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Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera on wood, gold ground
Master of Saint Francis
ca. 1272
A Goldsmith in his Shop, Petrus Christus  Netherlandish, Oil on oak panel
Petrus Christus
1449
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1665–67
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Leisure Time in an Elegant Setting, Pieter de Hooch  Dutch, Oil on canvas
Pieter de Hooch
ca. 1663–65
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1610
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Madame Roulin and Her Baby, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1888
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Before Dinner, Pierre Bonnard  French, Oil on canvas
Pierre Bonnard
1924
Sergeant of the Colonial Regiment, Albert Marquet  French, Oil on canvas
Albert Marquet
1906–7
Nude in Front of a Mantel, Balthus (Balthasar Klossowski)  French, Oil on canvas
Balthus (Balthasar Klossowski)
1955
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
Possibly French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century
Watch, Jacques Goullons  French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Jacques Goullons
ca. 1645–48
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
South Netherlandish
late 14th or early 15th century
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
possibly del Tasso
ca. 1530
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli  Italian, Maiolica (tin-glazed earthenware)
workshop of Maestro Giorgio Andreoli
1528
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
German, perhaps Frankfurt-am-Main
ca. 1705–11
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Attributed to Martin Carlin
Sèvres Manufactory
various French
ca. 1781–85
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
The Adoration of the Magi, Bartolo di Fredi  Italian, Tempera and gold on wood
Bartolo di Fredi
ca. 1390
The Coronation of the Virgin, Niccolò di Buonaccorso  Italian, Tempera on wood, gold ground
Niccolò di Buonaccorso
ca. 1380