Harpsichord
Technical description: Oak case veneered on the exterior with mahogany panels surrounded by cross-grained mahogany banding and light stringing, with an exterior bottom molding of mahogany; the interior veneered in figured maple or sycamore with dark stringing; the keywell veneered in walnut burl, surrounded by cross-grain walnut banding, with dark and light stringing; lid of solid mahogany; on a stand of four square legs with stretchers, wooden casters; FF, GG-f3, 2x8 ', 1x4', buff stop on the back 8 '; ivory naturals with molded sycamore fronts, ebony accidentals; three-rail keyframe with front guide pins; jacks of pear with single flag dampers, bristle springs, quill plectra, and staples to limit rear travel of tongues; registers controlled by four brass knobs that protrude through the nameborad, and by a "machine stop" pedal that moves the front 8' and the 4' registers to their off position as long as it is depressed; cast metal rose in soundboard. (Laurence Libin)
Artwork Details
- Title: Harpsichord
- Maker: Jacob Kirkman (British, born Bischwiller, Alsace, France 1710–1792 Greenwich, England)
- Maker: Abraham Kirkman (British, born Bischwiller, Alsace, France, 1737–1794 Hammersmith, England)
- Date: 1781
- Geography: London, England, United Kingdom
- Culture: British
- Medium: Wood, various materials
- Dimensions: inst.: 222cm x 94cm x 32cm
stand: 154cm x 90cm x 62cm - Classification: Chordophone-Zither-plucked-harpsichord
- Credit Line: The Crosby Brown Collection of Musical Instruments, 1889
- Object Number: 89.4.1678
- Curatorial Department: Musical Instruments
Audio
Vivace from Solo in G Major (Wq. 134) by C.P.E. Bach. from: Historic Instruments in Performance: porcelain flute, South German, ca. 1760; harpsichord by Jacob and Abraham Kirkman, London, 1781; James Bonn, and harpsichord; David Hart, flute. C.P.E. Bach, Poco adagio (from Sonata in a minor for unaccompanied transverse flute), Wq. 132. [M1808] (Pleiades Records)
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