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1-42 of 610 results for Yamada Jōkasai (1681–1704)
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Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi), Yamada Jōkasai (1681–1704) Japanese, Gold-speckled aventurine (nashiji) lacquer with sprinkled and polished design (hiramakie), Japan
Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi)
Yamada Jōkasai (1681–1704)
19th century
Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse), Yamada Jōkasai (1681–1704) Japanese, Gold and colored lacquer with inlaid mother-of-pearl on ro-iro black lacquer; ojime: metal bead inlaid with silver; netsuke: carved ebony inlaid with ivory design of Daruma, Japan
Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse)
Yamada Jōkasai (1681–1704)
second half of the 19th century
Round Box with Design of Bugaku Dance Hat and Musical Instrument , Yamada Jōkasai (1681–1704) Japanese, Lacquer on wood with gold, mother-of-pearl inlay, and colored lacquer, Japan

Round Box with Design of Bugaku Dance Hat and Musical Instrument

Yamada Jōkasai (1681–1704)
19th century
Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket, Yamada Jōkasai (1681–1704) Japanese, Sprinkled gold lacquer with mother-of-pearl, stone, and metal<br/>Ojime: ovoid gold bead decorated with grasses<br/>Netuske: black wood carved as a piece of firewood, Japan
Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket
Yamada Jōkasai (1681–1704)
19th century
Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse), Yamada Jōkasai (1681–1704) Japanese, Lacquer decorated with sprinkled hiramakie lacquer, sprinkled and polished takamakie lacquer relief, and nashiji (pear skin) lacquer; Ojime: ivory and gold lacquer bead; Netsuke: carved wood bird (signed Shuko), Japan
Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse)
Yamada Jōkasai (1681–1704)
19th century
Inrō with Cockatoo and Magnolia, Yamada Jōkasai Japanese, Red lacquer ground with gold maki-e, carved red lacquer, and mother-of-pearl inlay<br/>Netsuke: poppy; ivory<br/>Ojime: roundels; red and green lacquer in wood, Japan
Inrō with Cockatoo and Magnolia
Yamada Jōkasai
19th century
Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine, Yamada School, Gold and silver maki-e and pewter on dark green lacquer<br/>Ojime: Coral bead<br/>Netsuke: Carved wood in shape of mouse on mushroom, Japan
Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine
Yamada School
ca. 1800
Black pottery screen (kokutō no sukuriin), Yamada Hikaru Japanese, Smoke-infused stoneware, Japan
Black pottery screen (kokutō no sukuriin)
Yamada Hikaru
1982
Fragments with Gold Glaze (Kinsai no tōhen), Yamada Hikaru Japanese, Gold-glazed stoneware, iron, vinyl line, Japan
Fragments with Gold Glaze (Kinsai no tōhen)
Yamada Hikaru
1989
Melons, Yamada Dōan Japanese, Hanging scroll; ink on paper, Japan
Melons
Yamada Dōan
late 16th century
Monk Ippen Giving a Warrior the Tonsure after His Wife Took Vows as a Lay Buddhist Nun, Yamada Shinzan Japanese, Pair of hanging scrolls; ink, color, and gold on silk, Japan
Monk Ippen Giving a Warrior the Tonsure after His Wife Took Vows as a Lay Buddhist Nun
Yamada Shinzan
mid-20th century
Disappearing Jar (Kieyuku tsubo)
Yamada Hikaru
1976
Clay-Tile Mandala (Tōhen mandara)
Yamada Hikaru
1973
Sword Guard (Tsuba)
Yamada Genshō
18th century
Asia; oder, Genaue und grundliche Beschreibung des gantzen Syrien und Palestins, oder belobten Landes . . ., Olfert Dapper Dutch, Illustrated book, Amsterdam : Jacob von Meursen, 1681
Asia; oder, Genaue und grundliche Beschreibung des gantzen Syrien und Palestins, oder belobten Landes . . .
Olfert Dapper
1681
Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観, Yamada Sadazane 山田貞実 Japanese, Woodblock printed book (orihon, accordion-style but bound); ink and color on paper, Japan
Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観
Yamada Sadazane 山田貞実
Amano Genkai 天野元海
1828
Sometsuke Sencha Teapot and Cups, Yamada Hōgyoku 山田抱玉 Japanese, Blue-colored woodblock print (aizuri-e); ink and color on paper; fan print (uchiwa-e) on horizontal aiban sheet, Japan
Sometsuke Sencha Teapot and Cups
Yamada Hōgyoku 山田抱玉
1830s
Seiei: A Design Book 精英, Yamada Naosaburō 山田直三郎 Japanese, Woodblock printed book; ink, color, mica, and metallic pigments on paper, Japan
Seiei: A Design Book 精英
Yamada Naosaburō 山田直三郎
1907
(textile designs?)
