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The Met CollectionSearch Art

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Italian, Milan (165)

Italian (158)

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Italian, Lombardy (21)

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Fabrizio Carino (7)

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Metal (409)

Iron and iron alloy (306)

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The Robert Lehman Collection (28)

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Burgonet, Filippo Negroli Italian, Steel, gold, textile, Italian, Milan — Burgonet
Armorer Filippo Negroli
dated 1543

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion), Steel, gold, copper alloy, leather, Italian, Milan — Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion)
Italian, Milan
ca. 1510

Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua — Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524

Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan — Armet
Armorer Stamped with the armorer's name, LIONARDO
ca. 1440

ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona) — ex "Kurtz" Violin
Andrea Amati
ca. 1560

Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I, Elephant ivory, Ottonian — Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I
Ottonian
ca. 962–968

Plaque with the Holy Women at the Sepulchre, Elephant ivory, North Italian — Plaque with the Holy Women at the Sepulchre
North Italian
early 10th century

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420

Viola d'Amore, Giovanni Grancino Italian, Spruce, maple, ebony, bone, iron, Italian — Viola d'Amore
Giovanni Grancino
1701

Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie, Luigi Chizzola, Illustrated book, Brescia: [s.n.], 1760 — Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie
Author Luigi Chizzola
1760

Codice civile generale austriaco, Luigi Lodigiani Italian — Codice civile generale austriaco
Binder Luigi Lodigiani
1815

Trattato dell' arte della pittura, scultura et architetettura, Giovanni Paolo Lomazzo Italian, Printed book, Milan: [s.n.], 1585 — Trattato dell' arte della pittura, scultura et architetettura
Author Giovanni Paolo Lomazzo
1585

Table ornament in the form of a monster, The Saracchi, Milan, Rock crystal, enameled gold mounts, set with diamonds and rubies, Italian, Milan — Table ornament in the form of a monster
Workshop of The Saracchi, Milan
Mounts with diamonds attributed to Alfred André
ca. 1575–1600, mounts with diamonds late 19th century

Adoration of the Shepherds, Basse-taille and painted enamel on silver; gilt-silver frame mounted with silver and partly enameled gold, and set with emeralds and pearls, Italian, Lombardy, probably Milan — Adoration of the Shepherds
Italian, Lombardy, probably Milan
late 15th century

Veronica's Veil, Partly enameled gold, Italian, Milan — Veronica's Veil
Italian, Milan
late 15th century

Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua — Standing boy
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Adoring angel, Partly enameled gold, Italian, Milan — Adoring angel
Italian, Milan
last quarter 15th century

Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree with traces of enamel; gilt bronze, Italian, Lombardy — Pietà
Italian, Lombardy
probably late 15th or early 16th century

Adoration of the Magi, Marble, Italian, Milan — Adoration of the Magi
Italian, Milan
ca. 1510–20

The Flagellation of Christ, Gold, silver, partly enameled gold, gilt-silver frame, Italian, Milan — The Flagellation of Christ
Italian, Milan
ca. 1492–1503

The Nativity, Silver, gilt silver, and niello, Italian, probably Lombardy — The Nativity
Italian, probably Lombardy
second half 15th century

Francesco Sforza (1401–1466), Fourth Duke of Milan (r. 1450–66), Candoglia marble, Italian, Milan — Francesco Sforza (1401–1466), Fourth Duke of Milan (r. 1450–66)
Italian, Milan
late 15th century

Breastplate, Steel, Italian, probably Milan — Breastplate
Italian, probably Milan
ca. 1480

Barbute, Jacopo da Cannobio, called Bichignola Italian, Brescia, Steel, Italian, Brescia — Barbute
Armorer Jacopo da Cannobio, called Bichignola
ca. 1460

War Hat, Steel, copper alloy, gold, Italian, Milan — War Hat
Italian, Milan
ca. 1590

Armor of Giovanni Battista Bourbon del Monte (1541–1614), Steel, gold, textile, leather, Italian, possibly Brescia — Armor of Giovanni Battista Bourbon del Monte (1541–1614)
Italian, possibly Brescia
ca. 1590

Cuirassier Armor, Steel, gold, leather, textile, Italian, Milan or Brescia — Cuirassier Armor
Italian, Milan or Brescia
ca. 1610–30

Portions of an Armor for
Vincenzo Luigi di Capua (d. 1627), Pompeo della Cesa Italian, Steel, gold, leather, copper alloy, Italian, Milan — Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
Armorer Pompeo della Cesa
ca. 1595

Pair of Stirrups from a Horse Armor Made for a Member of the Collalto Family, Iron alloy, Italian, probably Milan — Pair of Stirrups from a Horse Armor Made for a Member of the Collalto Family
Italian, probably Milan
ca. 1560

Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620), Steel, Italian, probably Brescia — Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620)
Italian, probably Brescia
ca. 1580–90

Armet, Missaglia workshop Italian, Steel, Italian, Milan — Armet
Armorer Stamped with marks of the Missaglia workshop
ca. 1460

Barbute with Hinged Nasal, Steel, Italian, probably Milan — Barbute with Hinged Nasal
Italian, probably Milan
ca. 1450

Field Armor of King Henry VIII
of England (reigned 1509–47), Steel, gold, textile,
leather, Italian, Milan or Brescia — Field Armor of King Henry VIII of England (reigned 1509–47)
Italian, Milan or Brescia
ca. 1544

Armet with Matching Wrapper, Steel, leather, Italian, probably Milan — Armet with Matching Wrapper
Italian, probably Milan
ca. 1475

Armor of the Dukes of Alba, Lucio Piccinino Italian, Steel, gold, silver, Italian, Milan — Armor of the Dukes of Alba
Armorer Lucio Piccinino
ca. 1575–85

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