Simple Retreat

Wang Meng Chinese

Not on view

Wang Meng depicted scholars in their retreats, creating imaginary portraits that capture not the physical likeness of a person or place but rather an interior world of shared associations and ideals. He presented the master of Simple Retreat as a gentleman recluse. Seated at the front gate of a rustic hermitage, he is shown holding a magic fungus, as a servant and two deer approach from the woods. In the courtyard, another servant offers a sprig of herbs to a crane. The auspicious Daoist imagery of fungus, crane, and deer as well as the archaic simplicity of the figures and dwelling evokes a dreamlike vision of paradise.

In creating this visionary world, Wang transformed the monumental landscape imagery of the tenth-century master Dong Yuan. Rocks and trees, animated with fluttering texture strokes, dots, color washes, and daubs of bright mineral pigment, pulse with a calligraphic energy barely contained within the traditional landscape structure. Encircled by this energized mountainscape, the retreat becomes a reservoir of calm at the vortex of a world whose dynamic configurations embody nature's creative potential but may also suggest the ever-shifting terrain of political power.

#7338. The Simple Retreat



  1. 7338. The Simple Retreat
  2. 7333. The Simple Retreat
Simple Retreat, Wang Meng (Chinese, ca. 1308–1385), Hanging scroll; ink and color on paper, China

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