"MR" Armchair

Ludwig Mies van der Rohe (American (born Germany), Aachen 1886–1969 Chicago, Illinois)
Tubular steel, painted caning
31 1/2 x 22 x 37 in. (80 x 55.9 x 94 cm)
Credit Line:
Purchase, Theodore R. Gamble Jr. Gift, in honor of his mother, Mrs. Theodore Robert Gamble, 1980
Accession Number:
Not on view
The architect and designer Ludwig Mies van der Rohe is one of the best-known exponents of International Style modernism. His "less-is-more" philosophy has become a catchphrase for much twentieth-century design, though a preference for luxurious and costly materials often underscores the deceptive simplicity of his elegant and refined designs. Mies van der Rohe's early architectural career in Berlin included training in the office of Bruno Paul from 1905 until 1907 and in the office of Peter Behrens from 1908 until 1911 (where his co-workers included Le Corbusier and Walter Gropius). He opened his own practice in Berlin in 1913 and soon developed a personal architectural idiom that combined the cool rationalism of the nineteenth-century German architect Karl Friederich Schinkel with the pure formalism of the International Style.

From 1926 until 1932 Mies van der Rohe was vice president of the Deutsche Werkbund, an association of designers and architects whose principal aim was the development of well-designed, mass-producible architecture and household objects by way of an alliance of art and industry. In 1927 the Werkbund presented the influential exhibition "Die Wohnung" (The Dwelling), which included the Weissenhof Siedlung (Weissenhof Housing Estate), an experimental group of model apartment buildings built in a suburb of Stuttgart. Under Mies van der Rohe's direction, a number of important architects, including Mart Stam and Marcel Breuer, collaborated on the project, designing furniture for the apartments. This graceful, elegant, and beautifully proportioned "MR" chair, developed from a 1924 design for a cantilevered chair by Mart Stam, was introduced by Mies van der Rohe at the 1927 Stuttgart exhibition and has remained in production ever since.

Mies van der Rohe was the last director of the Bauhaus design school in Dessau, from 1930 until its closing in 1932. In 1938 he left Germany for America, where he headed the architecture department at the Illinois Institute of Technology.

William S. Greenspon, New York (until 1980; sold to MMA)

Baltimore. Walters Art Gallery. "Art Nouveau to Art Moderne: Twentieth-Century Decorative Arts from The Metropolitan Museum of Art," March 2–April 28, 1985, no catalogue.

Raleigh. North Carolina Museum of Art. "Art Nouveau to Art Moderne: Twentieth-Century Decorative Arts from The Metropolitan Museum of Art," June 22–August 11, 1985, unnum. brochure (as "Armchair").

New York. The Metropolitan Museum of Art. "A Century of Design, Part ll: 1925-1950," May 9–October 29, 2000, no catalogue.

New York. The Metropolitan Museum of Art. "Masterpieces of Modern Design: Selections from the Collection," May 30–October 5, 2008, no catalogue.

New York. The Metropolitan Museum of Art. "Highlights from the Modern Design Collection: 1900 to the Present," June 23, 2009–May 1, 2011, no catalogue.

Gary Tinterow et al. The Metropolitan Museum of Art. Vol. 8, Modern Europe. New York, 1987, p. 131, colorpl. 110.

Magdalena Droste in Experiment Bauhaus. Ed. Magdalena Droste and Jeannine Fiedler. Exh. cat., Bauhaus Dessau. Berlin, 1988, pp. 118–19, no. 115, ill.

Barbara Burn, ed. Masterpieces of the Metropolitan Museum of Art. New York, 1993, p. 316, ill. (color).

Christiane Lange. Ludwig Mies van der Rohe & Lilly Reich: Furniture and Interiors. Exh. cat., Lange House. Ostfildern, 2006, p. 151.

Otakar Máčel. "The Metal Furniture by Mies van der Rohe: Manufacturers and Imitations, 1927–38." Mies and Modern Living: Interiors, Furniture, Photography. Ed. Helmut Reuter and Birgit Schulte. Ostfildern, 2008, pp. 99–100, figs. 93, 105.

Sandra Dachs, Patricia de Muga, and Laura Garcia Hintze, ed. Mies van der Rohe: Objects and Furniture Design. Barcelona, 2010, p. 26, ill. (color) pp. 29–30, 120.