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More than 10,000 results for Robert Lehman Collection
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Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century
The Annunciation, Botticelli (Alessandro di Mariano Filipepi)  Italian, Tempera and gold on wood
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli  Italian, Maiolica (tin-glazed earthenware)
Maestro Giorgio Andreoli
1528
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Saint Peter, Alabaster, with traces of polychromy, North French or South Netherlandish
North French or South Netherlandish
ca. 1450–60
Saint Andrew, Alabaster, with traces of polychromy, North French or South Netherlandish
North French or South Netherlandish
ca. 1450–60
Saint James the Greater, Alabaster, with traces of polychromy, North French or South Netherlandish
North French or South Netherlandish
ca. 1450–60
Saint James the Less, Alabaster, with traces of polychromy, Northeast French or South Netherlandish
Northeast French or South Netherlandish
1450–60
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David  Netherlandish, Oil on oak panel
Gerard David
ca. 1510
Archangel Gabriel; The Virgin Annunciate, Gerard David  Netherlandish, Oil on oak panel
Gerard David
ca. 1510
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet  French, Tempera and gold leaf on parchment
Jean Fouquet
ca. 1452–1460
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio  Italian, Tempera on wood, gold ground, and silver, Italian, Rimini
Giovanni Baronzio
ca. 1330–35
Large Boston Public Garden Sketchbook: The Huntington Avenue Streetcar, Maurice Brazil Prendergast   American, Watercolor over pencil
Maurice Brazil Prendergast
1895–1897
Saint Ansanus, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera and gold on wood, Italian, Umbria
Master of Saint Francis
1266–75
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Multiple artists/makers
ca. 1781–85
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; (verso: oil and gold on wood)
Jacometto (Jacometto Veneziano)
ca. 1485–95
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; verso: oil and gold on wood
Jacometto (Jacometto Veneziano)
ca. 1485–95
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
The Coronation of the Virgin, Niccolò di Buonaccorso  Italian, Tempera on wood, gold ground
Niccolò di Buonaccorso
ca. 1380
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera on wood, gold ground
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
Madonna and Child, Benvenuto di Giovanni  Italian, Tempera on wood, gold ground
Benvenuto di Giovanni
ca. 1470
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
Bernardo Daddi
ca. 1337–39
The Nativity, Lorenzo Monaco (Piero di Giovanni)  Italian, Tempera on wood, gold ground
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1665–67
Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1610
Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), Paul Signac  French, Oil on canvas
Paul Signac
1891
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30
Nude in Front of a Mantel, Balthus (Balthasar Klossowski)  French, Oil on canvas
Balthus (Balthasar Klossowski)
1955
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s