The coats of arms of the donors, Pons de Gontaut and his brother Armand, in whose family funerary chapel this sculpture and the Pietà opposite originally stood, were held by the angels. The donors are represented in the Pietà.
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Artwork Details
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Title:Entombment of Christ
Date:ca. 1515
Geography:Made in Biron, Dordogne, France
Culture:French
Medium:Limestone, polychromy
Dimensions:Figurative area: 90 in. × 9 ft. 8 1/2 in. × 39 in. (228.6 × 295.9 × 99.1 cm) Other (Recess): 90 in. × 9 ft. 8 1/2 in. × 31 in. (228.6 × 295.9 × 78.7 cm) Stone Frame: 8 ft. 10 in. × 12 ft. 4 1/2 in. × 31 in. (269.2 × 377.2 × 78.7 cm)
Classification:Sculpture-Stone
Credit Line:Gift of J. Pierpont Morgan, 1916
Object Number:16.31.2a
From the château de Biron, France; Guillaume de Gontaut-Biron, marquis de Biron, Biron, France; [ Jacques Seligmann, Paris and New York (sold 1907)]; J. Pierpont Morgan (American), London and New York (from 1907–1913); Estate of J. Pierpont Morgan(1913–1916)
Vitry, Paul. "Les Sculptures du Château de Biron." Les Arts 3, no. 27 (March 1904). pp. 9–13.
Vitry, Paul, and Gaston Brière. Documents de Sculpture Française. Paris: Ateliers photo-mécaniques D. A. Longuet, 1904. pl. LXXVIII, no. 1, p. 17.
Morgan, J. Pierpont, and Robert W. De Forest. "Thirty-Eighth Annual Report of the Trustees for the Year Ending December 31, 1907." Annual Report of the Trustees of the Metropolitan Museum of Art 38 (1907). p. 18.
Fry, Roger Eliot. "Sculptures from the Château de Biron." The Metropolitan Museum of Art Bulletin, o.s., 3, no. 7 (July 1908). pp. 134–40.
Michel, André. Histoire de l'art depuis les premiers temps chrétiens jusqu'à nos jours: Volume IV, La Renaissance. Vol. Part 2. Paris: Armand Colin et Cie., 1911. p. 596.
Breck, Joseph. Catalogue of Romanesque, Gothic, and Renaissance Sculpture. New York: The Metropolitan Museum of Art, 1913. no. 157, pp. 150–53, illus.
"Mr. Morgan's Recent Gift." The Metropolitan Museum of Art Bulletin 11, no. 3 (March 1916). pp. 56–58.
Breck, Joseph, ed. The Metropolitan Museum of Art, The Pierpont Morgan Wing: A Brief Guide to the Art of the Renaissance, Medieval and Earlier Periods. New York: The Metropolitan Museum of Art, 1918. p. 5.
"The Pierpont Morgan Gift." The Metropolitan Museum of Art Bulletin 13, no. 1 (January 1918). p. 8.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 1st ed. New York: The Metropolitan Museum of Art, 1925. pp. 83, 134–35, fig. 75, ill. p. 133.
Chase, George H., and Chandler Rathfon Post. A History of Sculpture. New York: Harper & Brothers, 1925. p. 243.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. pp. 83, 134–35, fig. 75, ill. p. 133.
Blumenthal, George. "The New Cloisters." The Metropolitan Museum of Art Bulletin 30, no. 5 (May 1935). p. 100.
Carlier, Achille. "L'Elginisme: Aperçu su l’étendue du fléau. Les convoitises de l’Amérique. La résistance française. Les récentes tentatives.." Les Pierres de France 1, no. 3 (1937). pp. 98–101.
Carlier, Achille. "Le Mise au Tombeau et la Pieta de Biron (Dordogne)." Les Pierres de France 1, no. 3 (1937). pp. 156–59, fig. 98, 99, 101.
"Les déclassements qui regularisent ou facilitent les enlèvements." Les Pierres de la France 1, no. 3 (1937). pp. 157–59, fig. 99.
Biron. Bergerac: G. Védrène, 1940.
Rorimer, James J., and William Holmes Forsyth. "Recent Accessions at The Cloisters." The Metropolitan Museum of Art Bulletin 36, no. 5 (May 1941). p. 108.
Aubert, Marcel. La sculpture française au moyen-âge. Paris: Flammarion, 1947. p. 406.
Rorimer, James J. "Recent Reinstallations of Medieval Art." The Metropolitan Museum of Art Bulletin, n.s., 6, no. 7 (March 1948). p. 206, ill. p. 205.
Roudié, Paul. "Les mises au tombeau de Bordeaux." Revue Historique de Bordeaux et du Département de la Gironde 4 (1953). pp. 322–24, fig. 7.
Phillips, John Goldsmith. "The Renaissance Galleries." The Metropolitan Museum of Art Bulletin, n.s., 12, no. 6 (February 1954). p. 147.
Seligman, Germain. Merchants of Art: 1880–1960, Eighty Years of Professional Collecting. New York: Appleton-Century-Crofts, 1961. p. 70.
Pressouyre, Leon. "Trois mises au tombeau ignorées en Aquitaine: Saint-Céré, Sauvagnas, Pujols." Revue archéologique 1 (January-June 1962). p. 75.
Hoving, Thomas. "The Thread of Patronage: The Medieval Collections of The Metropolitan Museum of Art and The Cloisters." Apollo 82, no. 43 (September 1965). p. 189.
