The shape of this basin, both in metal and glass, was popular in the Ayyubid and Mamluk periods. The surviving examples in glass, however, are only from the Mamluk period and therefore may have been produced in imitation of earlier Ayyubid metal shapes.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Basin
Date:14th century
Geography:Attributed to Syria
Medium:Glass; enameled
Dimensions:H. 6 1/2" DIam. 11 1/2"
Classification:Glass
Credit Line:Edward C. Moore Collection, Bequest of Edward C. Moore, 1891
Object Number:91.1.1532
Inscription: In Arabic on body: Glory to our Lord, the Sultan, the King, the Wise (repeated three times) (Translation by N. Martinovitch)
M. Albert Goupil, Paris(by 1885–1888; his sale, Hôtel Drouot, Paris, April 23–27, 1888,lot 37); Edward C. Moore (American), New York (until d. 1891; bequeathed to MMA)
New York. The Metropolitan Museum of Art. "Renaissance of Islam: Art of the Mamluks," November 21, 1981–January 10, 1982, suppl. #28.
Chicago. Smart Museum of Art, University of Chicago. "Blue and White: Chinese Porcelain and Its Impact on the Western World," October 3, 1985–December 1, 1985, no. 26.
New York. The Metropolitan Museum of Art. "Defining Yongle, Imperial Art in Early Fifteenth-Century China," April 1–July 10, 2005.
Lexington, KY. International Museum of the Horse. "Gift from the Desert," June 1, 2010–October 15, 2010.
"La Collection Albert Goupil, II L'Art Oriental." In Gazette des Beaux- Arts. vol. XXXII. p. 303.
"April 23–27, 1888." In Catalogue des Objets d'Art de l'Orient et de l'Occident, Tableaux, Dessins Composant la Collection de Feu M. Albert Goupil. Paris: Hôtel Drouot, 1888. p. 19, no. 37.
Lamm, Carl Johan. Mittelalterliche Gläser und Steinschnittarbeiten aus dem Nahen Osten. Forschungen zur Islamischen Kunst 5, vol. I, II. Berlin, Germany: D. Reimer, 1929–1930. vol. I, p. 419, ill. vol. II, pl. 184, no. 3.
Dimand, Maurice S. A Handbook of Muhammedan Decorative Arts. New York: The Metropolitan Museum of Art, 1930. p. 198.
Dimand, Maurice S. A Handbook of Muhammadan Art. 2nd rev. and enl. ed. New York: The Metropolitan Museum of Art, 1944. p. 248.
Carswell, John. "Catalogue of an exhibition at David and Alfred Smart Gallery, University of Chicago." In Blue and White: Chinese Porcelain and Its Impact on the Western World. Chicago: University of Chicago, 1985. no. 26, pp. 82–83, ill. (b/w).
Wypyski, Mark. Metropolitan Museum Studies in Art, Science, and Technology. vol. 1. New York, 2010. pp. 113, 120–21, 126, ill. fig. 7.
Ekhtiar, Maryam, Priscilla P. Soucek, Sheila R. Canby, and Navina Haidar, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. New York: The Metropolitan Museum of Art, 2011. p. 4, ill. no. 2 (b/w).
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Islamic art is one of the most comprehensive in the world and ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions from Spain to Indonesia.