Similar to the architectural supports for Henry Hamlyn’s doorway, these candlestick holders present a peasant and a jester as comedic counterparts. Details of clothing, headgear, footwear, and even facial features make for an entertaining game of contrasts.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Pair 64.101.1534 and .1535
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Candlestick
Artist:Jehan Aert van Tricht (Netherlandish, active Maastricht 1492–1501)
Date:ca. 1500
Geography:Made in Maastricht or Xanten
Culture:South Netherlandish
Medium:Brass
Dimensions:Overall: 11 13/16 x 5 13/16 x 5 11/16 in. (30 x 14.7 x 14.4 cm)
Classification:Metalwork-Brass
Credit Line:Gift of Irwin Untermyer, 1964
Object Number:64.101.1534
Count Enzensberg,Tratzberg Castle, Austria (?); Richard von Kaufmann, Berlin (sold 1917); his sale, Paul Cassirer und Hugo Helbing, December 4, 1917, no. 461; [ A. S. Drey, Munich (?)]; Camillo Castiglioni, Vienna (by at least 1923–sold 1925); his sale, Frederik Muller & Cie (Dutch), November 18, 1925; Jules S. Bache, New York; his sale, Kende Galleries, New York, April 19-20,1945, no. 476; Irwin Untermyer, New York (by at least 1957–until 1964)
Oklahoma City Museum of Art. "Songs of Glory: Medieval Art from 900–1500," January 22–April 29, 1985.
National Gallery of Art, Washington D.C. "Love and War: A Manual for Life in the Late Middle Ages," November 8, 1998–January 31, 1999.
New York. The Cloisters, The Metropolitan Museum of Art. "Rich Man, Poor Man: Art, Class, and Commerce in a Late Medieval Town," March 6, 2023–February 4, 2024.
Die Sammlung Richard von Kaufmann, Berlin. Vol. 3. Berlin: Paul Cassirer und Hugo Helbing, December 4, 1917. p. 77, no. 461, pl. 71.
Planiscig, Leo. Sammlung Camillo Castiglioni: Bronzestatuetten und Geräte. Vienna: A. Schroll, 1923. p. 53, pl. 110.
Collections Camillo Castiglioni de Vienne II: Bronzes Antiques et de la Renaissance. Amsterdam: Frederik Muller & Cie, November 18, 1925. p. 25, pl. CX.
Art Property. New York: Kende Galleries, April 19–21, 1945. p. 126, no. 476.
Hackenbroch, Yvonne. "Two Dinanderie Figures by Aert van Tricht." The Connoisseur 139 (1957). pp. 219–21, no. 2.
Meyer, Erich. "Der gotische Kronleuchter in Stans: ein Beitrag zur Geschichte der Dinanderie." In Festschrift Hans R. Hahnloser zum 60, edited by Ellen J. Beer. Basel: Birkhäuser, 1961. pp. 177–79, fig. 28.
Hackenbroch, Yvonne. Bronzes Other Metalwork and Sculpture in the Irwin Untermyer Collection. Irwin Untermyer Collection, Vol. 5. New York: The Metropolitan Museum of Art, 1962. pp. xlvi, 30, fig. 139, pl. 128.
Gómez-Moreno, Carmen. Medieval Art from Private Collections: A Special Exhibition at The Cloisters, October 30, 1968 through January 5, 1969. New York: The Metropolitan Museum of Art, 1968. no. 126.
Draper, James David, ed. Highlights of the Untermyer Collection of English and continental decorative arts. New York: The Metropolitan Museum of Art, 1977. p. 154, no. 292, illus.
Songs of Glory: Medieval Art from 900 to 1500. Oklahoma City: Oklahoma Museum of Art, 1985. no. 68, pp. 25; 204–206.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.