Art/ Collection/ Art Object

Miniature Tabard

Date:
1600–1700
Geography:
Bolivia or Peru
Culture:
Inca and Spanish
Medium:
Cotton, camelid hair, silk, metal
Dimensions:
H. 14 1/2 x W. 11 in. (36.8 x 27.9 cm)
Classification:
Textiles-Woven
Credit Line:
Gift of Penny Righthand, in memory of Richard I. Levine, 2007
Accession Number:
2007.470
Not on view
For several thousand years, a tuniclike shirt known as an uncu was the traditional male garment in the central Andes. Rectangular in shape with seams at the sides and openings at the neck and shoulders, uncus exist in countless versions, from rudimentary to luxurious. Miniature uncus had an equally long history in Peru/Bolivia, where they were sacred and adorned statues and significant natural features such as sacred rocks, called huacas. During Inca times, in the fifteenth and early sixteenth centuries, the miniatures were included in ritual offerings. After Spanish rule was established in Peru/Bolivia later in the sixteenth century, uncus continued to be made and worn. Miniature uncus played religious roles such as clothing images of the Christ Child, which would have been the purpose of this example. This small uncu incorporates both native Inca and colonial-era Christian features. The bright colors and floral images suggest that it was used for spring or harvest festivals, and the basic purple color associates it with Inca royalty, as do the central double rows of simplified toqapu. Toqapu are individually conceived geometric designs worked in linear groups that were frequently used on Inca works of art, from textiles to ritual drinking vessels. Their meaning has yet to be deciphered.
(Sotheby's, New York, May 12, 1983, no. 318); Richard Levine and Penny Righthand, Oakland, CA, 1983–2006; Penny Righthand, Oakland, CA, 2006–2007

Phipps, Elena. "Miniature Tunic (Uncu)." In The Colonial Andes: Tapestries and Silverwork, 1530–1830, edited by Elena Phipps, Johanna Hecht, and Cristina Esteras Mart!n. New York: The Metropolitan Museum of Art, 2004, pp. 276–77.

Pillsbury, Joanne. "Inka-Colonial Tunics: A Case Study of the Bandelier Set." In Andean textile traditions: papers from the 2001 Mayer Center Symposium at the Denver Art Museum, edited by Margaret Young-Sanchez, and Fronia W. Simpson. Denver: Denver Art Museum, 2006, pp. 120–68.

Giuntini, Christine. "Miniature Tabard." In Golden Kingdoms: Luxury and Legacy in the Ancient Americas, edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter. Los Angeles: Getty Publications, 2017, no. 227, p. 271.

Related Objects

Four-Cornered Hat

Artist: Date: 7th–9th century
Accession Number: 1994.35.161
Date: 7th–9th century Medium: Camelid hair Accession: 1994.35.161 On view in:Gallery 357

Border Fragment

Artist: Date: 450–175 B.C.
Accession Number: 1994.35.120
Date: 450–175 B.C. Medium: Cotton, camelid hair Accession: 1994.35.120 On view in:Gallery 357

Tunic

Artist: Date: 7th–9th century
Accession Number: 1987.394.706
Date: 7th–9th century Medium: Camelid hair, cotton Accession: 1987.394.706 On view in:Not on view

Tunic with Confronting Mythical Serpents

Artist: Date: 800–850
Accession Number: 29.146.23
Date: 800–850 Medium: Camelid hair Accession: 29.146.23 On view in:Not on view

Double Bowl

Artist: Date: 15th–early 16th century
Accession Number: 1979.206.1149
Date: 15th–early 16th century Medium: Ceramic Accession: 1979.206.1149 On view in:Gallery 357