century, skillfully utilized these new trading partners to augment and consolidate his personal power and expand his kingdom's military and economic strength within the Guinea Coast region of Africa. From this period onward, images of Portuguese traders were widely incorporated into royal Benin art forms.

This tiny figure of a seated Portuguese man is a type of cast brass sculpture displayed on royal ancestral altars within the palace compound. Given its small size, it may have originally been a component of a larger work, now lost, such as an altar tableau (aseberia) or a brass altar to the hand (ikegobo). Although the Portuguese were physically different and initially quite unfamiliar to Benin's artists, sculptural depictions such as this one are very much in keeping with the aesthetic criteria and conventions of Benin courtly arts. In this sculptural tradition, identity and social status were indicated through clothing and other personal accoutrements rather than by facial features, which were typically generalized and slightly abstracted. Like most Benin artists, the creator of this seated figure exaggerated those generic aspects of the European face he found distinctive and representative, such as the large, beaklike nose, long hair, and luxurious moustache and beard. However, most of his interest appears to have been directed toward his subject's costume: its naturalism exhibits a keen attention to detail. The high-crowned hat, buttoned doublet with flared shoulders, patterned sleeves, ruffled collar, breeches, and boots are all faithfully rendered. Compared to other Portuguese subjects depicted in cast brass sculptures from Benin, this man's clothing appears to be especially fine and elaborate, suggesting an individual of significant wealth and importance.

Artwork Details

Object Information
  • Title: Seated Portuguese figure
  • Artist: Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
  • Date: 18th century
  • Geography: Nigeria, Court of Benin
  • Culture: Edo peoples
  • Medium: Brass
  • Dimensions: H. 5 in. x W. 2 in. x D. 2 3/8 in. (12.7 x 5.1 x 6 cm)
  • Classification: Metal-Sculpture
  • Credit Line: Gift of Mr. and Mrs. Klaus G. Perls, 1991
  • Object Number: 1991.17.31
  • Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
Court official from a commemorative altar, Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, Brass, iron, Edo peoples
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
16th–17th century
Pendant mask of Ìyọ́bà Idià, Ìgbèsànmwà (ivory- and wood- carving guild) artists, Ivory, iron, brass, coal, traces of iron oxides, Edo peoples
Ìgbèsànmwà (ivory- and wood- carving guild) artists
16th century
Nkisi (power figure), Kongo artist and nganga (ritual specialist), Wood, pigment, resin, iron, brass, tin, cloth, plant fiber cord, beads, cowrie shells, bone or ivory, arrows, leather, seeds, animal horn, Kongo peoples
Kongo artist and nganga (ritual specialist)
19th–first half of 20th century
Plaque with Warrior and Attendants, Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, Brass, Edo peoples
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
ca. 1540–70
Ùhúnmwèlaò (head of an ọ́bà), Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, Brass, iron, Edo peoples
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Early 15th–mid-16th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.