Mask of a young person with an unusual hairstyle

Roman Period

On view at The Met Fifth Avenue in Gallery 138

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head.

Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian.

Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded.

The face-broad at the temple, with narrow slightly modeled eyes, an arched nose, and a delicate smile-seems to be that of a young person. Tight curls cover the top of the individual's head, while longer locks flow out onto the support on which the head rests. No earrings or other jewelry are worn that would make a female gender identification likely so it seems probable that the mask represents a young man who wears his hair longer in back.

Mask of a young person with an unusual hairstyle, Plaster, paint

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