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Showing 180 results
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Krar (mask), Mabuiag Island artist, Turtle shell, wood, cassowary feathers, fiber, resin, shell, paint, Torres Strait Islander
Mabuiag Island artist
mid to late 19th century
Mountain Devil Lizard Dreaming-Sand-Hill Country (after Hailstorm), Kathleen Petyarre  Australian (Aboriginal), Acrylic on canvas
Kathleen Petyarre
2000
Spruce gum box, ER. PQ
between 1870 and 1899
Parrying Shield, Aboriginal artist, Wood, Lower Murray River region
Aboriginal artist
19th century
Parrying Shield, Aboriginal artist, Wood, Lower Murray River region
Aboriginal artist
19th century
Mask (Mawa), Wood, paint, shells, cloth, wool, fiber, Torres Strait Islander
Torres Strait Islander
mid-19th–early 20th century
Rainforest shield, Aboriginal artist, Wood, natural pigment, Northeastern Queensland
Aboriginal artist
mid–late 19th century
Yidaki (didjeridu), Nonggirrnga Marawili (aboriginal artist) Australian, Wood, metal, Australian
Nonggirrnga Marawili
20th century
Mask (Le Op), Turtle shell, hair, fiber, pigment, Torres Strait Island people
Torres Strait Island people
mid- to late 19th century
Bark Painting, Bark, paint, Ingura people
Ingura people
1940s–1950s
Riji, jakoli, or longkalongka (engraved pearl shell) with belt, Aboriginal artist, Pearl shell, human hair, ocher, Western Kimberley
Aboriginal artist
late 19th–early 20th century
Riji, jakoli, or longkalongka (engraved pearl shell), Aboriginal artist, Pearl shell, ocher, Western Kimberley
Aboriginal artist
late 19th–early 20th century
Basket (Jawun), Fiber, paint, Northern Queensland people
Northern Queensland people
late 19th–early 20th century
Untitled (HBOAIAZ), Daniel Boyd  Australian, Oil, charcoal and archival glue on canvas
Daniel Boyd
2023
Baratjala, Nonggirrnga Marawili  Australian, Natural pigments and recycled printer toner on eucalyptus bark (E. tetrodonta), Madarrpa
Nonggirrnga Marawili
2022
Bark Painting, Bark, paint, Western Arnhem Land
Western Arnhem Land
1940s
Parrying Shield (Mulgani [?]), Wood, paint, Lower Murray River region
Lower Murray River region
19th century
Parrying Shield, Wood, pigment, Lower Murray River region
Lower Murray River region
19th century
Parrying Shield, Wood, Lower Murray River region
Lower Murray River region
19th century
Parrying Shield, Wood, Lower Murray River region
Lower Murray River region
mid-19th–early 20th century
Club, Wood, Lower Murray River region
Lower Murray River region
mid-19th–early 20th century
Club, Wood, Southeast Australia
Southeast Australia
mid-19th–early 20th century
Boomerang, Wood, pigment, Probably western Queensland
Probably western Queensland
late 19th–early 20th century
Spear Thrower, Wood, stone, spinifex resin, sinew, Kalgoorlie (?)
Kalgoorlie (?)
mid-19th–early 20th century
Bark Painting, Bark, paint, Ingura people (?)
Ingura people (?)
mid-20th century
Trap - self portrait, Justine Cooper  Australian, Transparent film mounted on plexiglass
Justine Cooper
1998
Evening, Tim Storrier  Australian, Acrylic on paper
Tim Storrier
1990
Noon: Blaze Line, Number 1, Tim Storrier  Australian, Acrylic and rope on wood
Tim Storrier
1990
The Door, Number 1, Tim Storrier  Australian, Acrylic and wood, on wood
Tim Storrier
1990
NY 838 1984, Margery Edwards  Australian, Black ink and graphite on torn and collaged hand made papers
Margery Edwards
1984
"Boxes and Components" Necklace, Helen Britton  Australian, Gold plated silver, plastic polymer, and found objects
Helen Britton
2010
Landscape with Rocks I, Fred Williams  Australian, Oil on Masonite
Fred Williams
1957–58
Lysterfield Landscape, Fred Williams  Australian, Oil on canvas
Fred Williams
1968
Cottlesbridge Landscape, Fred Williams  Australian, Oil on canvas
Fred Williams
1970
Winjana Gorge, Kimberleys, I, Fred Williams  Australian, Oil on canvas
Fred Williams
1981
I am Positive, I am Negative, Juan Davila  Australian, Color screenprint
Juan Davila
1989
Still Life with Books and Magnifying Glass, Tom Risley  Australian, Acrylic and crayon on padded canvas
Tom Risley
1992
Walk with Me, Imants Tillers  Australian, Acrylic, gouache, and graphite on canvas board
Imants Tillers
1989
Early Colonial Architecture, Elaine Haxton  Australian, Opaque watercolor with graphite on board
Elaine Haxton
1940
Monday Morning, George Russell Drysdale  Australian, Oil on canvas
George Russell Drysdale
1938