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1-42 of 1,307 results for Micco Spadaro (Domenico Gargiulo)
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Unidentified Subject: Scene of Martyrdom ?, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Unidentified Subject: Scene of Martyrdom ?
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Standing Draped Female Figure, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Standing Draped Female Figure
Micco Spadaro (Domenico Gargiulo)
1612–75
Virgin and Child Appearing to Saint Paul, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Virgin and Child Appearing to Saint Paul
Micco Spadaro (Domenico Gargiulo)
1612–75
Studies of a Group of Seated Figures and of a Flying Figure, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Studies of a Group of Seated Figures and of a Flying Figure
Micco Spadaro (Domenico Gargiulo)
1612–75
Reclining River God, a Goat's Head, and Studies of Heraldic Emblems (recto); Cavalier Standing on a Globe Supported by a Kneeling Giant (verso), Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink (recto). Pen study of knight standing on a globe, supported by a kneeling giant (drawing visible through transparent lining) (verso)
Reclining River God, a Goat's Head, and Studies of Heraldic Emblems (recto); Cavalier Standing on a Globe Supported by a Kneeling Giant (verso)
Micco Spadaro (Domenico Gargiulo)
1612–75
Standing Figure and Figures Bending Over, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink over black chalk
Standing Figure and Figures Bending Over
Micco Spadaro (Domenico Gargiulo)
1612–75
Two Nude Male Figures, One Seated and One Reclining, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Two Nude Male Figures, One Seated and One Reclining
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Abraham about to Sacrifice Isaac, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and violet wash
Abraham about to Sacrifice Isaac
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
God the Father Appearing to a Kneeling Figure, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and violet wash
God the Father Appearing to a Kneeling Figure
Micco Spadaro (Domenico Gargiulo)
1612–75
Nude Female Riding on a Triton's Back, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and brown wash, on brownish paper
Nude Female Riding on a Triton's Back
Micco Spadaro (Domenico Gargiulo)
1612–75
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso), Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink (verso)
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso)
Micco Spadaro (Domenico Gargiulo)
1612–75
Seated Figure Receiving an Object Presented by a Smaller Figure, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Seated Figure Receiving an Object Presented by a Smaller Figure
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Male Figure Running (recto); Three Pen Studies of Male Heads (verso), Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink (recto); three pen studies of male heads (verso)
Male Figure Running (recto); Three Pen Studies of Male Heads (verso)
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Two Standing Men, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and brown wash
Two Standing Men
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Figure Studies: Two Standing and Two Seated Men, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and brown wash
Figure Studies: Two Standing and Two Seated Men
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Standing Nude Putto and Study of a Helmeted Head, Micco Spadaro (Domenico Gargiulo) Italian, Black chalk, highlighted with white, on blue paper
Standing Nude Putto and Study of a Helmeted Head
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Sheet of Studies: Three Figures Above, Studies of Horses Below, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and brown and a little red-brown wash
Sheet of Studies: Three Figures Above, Studies of Horses Below
Micco Spadaro (Domenico Gargiulo)
1612–75
A Crouching Man Defecating and a Standing Man Urinating, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, masking "corrections" in lighter brown ink
A Crouching Man Defecating and a Standing Man Urinating
Micco Spadaro (Domenico Gargiulo)
1612–75
Charioteer, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink
Charioteer
Micco Spadaro (Domenico Gargiulo)
1609/10–?1675
Sheet of Studies: A Horse Above, a Seated Man and a Reclining Man Below, Micco Spadaro (Domenico Gargiulo) Italian, Pen and brown ink, brush and brown and a little red-brown wash
Sheet of Studies: A Horse Above, a Seated Man and a Reclining Man Below
Micco Spadaro (Domenico Gargiulo)
1612–75
Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood
Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco
Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Il Ritratto di Venezia
Domenico Martinelli
1684
Andromeda and the Sea Monster, Domenico Guidi Italian, Marble, Italian, Rome
Andromeda and the Sea Monster
Domenico Guidi
Francesco II, Duke of Mantua and Reggio
1694
Bacchus, Domenico Poggini Italian, Marble, Italian, Florence
Bacchus
Domenico Poggini
1554
The Youthful Saint John the Baptist, Domenico Pieratti Italian, Marble, Italian, Florence
The Youthful Saint John the Baptist
Domenico Pieratti
ca. 1625–30
The Parable of the Mote and the Beam, Domenico Fetti Italian, Oil on wood
The Parable of the Mote and the Beam
Domenico Fetti
ca. 1619
Salvator Mundi, Domenico Fetti Italian, Oil on wood
Salvator Mundi
Domenico Fetti
ca. 1622–23
The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk.
The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800
The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770
Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence
Anointment of the dead Christ
Fra Domenico Portigiani
Giambologna
17th century?
A Dance in the Country, Giovanni Domenico Tiepolo Italian, Oil on canvas
A Dance in the Country
Giovanni Domenico Tiepolo
ca. 1755
The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo Italian, Oil on canvas
The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo
1783
The Departure of the Gondola, Giovanni Domenico Tiepolo Italian, Oil on canvas
The Departure of the Gondola
Giovanni Domenico Tiepolo
mid-1760s
The Lamentation, Domenichino (Domenico Zampieri) Italian, Oil on copper
The Lamentation
Domenichino (Domenico Zampieri)
1603
Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri) Italian, Oil on copper
Landscape with Moses and the Burning Bush
Domenichino (Domenico Zampieri)
1610–16
Head of a Man Wearing a Cap, Domenico Ghirlandaio (Domenico Bigordi) Italian, Metalpoint, heightened with brush and white, on reddish orange prepared paper.
Head of a Man Wearing a Cap
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1495–1505
Portrait of a Man, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood
Portrait of a Man
Domenico Ghirlandaio (Domenico Bigordi)
Alpheus and Arethusa, Battista di Domenico Lorenzi Italian, Marble, Italian, Florence
Alpheus and Arethusa
Battista di Domenico Lorenzi
1568–70
Storage jar (one of a pair), Domenico Veneziano Italian, Maiolica (tin-glazed earthenware), Italian, Venice
Storage jar (one of a pair)
Domenico Veneziano
ca. 1550–70
Storage jar (one of a pair), Domenico Veneziano Italian, Maiolica (tin-glazed earthenware), Italian, Venice
Storage jar (one of a pair)
Domenico Veneziano
ca. 1550–70
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39