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1-42 of 258,887 results for Robert Lehman Collection
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Geographic location
Department
Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century
The Annunciation, Botticelli (Alessandro di Mariano Filipepi)  Italian, Tempera and gold on wood
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Leisure Time in an Elegant Setting, Pieter de Hooch  Dutch, Oil on canvas
Pieter de Hooch
ca. 1663–65
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Saint Peter, Alabaster, with traces of polychromy, North French or South Netherlandish
North French or South Netherlandish
ca. 1450–60
Saint Andrew, Alabaster, with traces of polychromy, North French or South Netherlandish
North French or South Netherlandish
ca. 1450–60
Saint James the Greater, Alabaster, with traces of polychromy, North French or South Netherlandish
North French or South Netherlandish
ca. 1450–60
Saint James the Less, Alabaster, with traces of polychromy, Northeast French or South Netherlandish
Northeast French or South Netherlandish
1450–60
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Saint Ansanus, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera on wood, gold ground
Master of Saint Francis
ca. 1272
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Multiple artists/makers
ca. 1781–85
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; verso: oil and gold on wood
Jacometto (Jacometto Veneziano)
ca. 1485–95
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Madonna and Child, Benvenuto di Giovanni  Italian, Tempera on wood, gold ground
Benvenuto di Giovanni
ca. 1470
A Goldsmith in his Shop, Petrus Christus  Netherlandish, Oil on oak panel
Petrus Christus
1449
The Annunciation, Hans Memling  Netherlandish, Oil on panel, transferred to canvas
Hans Memling
1480–89
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Madame Roulin and Her Baby, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1888
Sergeant of the Colonial Regiment, Albert Marquet  French, Oil on canvas
Albert Marquet
1906–7
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
del Tasso
ca. 1530
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
German, perhaps Frankfurt-am-Main
ca. 1705–11
The Adoration of the Magi, Bartolo di Fredi  Italian, Tempera and gold on wood
Bartolo di Fredi
ca. 1390