Anne, Françoise. "Le château de Biron." L'Information d'Histoire de l'Art 12, no. 5 (1967). pp. 225–26.
Forsyth, William H. The Entombment of Christ: French Sculptures of the Fifteenth and Sixteenth Centuries. Cambridge, MA: Harvard University Press, 1970. pp. 1, 107, 108, 114–21, figs. 160–161, 163–5, 167-8, 172, 175-6, 178.
Anne, Françoise. Le château de Biron. Paris: Nouvelles Editions Patines, 1971. pp. 22–23.
Bou, Gilbert. La sculpture gothique en Rouergue. Rodez: Imprimerie P. Carrère, 1971. pp. 122–28.
Bou, Gilbert. Sculpture gothique albigeoise. Rodez: Imprimerie P. Carrère, 1972. p. 182.
Cloulas-Brousseau, Annie. "Review of Gilbert Bou, La sculpture en Rouergue à la fin du gothique and Sculpture gothique albigeoise." Bulletin Monumental 130, no. 4 (1972). p. 372.
Cloulas-Brousseau, Annie. "La mise au tombeau de la chapelle seigneuriale des Minières." Bulletin Monumental 130, no. 2 (1972). p. 131.
Forsyth, William H. "The Biron Master and His Workshop." Metropolitan Museum Journal 8 (1973). pp. 105–163, fig. 17–19, 25–31,36-4, 44.
Forsyth, William H. "The Entombment of Christ: Addenda." Metropolitan Museum Journal 8 (1973). p. 175.
Boccador, Jacqueline. Statuaire medievale en France de 1400 à 1530. Vol. 2. Zoug: Les Clefs du Temps, 1974. pp. 86–87, fig. 93.
Cloulas-Brousseau, Annie. "Le 'Maître de Biron' et la sculpture française de la fin du Moyen Âge." Bulletin Monumental 133, no. 3 (1975). pp. 262–63.
Roudié, Paul. "Le Maître de Biron et les bustes de Montal." Bulletin Monumental 139, no. 4 (1981). pp. 235–37, fig. 5, 8.
de Bévotte, Marguerite. La "Nostre Dame de Grasse" du Musée des Augustins de Toulouse et le rayonnement de son art dans les régions voisines à la fin de l'ère gothique. Rodez: Imprimerie P. Carrère, 1982. pp. 97–100, pl. LVI–LIX.
Tétart-Vittu, Françoise. "Le château de Biron." Congrès Archéologique de France 137 (1982). pp. 225–27.
Cloulas-Brousseau, Annie. "Review of Marguerite de Bévotte, La 'Nostre Dame de Grasse' du Musée des Augustins de Toulouse et le rayonnement de son art dans les régions voisines à la fin de l'ère gothique." Bulletin Monumental 141, no. 2 (1983). p. 223.
Sangouard, Antoinette, and Jacques Sangouard. "L'autel du Saint-Sépulcre de Biron et le tombeau de l'Évêque Armand de Gontaut." Bulletin Monumental 142, no. 4 (1984). pp. 358–59, fig. 2.
Wixom, William D. "Medieval Sculpture at The Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 46, no. 3 (Winter 1988-1989). p. 7, fig. 10.
Bayle, Jeanne. "La mise au tombeau de Foix, oeuvre d'Auguste Virebant." Bulletin de la Société Ariégeoise des Sciences, Lettres et Arts 46 (1991). pp. 107–25, fig. 2, 3.
Martin, Michel. La statuaire de la mise au tombeau du Christ des XVe et XVIe siècles en Europe occidental. Paris: Picard, 1997. pp. 149, 291, 365.
Julien, Pascal. "De l'imagier Jean Bauduy au Maître de Biron: Les 'momies des comtes de Toulouse', statues en terre cuite de 1523." Bulletin Monumental 158, no. 4 (2000). pp. 337, 338.
Karsallah, Elsa. "Mises au tombeau du Christ realisées pour les dignitaires religeux: Particularités et fonctions." In L'artiste et le clerc: Commandes artistiques des grands ecclesiastiques à la fin du Moyen Âge (XIVe-XVIe siècles), edited by Fabienne Joubert. Paris: Presses de l'Université de Paris-Sorbonne, 2006. pp. 287–88, 289, 290, 301.
Wixom, William D. "Late Medieval Sculpture in the Metropolitan: 1400 to 1530." The Metropolitan Museum of Art Bulletin, n.s., 64, no. 4 (Spring 2007). pp.40–1.
Gennari-Santori, Flaminia. "Medieval Art for America: The Arrival of the J. Pierpont Morgan Collection at the Metropolitan Museum of Art." Journal of the History of Collections 22, no. 1 (2010). pp. 86, 94.
Riou, Charlotte, ed. Une histoire toulousaine vers 1500: Les sculptures de l'église des Récollets. Toulouse: Musée des Augustins, 2011. p. 59.
Brennan, Christine. "Late Medieval Monumental Sculpture at The Met: Three Morgan Acquisitions and the Evolution of their Display." In Morgan: The Collector: Essays in Honor of Linda Roth's 40th Anniversary at the Wadsworth Atheneum Museum of Art, edited by Vanessa Sigalas, and Jennifer Tonkovich. Stuttgart: Arnoldsche Art Publishers, 2023. fig. 5, 11, 13, 15 pp. 82, 86, 89, 90.
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