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Showing 605 results for Yamada Jōkasai (1681–1704)

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Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi), Yamada Jōkasai (1681–1704) Japanese, Gold-speckled aventurine (nashiji) lacquer with sprinkled and polished design (hiramakie), Japan — Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi)
Yamada Jōkasai (1681–1704)
19th century

Round Box with Design of Bugaku Dance Hat and Musical Instrument

, Yamada Jōkasai (1681–1704) Japanese, Lacquer on wood with gold, mother-of-pearl inlay, and colored lacquer, Japan — Round Box with Design of Bugaku Dance Hat and Musical Instrument
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket, Yamada Jōkasai (1681–1704) Japanese, Sprinkled gold lacquer with mother-of-pearl, stone, and metal<br/>Ojime: ovoid gold bead decorated with grasses<br/>Netuske: black wood carved as a piece of firewood, Japan — Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse), Yamada Jōkasai (1681–1704) Japanese, Lacquer decorated with sprinkled hiramakie lacquer, sprinkled and polished takamakie lacquer relief, and nashiji (pear skin) lacquer; Ojime: ivory and gold lacquer bead; Netsuke: carved wood bird (signed Shuko), Japan — Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse)
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse), Yamada Jōkasai (1681–1704) Japanese, Gold and colored lacquer with inlaid mother-of-pearl on ro-iro black lacquer; ojime: metal bead inlaid with silver; netsuke: carved ebony inlaid with ivory design of Daruma, Japan — Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse)
Yamada Jōkasai (1681–1704)
second half of the 19th century

Inrō with Cockatoo and Magnolia, Yamada Jōkasai Japanese, Red lacquer ground with gold maki-e, carved red lacquer, and mother-of-pearl inlay<br/>Netsuke: poppy; ivory<br/>Ojime: roundels; red and green lacquer in wood, Japan — Inrō with Cockatoo and Magnolia
Yamada Jōkasai
19th century

Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine, Yamada School, Gold and silver maki-e and pewter on dark green lacquer<br/>Ojime: Coral bead<br/>Netsuke: Carved wood in shape of mouse on mushroom, Japan — Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine
Yamada School
ca. 1800

Black pottery screen (kokutō no sukuriin), Yamada Hikaru Japanese, Smoke-infused stoneware, Japan — Black pottery screen (kokutō no sukuriin)
Yamada Hikaru
1982

Fragments with Gold Glaze (Kinsai no tōhen), Yamada Hikaru Japanese, Gold-glazed stoneware, iron, vinyl line, Japan — Fragments with Gold Glaze (Kinsai no tōhen)
Yamada Hikaru
1989

Monk Ippen Giving a Warrior the Tonsure after His Wife Took Vows as a Lay Buddhist Nun, Yamada Shinzan Japanese, Pair of hanging scrolls; ink, color, and gold on silk, Japan — Monk Ippen Giving a Warrior the Tonsure after His Wife Took Vows as a Lay Buddhist Nun
Yamada Shinzan
mid-20th century

Melons, Yamada Dōan Japanese, Hanging scroll; ink on paper, Japan — Melons
Yamada Dōan
late 16th century

Disappearing Jar (Kieyuku tsubo)

Yamada Hikaru

1976

Clay-Tile Mandala (Tōhen mandara)

Yamada Hikaru

1973

Sword Guard (Tsuba)

Yamada Genshō

18th century

Asia; oder, Genaue und grundliche Beschreibung des gantzen Syrien und Palestins, oder belobten Landes . . ., Olfert Dapper Dutch, Illustrated book, Amsterdam : Jacob von Meursen, 1681 — Asia; oder, Genaue und grundliche Beschreibung des gantzen Syrien und Palestins, oder belobten Landes . . .
Olfert Dapper
1681

Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観, Yamada Sadazane 山田貞実 Japanese, Woodblock printed book (orihon, accordion-style but bound); ink and color on paper, Japan — Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観
Yamada Sadazane 山田貞実
Amano Genkai 天野元海
1828

Sometsuke Sencha Teapot and Cups, Yamada Hōgyoku 山田抱玉 Japanese, Blue-colored woodblock print (aizuri-e); ink and color on paper; fan print (uchiwa-e) on horizontal aiban sheet, Japan — Sometsuke Sencha Teapot and Cups
Yamada Hōgyoku 山田抱玉
1830s

Seiei: A Design Book 精英, Yamada Naosaburō 山田直三郎 Japanese, Woodblock printed book; ink, color, mica, and metallic pigments on paper, Japan — Seiei: A Design Book 精英
Yamada Naosaburō 山田直三郎
1907

(textile designs?)

