Armand Bertin, son of the powerful press baron Louis-François Bertin, whom Ingres immortalized in his famous portrait of 1832 (at the Louvre), possesses the same imposing girth as his father but a much gentler demeanor. Appearing caught in conversation, he holds a top hat (the perspective of which looks oddly distorted) in one hand and a walking cane in the other. The drawing is dedicated to the sitter’s wife, whose companion portrait Ingres also drew (2012.150.14).
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Armand Bertin
Artist:Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris)
Date:1842
Medium:Graphite on wove paper
Dimensions:Sheet: 12 5/16 x 9 in. (31.2 x 22.8 cm)
Classification:Drawings
Credit Line:Gift of Mrs. Charles Wrightsman, 2012
Accession Number:2012.150.13
Signature: Signed and dedicated in graphite at lower right: Ingres Del. / à Madame / Armand Bertin. / 1842.
Mme Armand Bertin, née Marie-Anne-Cécile Dollfuss, the sitter's wife, Paris, until her death, 1853; her widower, Armand Bertin (French), until his death, 1854; his daughter, Mme Jules Bapst, née Sophie Bertin (French), Paris, until her death, 1893; her daughter, Mme Georges Patinot, née Cécile Bapst (French), Paris, until her death, 1917; her daughter, Mlle Suzanne Patinot (French), until her death, 1969; M. and Mme Jean-Claude Delafon, Paris (French); Marc Blondeau, Paris, until 1988; sold to Wrightsman; Mrs. Charles Wrightsman (American), New York, from 1988
Galerie André Weil, Paris. "Exposition Ingres, maître du dessin français," June 2, 1949–June 25, 1949.
New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," November 26, 2012–February 24, 2013.
Naef 391
Max Dollfus Histoire et généalogie de la famille Dollfus de Mulhouse, 1450-1908. Mulhouse, 1909, ill. between pp. 352-53.
Le journal des débats politiques et littéraires, 1814-1914. Alfred Pereire, Paris, 1914, p. XVIII, ill. opposite p. 104.
Exposition Ingres, maître du dessin français. Exh. cat., Galerie André Weil, Paris, June 2-25, 1949. Paris, 1949, cat. no. 69.
Daniel Ternois Les dessins d'Ingres au Musée de Montauban, les portraits. Inventaire général des dessins des Musées de province. vol. 3, Paris, 1959, p. 10.
Hans Naef "Eighteen Portrait Drawings by Ingres." Master Drawings. vol. 4, 1966, pp. 269, 282, no. 13, pl. 12.
Hans Naef Die Bildniszeichnungen von J.-A.-D. Ingres. 4 vols., Bern, 1977-1980, vol. 5, pp. 270-71, no. 391, and vol. 3, chap. 143, pp. 129-33.
Gary Tinterow, Philip Conisbee, Christopher Riopelle, Hans Naef, Robert Rosenblum, Andrew Carrington Shelton, Georges Vigne, Rebecca A. Rabinow Portraits by Ingres: Image of an Epoch. Exh. cat., National Gallery, London, January 27-April 25, 1999, National Gallery of Art, Washington, D.C., May 23-August 22, 1999, Metropolitan Museum of Art, New York, October 5, 1999-January 2, 2000. New York, 1999, p. 320, fig. 184.
Everett Fahy, Pierre Rosenberg, Elizabeth E. Barker, George R. Goldner et al. The Wrightsman Pictures. New York and New Haven, 2005, cat. no. 88, ill.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.