Y. Kamisaka
Yamada Unsōdō
1906
Gwandusu, Bamana numu (blacksmith), Wood (Cordyla africana or Lonchocarpus), applied organic materials, Bamana peoples
Gwandusu
Bamana numu (blacksmith)
15th–17th century
Gwantigi, Bamana numu (blacksmith), Wood, Bamana peoples
Gwantigi
Bamana numu (blacksmith)
15th–17th century
Hexagonal flower vase, Hamada Shōji Japanese, Stoneware with persimmon glaze and polychrome overglaze enamels, Japan
Hexagonal flower vase
Hamada Shōji
ca. 1960s
Belt, Cerruti 1881 Italian, leather, brass, Italian
Belt
Cerruti 1881
early 1970s
Overcoat, Cerruti 1881 Italian, wool, leather, French
Overcoat
Cerruti 1881
1969–70
Belt, Cerruti 1881 Italian, leather, Italian
Belt
Cerruti 1881
ca. 1969
The Whole Art of Marbling as Applied to Paper, Book Edges, etc., Charles W. Woolnough British, Illustrated book, London: G. Bell, 1881
The Whole Art of Marbling as Applied to Paper, Book Edges, etc.
Charles W. Woolnough
1881
The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . ., Thomas Chippendale British, London: Thomas Chippendale, 1754
The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . .
Thomas Chippendale
1754
The Ark, Lodewijk Tieling (active ca. 1695-1700) American, Oil on canvas, American
The Ark
Lodewijk Tieling (active ca. 1695-1700)
ca. 1700
Violin, Nicolò Amati (Cremona 1596–1684 Cremona) Italian, Spruce, maple, Italian (Cremona)
Violin
Nicolò Amati (Cremona 1596–1684 Cremona)
1669
Ci wara headdress, Bamana numu (blacksmith), Wood, metal, Bamana
Ci wara headdress
Bamana numu (blacksmith)
19th century
Boli (power object), Bamana Initiate, Komo association, Wood, applied organic materials, Bamana
Boli (power object)
Bamana Initiate, Komo association
Early 20th century
Kòmò trumpet, Wood, Bamana
Kòmò trumpet
Bamana
20th century
Fragment of a terracotta amphora (jar), Group of London B 174, Terracotta, Greek, Attic
Fragment of a terracotta amphora (jar)
Group of London B 174
ca. 540 BCE
Print, Hamada Josen Japanese, Woodblock print; ink and color on paper, Japan
Print
Hamada Josen
ca. 1906
Bottle with sugarcane, Hamada Shōji Japanese, Stoneware with iron-oxide decoration, Japan
Bottle with sugarcane
Hamada Shōji
ca. 1960s
Ovoid Vessel, Kamada Kōji Japanese, Stoneware with tenmoku glazes in black and brown, Japan
Ovoid Vessel
Kamada Kōji
2008
Tea bowl with “oil-spot” and “hare’s-fur” decoration, Kamada Kōji active in Kyoto Japanese, Stoneware with iron-oxide glazes, Japan
Tea bowl with “oil-spot” and “hare’s-fur” decoration
Kamada Kōji
2005
Tea Bowl with “Oil-Spot” Decoration, Kamada Kōji Japanese, Stoneware with iron-oxide glazes, Japan
Tea Bowl with “Oil-Spot” Decoration
Kamada Kōji
2005
Six-Lobed Deep Bowl, Kamada Kōji Japanese, Stoneware with tenmoku glaze, Japan
Six-Lobed Deep Bowl
Kamada Kōji
2004
Tea Bowl, Hamada Shōji Japanese, Stoneware
Tea Bowl
Hamada Shōji
ca. 1935
Jomogoni male figure, Bamana numu (blacksmith), Wood, mud, Bamana peoples
Jomogoni male figure
Bamana numu (blacksmith)
15th–17th century
Nyeleni figure, Bamana numu (blacksmith), Wood, Bamana peoples
Nyeleni figure
Bamana numu (blacksmith)
19th–early 20th century