Y. Kamisaka

Yamada Unsōdō

1906

Gwandusu, Bamana numu (blacksmith), Wood (Cordyla africana or Lonchocarpus), applied organic materials, Bamana — Gwandusu
Bamana numu (blacksmith)
15th–17th century

Gwantigi, Bamana numu (blacksmith), Wood, Bamana peoples — Gwantigi
Bamana numu (blacksmith)
15th–17th century

Hexagonal flower vase, Hamada Shōji Japanese, Stoneware with persimmon glaze and polychrome overglaze enamels, Japan — Hexagonal flower vase
Hamada Shōji
ca. 1960s

Overcoat, Cerruti 1881 Italian, wool, leather, French — Overcoat
Cerruti 1881
1969–70

Belt, Cerruti 1881 Italian, leather, Italian — Belt
Cerruti 1881
ca. 1969

Belt, Cerruti 1881 Italian, leather, brass, Italian — Belt
Cerruti 1881
early 1970s

The Whole Art of Marbling as Applied to Paper, Book Edges, etc., Charles W. Woolnough British, Illustrated book, London: G. Bell, 1881 — The Whole Art of Marbling as Applied to Paper, Book Edges, etc.
Charles W. Woolnough
1881

The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . ., Thomas Chippendale British, London: Thomas Chippendale, 1754 — The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . .
Thomas Chippendale
1754

Boli (power object), Bamana Initiate, Komo association, Wood, applied organic materials, Bamana — Boli (power object)
Bamana Initiate, Komo association
Early 20th century

Ci wara headdress, Bamana numu (blacksmith), Wood, metal, Bamana — Ci wara headdress
Bamana numu (blacksmith)
19th century

Kòmò trumpet, Wood, Bamana — Kòmò trumpet
Bamana
20th century

The Ark, Lodewijk Tieling (active ca. 1695-1700) American, Oil on canvas, American — The Ark
Lodewijk Tieling (active ca. 1695-1700)
ca. 1700

Violin, Nicolò Amati (Cremona 1596–1684 Cremona) Italian, Spruce, maple, Italian (Cremona) — Violin
Nicolò Amati (Cremona 1596–1684 Cremona)
1669

Fragment of a terracotta amphora (jar), Group of London B 174, Terracotta, Greek, Attic — Fragment of a terracotta amphora (jar)
Group of London B 174
ca. 540 BCE

Six-Lobed Deep Bowl, Kamada Kōji Japanese, Stoneware with tenmoku glaze, Japan — Six-Lobed Deep Bowl
Kamada Kōji
2004

Ovoid Vessel, Kamada Kōji Japanese, Stoneware with tenmoku glazes in black and brown, Japan — Ovoid Vessel
Kamada Kōji
2008

Print, Hamada Josen Japanese, Woodblock print; ink and color on paper, Japan — Print
Hamada Josen
ca. 1906

Tea bowl with “oil-spot” and “hare’s-fur” decoration, Kamada Kōji active in Kyoto Japanese, Stoneware with iron-oxide glazes, Japan — Tea bowl with “oil-spot” and “hare’s-fur” decoration
Kamada Kōji
2005

Tea Bowl with “Oil-Spot” Decoration, Kamada Kōji Japanese, Stoneware with iron-oxide glazes, Japan — Tea Bowl with “Oil-Spot” Decoration
Kamada Kōji
2005

Bottle with sugarcane, Hamada Shōji Japanese, Stoneware with iron-oxide decoration, Japan — Bottle with sugarcane
Hamada Shōji
ca. 1960s

Tea Bowl, Hamada Shōji Japanese, Stoneware — Tea Bowl
Hamada Shōji
ca. 1935