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The Met CollectionSearch Art

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Highlights (19)

On view (147)

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(412)

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Object type / material

Metal (409)

Iron and iron alloy (306)

Iron alloy (295)

Steel (289)

Costume (179)

Gold (151)

Armor (142)

Arms (127)

Copper alloy (118)

Body armor (83)

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Lombardy (622)

Europe (622)

Italy (622)

Milan (461)

Brescia (67)

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Ancient American Art in The Michael C. Rockefeller Wing (0)

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Arms and Armor (310)

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Drawings and Prints (92)

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European Sculpture and Decorative Arts (146)

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Medieval Art and The Cloisters (16)

The Michael C. Rockefeller Wing (0)

Modern and Contemporary Art (0)

Musical Instruments (24)

Oceanic Art in The Michael C. Rockefeller Wing (0)

Photographs (0)

The Robert Lehman Collection (28)

Thomas J. Watson Library (6)

Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion), Steel, gold, copper alloy, leather, Italian, Milan — Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion)
Italian, Milan
ca. 1510

Burgonet, Filippo Negroli Italian, Steel, gold, textile, Italian, Milan — Burgonet
Armorer Filippo Negroli
dated 1543

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan — Armet
Armorer Stamped with the armorer's name, LIONARDO
ca. 1440

Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua — Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524

Plaque with the Holy Women at the Sepulchre, Elephant ivory, North Italian — Plaque with the Holy Women at the Sepulchre
North Italian
early 10th century

Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I, Elephant ivory, Ottonian — Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I
Ottonian
ca. 962–968

ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona) — ex "Kurtz" Violin
Andrea Amati
ca. 1560

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420

Trattato dell' arte della pittura, scultura et architetettura, Giovanni Paolo Lomazzo Italian, Printed book, Milan: [s.n.], 1585 — Trattato dell' arte della pittura, scultura et architetettura
Author Giovanni Paolo Lomazzo
1585

Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie, Luigi Chizzola, Illustrated book, Brescia: [s.n.], 1760 — Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie
Author Luigi Chizzola
1760

Viola d'Amore, Giovanni Grancino Italian, Spruce, maple, ebony, bone, iron, Italian — Viola d'Amore
Giovanni Grancino
1701

Codice civile generale austriaco, Luigi Lodigiani Italian — Codice civile generale austriaco
Binder Luigi Lodigiani
1815

Mostra internazionale del surrealismo : Galleria Schwarz Milano, maggio 1961, Galleria Schwarz — Mostra internazionale del surrealismo : Galleria Schwarz Milano, maggio 1961
Publisher Galleria Schwarz
1961

Arte concreta, Bruno Munari Italian — Arte concreta
Bruno Munari
1950-1951

Alberto Martini, trentuna fantasie bizzarre e crudeli preceduto dalla diabolica imagine di Niccolò Paganini e dall'autoritratto dell'uomo palladio, Alberto Martini — Alberto Martini, trentuna fantasie bizzarre e crudeli preceduto dalla diabolica imagine di Niccolò Paganini e dall'autoritratto dell'uomo palladio
Alberto Martini
Publisher Officine Grafiche Ricordi
1924

Adoration of the Shepherds and Adoration of the Magi, Basse-taille and painted enamel on silver; silver-gilt frame, Italian, Lombardy, Milan or Ferrara — Adoration of the Shepherds and Adoration of the Magi
Italian, Lombardy, Milan or Ferrara
probably ca. 1480–90, 19th century frame

Table ornament in the form of a monster, The Saracchi, Milan, Rock crystal, enameled gold mounts, set with diamonds and rubies, Italian, Milan — Table ornament in the form of a monster
Workshop of The Saracchi, Milan
Mounts with diamonds attributed to Alfred André
ca. 1575–1600, mounts with diamonds late 19th century

Adoration of the Magi, Marble, Italian, Milan — Adoration of the Magi
Italian, Milan
ca. 1510–20

The Flagellation of Christ, Gold, silver, partly enameled gold, gilt-silver frame, Italian, Milan — The Flagellation of Christ
Italian, Milan
ca. 1492–1503

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoration of the Shepherds, Basse-taille and painted enamel on silver; gilt-silver frame mounted with silver and partly enameled gold, and set with emeralds and pearls, Italian, Lombardy, probably Milan — Adoration of the Shepherds
Italian, Lombardy, probably Milan
late 15th century

Veronica's Veil, Partly enameled gold, Italian, Milan — Veronica's Veil
Italian, Milan
late 15th century

The Nativity, Silver, gilt silver, and niello, Italian, probably Lombardy — The Nativity
Italian, probably Lombardy
second half 15th century

Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua — Standing boy
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century

Francesco Sforza (1401–1466), Fourth Duke of Milan (r. 1450–66), Candoglia marble, Italian, Milan — Francesco Sforza (1401–1466), Fourth Duke of Milan (r. 1450–66)
Italian, Milan
late 15th century

Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree with traces of enamel; gilt bronze, Italian, Lombardy — Pietà
Italian, Lombardy
probably late 15th or early 16th century

Emperor Charles V (1500–1558) and his Son Philip II of Spain (1527–1598), Leone Leoni Italian, Sardonyx, Italian, Milan — Emperor Charles V (1500–1558) and his Son Philip II of Spain (1527–1598)
Leone Leoni
1550

Sleeping shepherdess in a moonlit landscape, Alessandro Masnago Italian, Agate, Italian, Milan — Sleeping shepherdess in a moonlit landscape
Alessandro Masnago
probably late 16th century

John the Baptist, Partially gilt copper, Italian, Lombardy — John the Baptist
Italian, Lombardy
late 15th century

Armor with Matching Shaffron and Saddle Plates, Steel, copper alloy, silver, gold, leather, textile, Italian, Milan — Armor with Matching Shaffron and Saddle Plates
Italian, Milan
ca. 1600

Breastplate from an Armor of Francesco Maria II della Rovere (1548–1631), Duke of Urbino, Steel, gold, Italian, probably Milan — Breastplate from an Armor of Francesco Maria II della Rovere (1548–1631), Duke of Urbino
Italian, probably Milan
ca. 1570

Armor for Man and Horse, Steel, leather, copper alloy, textile, Italian, Milan and Brescia — Armor for Man and Horse
Italian, Milan and Brescia
man's armor, ca. 1570 and later; horse armor, ca. 1580–90 and later

Armor for Man and Horse, Steel, gold, leather, copper alloy, textile, Italian, probably Milan — Armor for Man and Horse
Italian, probably Milan
man's armor, ca. 1575 and later; horse armor, ca. 1560 and later

Left Arm Defense (Vambrace), Steel, copper alloy, Italian — Left Arm Defense (Vambrace)
Italian
ca. 1380–1400

Gauntlet for the Right Hand, Steel, Italian — Gauntlet for the Right Hand
Italian
ca. 1420

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