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Relief of the Betrayal and Arrest of Jesus

1264–88
On view at The Met Fifth Avenue in Gallery 304
Four key events in the final hours of Jesus’ life are dramatically shown here (from left to right): Peter sheathing his sword after severing the ear of Malchus (seated), the high priest’s servant; Jesus miraculously restoring the ear; Judas betraying Jesus with a kiss; and Roman soldiers arresting Jesus. The compression of these events into one scene with its complex interweaving of figural masses creates a powerful sculptural statement.

In the medieval church the choir screen separated the nave and the choir area. By the thirteenth century these barriers often were decorated with extensive narrative themes, especially the Passion, the dramatic final events in the earthly life of Jesus. Because they hindered participation in church rituals by the laity, most European churches eventually eliminated them. The choir screen at the cathedral in Amiens was destroyed in 1755. This relief is one of the largest and best preserved narrative sculptures to survive.

Artwork Details

Object Information
  • Title: Relief of the Betrayal and Arrest of Jesus
  • Date: 1264–88
  • Geography: Made in Amiens, Picardy, France
  • Culture: French
  • Medium: Limestone with traces of polychromy and gilding
  • Dimensions: Overall: 39 1/4 x 43 x 9 in. (99.7 x 109.2 x 22.9 cm)
  • Classification: Sculpture-Stone
  • Credit Line: Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917
  • Object Number: 17.120.5
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Cover Image for 3090. Limestone Relief of the Betrayal and Arrest of Jesus

3090. Limestone Relief of the Betrayal and Arrest of Jesus

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This dramatic relief is part of a great choir screen from the French Cathedral of Amiens. A choir screen is the structure that separates lay people in the nave from the clergy in the choir. In great Gothic cathedrals, choir screens were often decorated with elaborate sculptural reliefs.

This one represents the tumultuous moment before Christ’s death. In the center, we see Judas, his back turned from us as he leans in to kiss Christ in his infamous act of betrayal. On the far right, Roman soldiers prepare to arrest Christ. If you bend over and peek beneath the hem of the soldier on the far right, you can see passages of the bright colors that once covered the entire relief. On the far left is St. Peter, with his arm raised, withdrawing a sword that he just used to sever the ear of Malchus, the figure seated beneath him. Walk around to the left of the sculpture and find Christ’s hand as he reattaches Malchus’ ear. Amid the aggression and brutality of this charged scene, a powerful act of healing and compassion takes place.

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