Ostracon with liliform capital

Late Period, Saite

On view at The Met Fifth Avenue in Gallery 127

The courtyard rubbish outside Nespekashuty's tomb reflects long periods of use, a situation which complicates the dating and understanding of the painted ostraka found there. A recent stylistic study has allowed some of them to be grouped chronologically, however.

The horse (23.3.33) and leaping lion (23.3.28) are done with red preliminary sketches, finalized with a thin, supple black line; this technique resembles that of the Ramesside artists from Deir el Bahri. The incised crocodile (23.3.30) relates best to ostraka known from the Ptolemaic Period.

A third group, including a calf (23.3.27), blind harpist (23.3.31), and floral capitals (23.3.34, 23.3.35) appears to be contemporary with the tomb of Nespekashuty. On these, the preliminary drawing was executed in a pale red ink that was overlaid with a final line in darker red; wide contour lines were created by short overlapping strokes. The technique resembles that noted in preliminary drawings on the walls of the first chamber of Nespekashuty's tomb. These ostraka then may be discarded preliminary sketches for the tomb decoration.

Ostracon with liliform capital, Limestone, ink

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.