ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 34 results for Domenico Santi
Sort by:
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
1683
Campi Ornati. Opera Seconda; Opera Terza
Domenico Santi
ca. 1695
The Trinity and Saints
Domenico Marchetti
ca. 1800–44
Plate 1: a female personification of Religion seated at left and Justice at right, from a series of prints after Raphael (Picturae Raphaelis Sanctij Urbinatis)
Francesco Faraone Aquila
1722
Il Primo Libro di Soffitii
Domenico Santi
1694
Plate 2: Cupid in the clouds at left, Venus seated with Cupid who is holding an arrow at center, a putto flying at right with Jupiter's thunderbolts and eagle, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 7: Psyche at center holding a vase containing water from the Styx, which is carried off to Olympus by putti, flanked by putti holding shields and helmets on either side, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 3: a putto at left in the clouds with a trident, the three Graces seated with Cupid at center, two putti at right, one holding a pitchfork and the other with Cerberus, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 11: the wedding of Cupid and Psyche, set among the clouds around a large table, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 5: a putto with a griffin at left, Jupiter and Venus seated at center, with doves flying at left, a putto at right with Mercury's caduceus, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 4: Psyche with Juno and Ceres at left with a peacock below, a putto with a sword and a shield at center, and Venus on her chariot drawn by doves at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 10: assembly of gods in the clouds, listening to Cupid and Venus, who are arguing their case before Jupiter at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 8: Psyche presenting Venus with the vase containing water from the Styx at left, two putti and an harpy at center, Jupiter seizing Cupid's chin at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 6: a putto holding grapes and flying away from a tigress at left, Mercury with arms outstretched at center, a putto with a pan pipe and birds at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Plate 9: a putto with animals, including a giant salamander, at left, Mercury carrying Psyche to Olympus at center, a putto with lion and a seahorse at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny
1693
Galatea, plate 8 from "Schola Italica Picturae"
Domenico Cunego
1771
The council of the Gods on Olympus
Antonio Ricciani
ca. 1800–20
Portrait of a Lady, known as La Fornarina, plate 9 from "Schola Italica Picturae"
Domenico Cunego
1772
Disegni di vari altari e cappelle nelle chiese di Roma...
Giovanni Giacomo De Rossi
after 1691
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Arthur Pond
1732–69
(I) Vita di Anton Domenico Gabbiani, PItto Fiorentino; (II) Raccolta di Cento Pensieri Diversi di Anton Domenico Gabbiani, Pittor Fiorentino
Ignazio Enrico Hugford
1762
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole
1892
Portraits of Celebrated Painters with Medallions from Their Best Performances
John M. Corner
1825
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73