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Showing 1,398 results for Domenico Tintoretto

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Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
late 16th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on faded blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Seated Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Seated Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude Figure, Domenico Tintoretto Italian, Black chalk, highlighted with white, on blue paper — Reclining Female Nude Figure
Domenico Tintoretto
1560–1635

The Mocking of Christ, Domenico Tintoretto Italian, Black chalk, brush and brown ink, gray and white oil paint, on blue paper; squared in black chalk — The Mocking of Christ
Domenico Tintoretto
1560–1635

The Venetian fleet victorious over that of the Holy Roman Empire, men falling off ships and a man with a crossbow at lower right

Multiple artists/makers

ca. 1720

Adoration of the Shephards

Baron Dominique Vivant Denon

Domenico Tintoretto

late 18th–early 19th century

Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488

Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco — Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Andromeda and the Sea Monster, Domenico Guidi Italian, Marble, Italian, Rome — Andromeda and the Sea Monster
Domenico Guidi
Francesco II, Duke of Mantua and Reggio
1694

Bacchus, Domenico Poggini Italian, Marble, Italian, Florence — Bacchus
Domenico Poggini
1554

The Parable of the Mote and the Beam, Domenico Fetti Italian, Oil on wood — The Parable of the Mote and the Beam
Domenico Fetti
ca. 1619

Salvator Mundi, Domenico Fetti Italian, Oil on wood — Salvator Mundi
Domenico Fetti
ca. 1622–23

The Youthful Saint John the Baptist, Domenico Pieratti Italian, Marble, Italian, Florence — The Youthful Saint John the Baptist
Domenico Pieratti
ca. 1625–30

The Finding of Moses, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti)
1560s?

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577

The Miracle of the Loaves and Fishes, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti)
ca. 1545–50

Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti)
1550s

The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk. — The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800

The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk. — The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770

Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence — Anointment of the dead Christ
Fra Domenico Portigiani
Giambologna
17th century?

Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri) Italian, Oil on copper — Landscape with Moses and the Burning Bush
Domenichino (Domenico Zampieri)
1610–16

A Dance in the Country, Giovanni Domenico Tiepolo Italian, Oil on canvas — A Dance in the Country
Giovanni Domenico Tiepolo
ca. 1755

The Departure of the Gondola, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Departure of the Gondola
Giovanni Domenico Tiepolo
mid-1760s

The Lamentation, Domenichino (Domenico Zampieri) Italian, Oil on copper — The Lamentation
Domenichino (Domenico Zampieri)
1603

Punchinellos Felling (or Planting) a Tree, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk — Punchinellos Felling (or Planting) a Tree
Giovanni Domenico Tiepolo
late 18th–early 19th century

The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo
1783

Study for a Portrait of a Doge, Circle of Tintoretto, Black and white chalk, on rough tan paper. — Study for a Portrait of a Doge
Circle of Tintoretto
fourth quarter 16th century

Portrait of a Man, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Portrait of a Man
Domenico Ghirlandaio (Domenico Bigordi)

Head of a Man Wearing a Cap, Domenico Ghirlandaio (Domenico Bigordi) Italian, Metalpoint, heightened with brush and white, on reddish orange prepared paper. — Head of a Man Wearing a Cap
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1495–1505

Alpheus and Arethusa, Battista di Domenico Lorenzi Italian, Marble, Italian, Florence — Alpheus and Arethusa
Battista di Domenico Lorenzi
1568–70

Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1739

Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39