Art/ Collection/ Art Object

元 張羽材 霖雨圖 卷
Beneficent Rain

Zhang Yucai (Chinese, died 1316)
Yuan dynasty (1271–1368)
late 13th–early 14th century
Handscroll; ink on silk
Image: 10 9/16 x 107 in. (26.8 x 271.8 cm)
Overall with mounting: 11 in. x 24 ft. 11 13/16 in. (27.9 x 753.9 cm)
Credit Line:
Gift of Douglas Dillon, 1985
Accession Number:
Not on view
Zhang Yucai, the thirty-eighth pope of the Zhengyi ("Orthodox Unity") Daoist church, lived at Mount Longhu (Dragon Tiger Mountain) in Jiangxi Province. A favorite of the Yuan emperors, he received commendation from the Mongol court for inducing needed rain and for subduing a "tide monster" that had plagued the eastern seacoast.

Dragons, as symbols of nature's elemental forces, have been depicted in Chinese art from time immemorial. A special genre, dragon paintings were given powerful treatment by such Southern Song masters as Chen Rong (act. ca. 1235-62) and the Chan Buddhist painter Muqi (act. ca. 1240-75). In a fourteenth-century account, Chen's working methods are described as follows: He "makes clouds by splashing ink, creates vapor by spraying water, and, while drunk, shouting loudly, takes off his cap, soaks it in ink, and smears and rubs with it, before finishing the painting with a brush."

On Chen Rong's celebrated Nine Dragons handscroll dated 1244, in the Museum of Fine Arts, Boston, there is a colophon dated 1331 by Zhang Yucai's son Zhang Sicheng, the thirty-ninth Daoist pope (r. 1317–44). Beneficent Rain is closely related to Chen Rong's Nine Dragons both in content and in style, and may have been directly inspired by the Boston scroll or others like it.
#7701. Beneficent Rain
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Inscription: Artist’s inscription and signature (3 columns in standard script)

Beneficent Rain
Painted by Weishan, Guangweizi, Zhang Yucai.


Artist's seal

Illegible: 1


1. Yongxing 永瑆 (1752–1823), 6 columns in standard script, dated 1816:

Qian Weishan (active mid-14th c.) included in his personal anthology, Jiangyue songfeng ji, a poem inscribed on Ascending Dragon painted by Celestial Master Guangwei [Zhang Yucai], which reads:
Breathing the air, riding the clouds, it reaches to the sky.
The ink master works magic; his inkstone smacks of aquatic creatures.
The waves shine, as the pair of swords submerge;
The storm darkens, as the six goddesses [of thunder and lightening] are dispatched.
Flames of fire dart skywards;
Green scales dive in, raising turbulence in the vast sea.
The man of perfect cultivation, carried up along the way, turns immortal;
How can I cling to [the dragon’s] whiskers to cross the Dongting [Lake]?
Recorded by Prince Cheng [Yongxing] on the fifth of the second lunar month in the bingzi year of the Jiaqing reign era [March 3, 1816].

錢惟善 《江月松風集》 有〈題廣微天師昇龍圖詩〉曰:

2. Ke Youzhen 柯有榛 (1814–?), 1 column in standard script, undated; 2 seals:

Given by Mr. Li Zheru (active mid-19th c.), it is kept by Ke Youzhen in the Huangwentang Studio. [Seals]: Huangwentang Zhai, Yunxu xinshang

喆如黎二兄見遺,柯有榛藏于黃文唐齋。 [印]:黃文唐齋、雲虛心賞

Collectors’ seals

Wu Yuanhui 伍元蕙 (19th c.)
Wu shi Nanxue Zhai cang 伍氏南雪齋藏

Shuju Laoren Han Song shu yin 蔬菊老人韓松書印

[1] Translation from Department records.
Douglas Dillon , New York (until 1985; donated to MMA)
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan I," March 1, 2003–September 21, 2003.

New York. The Metropolitan Museum of Art. "Chinese Painting, Masterpieces from the Permanent Collection," August 28, 2004–February 20, 2005.

Cincinnati Art Museum. "Decoded Messages: The Symbolic Language of Chinese Animal Painting," October 9, 2009–January 3, 2010.

New York. The Metropolitan Museum of Art. "The World of Khubilai Khan: Chinese Art in the Yuan Dynasty," September 28, 2010–January 2, 2011.

Shanghai Museum. "Masterpieces of Chinese Tang, Song and Yuan Paintings from America," November 3, 2012–January 3, 2013.

New York. The Metropolitan Museum of Art. "Masterpieces of Chinese Painting from the Metropolitan Collection I," October 31, 2015–October 11, 2016.

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