Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 485 results for Tosa Mitsunobu

Sort by:

Bamboo in the Four Seasons, Tosa Mitsunobu Japanese, Pair of six-panel screens; ink, color, and gold leaf on paper, Japan — Bamboo in the Four Seasons
Tosa Mitsunobu
late 15th–early 16th century

Poetry Contest by Various Artisans (Shokunin zukushi uta-awase) 職人盡歌合, Tosa, Mitsunobu 土佐光信 Japanese, Woodblock printed book; ink on paper, Japan — Poetry Contest by Various Artisans (Shokunin zukushi uta-awase) 職人盡歌合
Tosa, Mitsunobu 土佐光信
ca. 1744

Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔), Mitsunobu Japanese, Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>), Japanese — Sword Guard (Tsuba) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
17th century

Portraits of Three Famous Poets: Kakinomoto no Hitomaro, Lady Ise, and Ono no Komachi, Tosa Mitsuoki Japanese, Triptych of hanging scrolls: ink, color, gold and silver on silk, Japan — Portraits of Three Famous Poets: Kakinomoto no Hitomaro, Lady Ise, and Ono no Komachi
Multiple artists/makers
1691

Two Women in a Room Opening on a Verandah, Hasegawa Mitsunobu Japanese, Monochrome woodblock print; ink on paper, Japan — Two Women in a Room Opening on a Verandah
Hasegawa Mitsunobu
ca. 1730

Interior, Three Figures: Sake Party, Hasegawa Mitsunobu Japanese, Monochrome woodblock print; ink on paper, Japan — Interior, Three Figures: Sake Party
Hasegawa Mitsunobu
ca. 1730

Albums of scenes from The Tale of Genji, Tosa Mitsunori Japanese, Two albums of thirty leaves; ink, red pigment, and gold on paper, Japan — Albums of scenes from The Tale of Genji
Tosa Mitsunori
early 17th century

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao), Tosa School Japanese, Matted painting; ink and color on silk, Japan — Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao)
Tosa School
17th century

Collection of Pictures, Tosa School Japanese, Ink on paper, Japan — Collection of Pictures
Tosa School

Egrets and Cotton Roses, Tosa Mitsuoki Japanese, Hanging scroll; ink and color on silk, Japan — Egrets and Cotton Roses
Tosa Mitsuoki
mid- to late 17th century

“Butterflies”, Tosa Mitsuyoshi Japanese, Six-panel folding screen; ink, color, gold, and gold leaf on paper, Japan — “Butterflies”
Tosa Mitsuyoshi
late 16th–early 17th century

Scenes from the Tales of Ise (Ise monogatari), Tosa School Japanese, Set of album leaf paintings; ink and color on paper (shikishi), Japan — Scenes from the Tales of Ise (Ise monogatari)
Tosa School
late 18th century

Red and White Poppies, Tosa Mitsumochi Japanese, Six-panel folding screen; ink, color, and gold leaf on paper, Japan — Red and White Poppies
Tosa Mitsumochi
early 17th century

The Battle of Yashima, from The Tale of the Heike (Heike monogatari), Tosa School Japanese, One of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan — The Battle of Yashima, from The Tale of the Heike (Heike monogatari)
Tosa School
17th century

The Tale of Genji (Genji Monogatari), Tosa Mitsusada Japanese, Set of twenty-four album leaves; ink, color, and gold on paper, Japan — The Tale of Genji (Genji Monogatari)
Tosa Mitsusada
Shōren'in Sonjun Shinnō
17th century

“An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya), Tosa Mitsuyoshi Japanese, Painted sliding doors (fusuma-e) remounted as a pair of four-panel folding screens; ink, color, and gold leaf on paper, Japan — “An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya)
Tosa Mitsuyoshi
mid-16th–early 17th century

Quail and Autumn Flowers, Tosa Mitsuoki Japanese, Hanging scroll; ink and color on silk, Japan — Quail and Autumn Flowers
Tosa Mitsuoki
late 17th century

Scenes from Tales of Ise (Ise monogatari), Tosa School Japanese, Set of album leaf paintings; ink and color on paper (shikishi), Japan — Scenes from Tales of Ise (Ise monogatari)
Tosa School
late 18th century

