This image of a queen wearing the vulture headdress over a voluminous tripartite wig was split off its backslab in antiquity, most probably by somebody who wanted to make use of this conveniently shaped piece of stone for other purposes. It is conceivable that a king (her father, son, or husband) was originally represented seated beside her. The sculpture has been identified tentatively as Queen Ahmes Nefertari, mother of Amenhotep I, and dated to the reign of Ahmose (ca. 1550-1525 B.C.) at the very beginning of the Eighteenth Dynasty. However, the remarkable flatness of the face and wig is familiar from certain works created during the Seventeenth Dynasty (compare the seated statueof Siamun in gallery 11), and the intriguing interplay of fleshy musculature in the lower part of the face is even reminiscent of late Middle Kingdom images. This combination of stylistic traits is best understood in the context of the excitingly multifaceted artistic period between the end of the Middle and the beginning of the New Kingdom.
Museum excavations, 1915–16. Acquired by the Museum in the division of finds, 1916.
Hayes, William C. 1959. Scepter of Egypt II: A Background for the Study of the Egyptian Antiquities in the Metropolitan Museum of Art, Part II: The Hyksos Period and the New Kingdom (1675-1080 B.C.). Cambridge, Mass.: Metropolitan Museum of Art, p. 55, fig. 26.
Aldred, Cyril 1980. Egyptian Art in the Days of the Pharaohs, 3100-320 BC, World of Art, New York: Oxford University Press, p. 149, no. 107.
Hibbard, Howard 1980. The Metropolitan Museum of Art. New York: Harper & Row, 44, fig. 81.