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1-42 of 24,609 results for Pier Mattia Miccioni & Michele Nestunus
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I Pregj della Toscana
Fulvio Fontana
Pier Mattia Miccioni & Michele Nestunus
1701
Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman)
Harpsichord
Multiple artists/makers
ca. 1670
Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524
Allegory of Sacred and Profane Love, Michele Desubleo Flemish, Oil on canvas
Allegory of Sacred and Profane Love
Michele Desubleo
1665–75
Cain Slaying Abel, Pier Francesco Mola Italian, Oil on canvas
Cain Slaying Abel
Pier Francesco Mola
ca. 1650–52
The Rest on the Flight into Egypt, Pier Francesco Mola Italian, Oil on copper
The Rest on the Flight into Egypt
Pier Francesco Mola
ca. 1641
Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609), Michele Mazzafirri, Bronze, cast, Italian, Florence
Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609)
Michele Mazzafirri
1588
Repeating Flintlock Pistol, Michele Lorenzoni Italian, Steel, wood, silver, Italian, Florence
Repeating Flintlock Pistol
Michele Lorenzoni
ca. 1690–1700
Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano), Michele Gordigiani Italian, Oil on canvas
Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano)
Michele Gordigiani
1864
Standing Apostle or Saint, Michele Giambono (Michele Giovanni Bono) (?) Italian, Pen and brown ink, touches of brush and darker brown wash, over black chalk.
Standing Apostle or Saint
Michele Giambono (Michele Giovanni Bono)
Bartolomeo Vivarini
mid-fifteenth century
The Man of Sorrows, Michele Giambono (Michele Giovanni Bono) Italian, Tempera and gold on wood
The Man of Sorrows
Michele Giambono (Michele Giovanni Bono)
ca. 1430
Emperor Antoninus Pius, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially oil-gilt, silver inlay, on serpentinite socle, Italian, Mantua
Emperor Antoninus Pius
Antico (Pier Jacopo Alari Bonacolsi)
1519–24
Spinario (boy pulling a thorn from his foot), Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially gilt (hair) and silvered (eyes), Italian, Mantua
Spinario (boy pulling a thorn from his foot)
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled: 1496, cast: ca. 1501
Satyr, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua
Satyr
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520
Portrait of a Young Woman, Pier Francesco Foschi (Pier Francesco Toschi) Florence, Metalpoint, touches of red chalk, on gray prepared paper.
Portrait of a Young Woman
Pier Francesco Foschi (Pier Francesco Toschi)
1520–39
Scipio Africanus, Mattia di Nanni di Stefano, Poplar, bog oak and other wood inlay, rosewood, tin, bone, traces of green coloring, Italian, Siena
Scipio Africanus
Mattia di Nanni di Stefano
ca. 1425–30
Pilate Washing His Hands, Mattia Preti (Il Cavalier Calabrese) Italian, Oil on canvas
Pilate Washing His Hands
Mattia Preti (Il Cavalier Calabrese)
1663
Madonna and Child with the Infant Saint John the Baptist, Michele da Verona (Michele di Zenone) Italian, Tempera and oil on wood
Madonna and Child with the Infant Saint John the Baptist
Michele da Verona (Michele di Zenone)
probably late 1490s
Flagon, Pier Antoin Simaval, Pewter, Swiss, Wallis
Flagon
Pier Antoin Simaval
ca. 1750
Coastal Landscape with Tower, Pier Francesco Mola Italian, Oil over red chalk on paper
Coastal Landscape with Tower
Pier Francesco Mola
ca. 1651–52
Caricature of a Polish Count, Pier Leone Ghezzi Italian, Pen and brown ink
Caricature of a Polish Count
Pier Leone Ghezzi
ca. 1694–1755
A Monk with a Carrot and a Woman with a Chamber Pot, Pier Leone Ghezzi Italian, Pen and brown ink
A Monk with a Carrot and a Woman with a Chamber Pot
Pier Leone Ghezzi
late 17th–mid-18th century
"Gleaner", Michele Oka Doner American, crocodile skin, silver, American
"Gleaner"
Michele Oka Doner
Nancy Gonzalez
2007
Necklace, Michele Oka Doner and American, Sterling silver, American
Necklace
Michele Oka Doner
Jordan Doner
spring/summer 1991
Necklace, Michele Oka Doner and American, sterling silver, American
Necklace
Michele Oka Doner
Jordan Doner
spring/summer 1991
Bag, Michele Oka Doner American, sterling silver, leather, synthetic, American
Bag
Michele Oka Doner
Nancy Gonzalez
2006
"Coral Reef at Night", Michele Oka Doner American, bronze, diamond, American
"Coral Reef at Night"
Michele Oka Doner
2007
Carafe, Michele De Lucchi Italian, Silverplate, poly(vinyl chloride) (PVC) and cellulose nitrate (CN) paint
Carafe
Michele De Lucchi
1980
A Gentleman, a Young Woman, and a Dog, Michele da Verona (?), Brush and gray and brown ink, heightened with white, on light brown paper.
A Gentleman, a Young Woman, and a Dog
Michele da Verona
early 16th century
Madonna and Child with Saints Roch and Sebastian, Michele da Verona, Tip of the brush and brown ink, brown and some blue wash, heightened with white, on paper tinted brown.
Madonna and Child with Saints Roch and Sebastian
Michele da Verona
early 16th century
Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown.
Saint Paul
Michele da Verona
ca. 1510
Mesere (Mesero, Mesaro), Giovanni and Michele Speich, Cotton, Italian
Mesere (Mesero, Mesaro)
Giovanni and Michele Speich
early 19th century
Mesere (Mesero, Mesaro), Giovanni and Michele Speich, Cotton, Italian
Mesere (Mesero, Mesaro)
Giovanni and Michele Speich
ca. 1840
Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825), Royal Arms Manufactory at Torre Annunziata Italian, Steel, gold, wood (walnut), silver, Italo-Spanish, Naples
Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825)
Multiple artists/makers
ca. 1768
Design for the Decoration of the Lower Right Corner of a Ceiling, plate 4 from "Unterschiedliche neü inventirte Decken oder Plafond", Carl Pier German, Etching
Design for the Decoration of the Lower Right Corner of a Ceiling, plate 4 from "Unterschiedliche neü inventirte Decken oder Plafond"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Confessional, plate 1 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching
Design for a Confessional, plate 1 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Confessional, plate 2 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching
Design for a Confessional, plate 2 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Confessional, plate 3 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching
Design for a Confessional, plate 3 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Confessional, plate 4 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching
Design for a Confessional, plate 4 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Monumental Altar, plate N from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen", Carl Pier German, Etching
Design for a Monumental Altar, plate N from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Two-Armed Candelabra with a Dragon, plate 1 from an Untitled Series of Designs for Suspended Candelabras, Carl Pier German, Etching
Design for a Two-Armed Candelabra with a Dragon, plate 1 from an Untitled Series of Designs for Suspended Candelabras
Carl Pier
Martin Engelbrecht
printed ca. 1750–56
Design for a Three-Armed Candelabra, plate 2 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier German, Etching
Design for a Three-Armed Candelabra, plate 2 from an Untitled Series of Designs for Suspended Candelabra
Carl Pier
Martin Engelbrecht
printed ca. 1750–56