Hokku on “New Year’s Crow,” with a Painting of a Courtier

Inscription by Yosa Buson Japanese
Colophon by Matsumura Goshun Japanese

On view at The Met Fifth Avenue in Gallery 230

After the death of the poet-painter Yosa Buson, his pupil Matsumura Gekkei (who used the alias Go Shun when creating Chinese-style paintings) was asked to authenticate surviving examples of his master’s handwriting. On the narrow slip of paper placed at the far right of this scroll, Buson had inscribed a hokku (seventeen-syllable poem) alluding to the tradition of welcoming the crow’s first caw as a harbinger of spring and the New Year.

At left, Gekkei added a playful portrait of Tachibana no Suemichi, a poet from the Heian period (794–1185) whom Buson had often depicted after having a peculiar New Year’s dream about him. The hokku reads:

己か羽の 文字もよめたり 初烏

I, too, can read
the characters on the feathers
of the year’s first black crow.

Hokku on “New Year’s Crow,” with a Painting of a Courtier, Inscription by Yosa Buson (Japanese, 1716–1783), Hanging scroll: ink and color on paper, Japan

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