This rectangular box was made to hold Buddhist scriptures in the format of Chinese handscrolls. Depictions of vigorous, golden five-clawed dragons soaring among clouds, symbols of imperial power, cover the box and lid. Notably, the dragon design is first incised into the red surface and then filled with gold. This luxurious object is a product of the imperial workshop of Emperor Yongle.
Dimensions:H. 5 1/2 in. (14 cm); W. 5 in. (12.7 cm); L. 16 in. (40.6 cm)
Classification:Lacquer
Credit Line:Purchase, Sir Joseph Hotung and The Vincent Astor Foundation Gifts, 2001
Object Number:2001.584a–c
[ C. T. Loo & Co. , Paris, 1978]; [ A & J Speelman Ltd. , London, 1998–2001; sold to MMA]
New York. The Metropolitan Museum of Art. "Defining Yongle, Imperial Art in Early Fifteenth-Century China," April 1–July 10, 2005.
New York. The Metropolitan Museum of Art. "Chinese Lacquer," July 18–November 14, 2005.
New York. The Metropolitan Museum of Art. "Chinese Lacquer: An Introduction," December 4, 2007–May 11, 2008.
New York. The Metropolitan Museum of Art. "Cinnabar: The Chinese Art of Carved Lacquer," August 6, 2009–February 21, 2010.
New York. The Metropolitan Museum of Art. "Red and Black: Chinese Lacquer, 13th–16th Century," September 7, 2011–June 10, 2012.
New York. The Metropolitan Museum of Art. "Introduction to Chinese Lacquer," December 11, 2013–July 6, 2014.
New York. The Metropolitan Museum of Art. "Sumptuous: East Asian Lacquer, 14th–20th Century," October 25, 2014–August 9, 2015.
New York. The Metropolitan Museum of Art. "Spirited Creatures: Animal Representations in Chinese Silk and Lacquer," October 21, 2017–July 22, 2018.
New York. The Metropolitan Museum of Art. "Recasting the Past: The Art of Chinese Bronzes, 1100–1900," February 27, 2025–September 28, 2025.
Watt, James C. Y., and Denise Patry Leidy. Defining Yongle: Imperial Art in Early Fifteenth-Century China. Exh. cat. New York: The Metropolitan Museum of Art, 2005, p. 55, pl. 21.
The Metropolitan Museum of Art. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012, p. 98.
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