Scenes and Calligraphic Excerpts from The Tale of Genji, Tosa School Japanese, Shikishi (poetry cards) mounted in an orihon album; calligraphies: ink on decorated paper; paintings: ink, color, and gold on paper, Japan — Scenes and Calligraphic Excerpts from The Tale of Genji
Tosa School
Ono no Ozū (Ono no Tsū)
early 17th century

“Mistflowers”, Tosa Mitsuyoshi Japanese, Album leaf mounted as a hanging
scroll; ink, color and gold on paper, Japan — “Mistflowers”
Tosa Mitsuyoshi
late 16th–early 17th century

“The Oak Tree”, Tosa Mitsuyoshi Japanese, Album leaf mounted as a hanging scroll; ink, color and gold on paper, Japan — “The Oak Tree”
Tosa Mitsuyoshi
late 16th–early 17th century

Scenes from The Tale of Genji, Tosa School Japanese, Pair of albums (accordion fold) with
54 illustrations; ink, color and gold on paper, Japan — Scenes from The Tale of Genji
Tosa School
early 17th century

Scenes and Calligraphic Excerpts from The Tale of Genji, Tosa School Japanese, Pair of six-panel folding screens; ink, color, and gold on decorated-paper shikishi (poetry cards), Japan — Scenes and Calligraphic Excerpts from The Tale of Genji
Tosa School
early 17th century

Heron, Tosa Mitsuoki Japanese, Hanging scroll; ink and color on silk, Japan — Heron
Tosa Mitsuoki
17th century

Flowers and Grasses of the Four Seasons, Kano Mitsunobu 狩野光信 Japanese, Pair of six-panel folding screens; ink, color, gold paint, and gold leaf on paper, Japan — Flowers and Grasses of the Four Seasons
Kano Mitsunobu 狩野光信
late 16th century

The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right, Kano Mitsunobu 狩野光信 Japanese, Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan — The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right
Kano Mitsunobu 狩野光信
late 16th century

Album of Birds and Flowers and Other Subjects, Tosa Mitsunari 土佐光成 Japanese, Accordion album; ink and color on silk, Japan — Album of Birds and Flowers and Other Subjects
Tosa Mitsunari 土佐光成
late 17th century

“A Lovely Garland” (Tamakazura), from The Tale of Genji, Tosa Mitsuyoshi 土佐光吉 Japanese, Album leaves mounted as a pair of hanging scrolls; ink, gold, silver, and color on paper, Japan — “A Lovely Garland” (Tamakazura), from The Tale of Genji
Tosa Mitsuyoshi 土佐光吉
Konoe Sakihisa 近衛前久
early 17th century

The Horse Fair, Rosa Bonheur French, Oil on canvas — The Horse Fair
Rosa Bonheur
1852–55

Perminangken (container for magical substances), Toba Batak artist, Wood, ceramic, Toba Batak — Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century

Standing Beauty, Kondo Katsunobu Japanese, Hanging scroll; ink and color on paper, Japan — Standing Beauty
Kondo Katsunobu
18th century

Buddhist Nun Speaking to Two Little Girls who are Following Her, Kondo Katsunobu Japanese, Woodblock print (urushi-e); ink and color on paper, Japan — Buddhist Nun Speaking to Two Little Girls who are Following Her
Kondo Katsunobu
ca. 1730

Knife Handle (Kozuka), Gotō Mitsunori Japanese, Copper-gold alloy (shakudō), gold, Japanese — Knife Handle (Kozuka)
Gotō Mitsunori
early 18th century

Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas — Bandits on a Rocky Coast
Salvator Rosa
1655–60

The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas — The Dream of Aeneas
Salvator Rosa
1660–65

Perminangken (container for magical substances), Toba Batak artist, Wood, ceramic, Toba Batak — Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century

Pustaha (book of ritual knowledge), Toba Batak artist, Wood, bast, resin ink, fiber, Toba Batak people — Pustaha (book of ritual knowledge)
Toba Batak artist
19th–early 20th century

Singa (architectural ornament), Toba Batak artist, Wood, Toba Batak people — Singa (architectural ornament)
Toba Batak artist
late 19th–early 20th century

Naga morsarang (medicine horn), Toba Batak artist, Water buffalo horn, wood, Toba Batak — Naga morsarang (medicine horn)
Toba Batak artist
19th–early 20th century

Pintun jambur (rice granary door), Toba Batak artist, Wood, Toba Batak people — Pintun jambur (rice granary door)
Toba Batak artist
late 19th–early 20th century