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Showing 710 results for Yamada Sadazane 山田貞実

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Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観, Yamada Sadazane 山田貞実 Japanese, Woodblock printed book (orihon, accordion-style but bound); ink and color on paper, Japan — Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観
Yamada Sadazane 山田貞実
Amano Genkai 天野元海
1828

Sometsuke Sencha Teapot and Cups, Yamada Hōgyoku 山田抱玉 Japanese, Blue-colored woodblock print (aizuri-e); ink and color on paper; fan print (uchiwa-e) on horizontal aiban sheet, Japan — Sometsuke Sencha Teapot and Cups
Yamada Hōgyoku 山田抱玉
1830s

Seiei: A Design Book 精英, Yamada Naosaburō 山田直三郎 Japanese, Woodblock printed book; ink, color, mica, and metallic pigments on paper, Japan — Seiei: A Design Book 精英
Yamada Naosaburō 山田直三郎
1907

Unexpected Meeting on the Yodo River, Rai San’yō 頼山陽 Japanese, Hanging scroll; ink on paper, Japan — Unexpected Meeting on the Yodo River
Rai San’yō 頼山陽
Tanomura Chikuden 田能村竹田
1823

Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine, Yamada School, Gold and silver maki-e and pewter on dark green lacquer<br/>Ojime: Coral bead<br/>Netsuke: Carved wood in shape of mouse on mushroom, Japan — Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine
Yamada School
ca. 1800

Inrō with Cockatoo and Magnolia, Yamada Jōkasai Japanese, Red lacquer ground with gold maki-e, carved red lacquer, and mother-of-pearl inlay<br/>Netsuke: poppy; ivory<br/>Ojime: roundels; red and green lacquer in wood, Japan — Inrō with Cockatoo and Magnolia
Yamada Jōkasai
19th century

Black pottery screen (kokutō no sukuriin), Yamada Hikaru Japanese, Smoke-infused stoneware, Japan — Black pottery screen (kokutō no sukuriin)
Yamada Hikaru
1982

Fragments with Gold Glaze (Kinsai no tōhen), Yamada Hikaru Japanese, Gold-glazed stoneware, iron, vinyl line, Japan — Fragments with Gold Glaze (Kinsai no tōhen)
Yamada Hikaru
1989

Monk Ippen Giving a Warrior the Tonsure after His Wife Took Vows as a Lay Buddhist Nun, Yamada Shinzan Japanese, Pair of hanging scrolls; ink, color, and gold on silk, Japan — Monk Ippen Giving a Warrior the Tonsure after His Wife Took Vows as a Lay Buddhist Nun
Yamada Shinzan
mid-20th century

Melons, Yamada Dōan Japanese, Hanging scroll; ink on paper, Japan — Melons
Yamada Dōan
late 16th century

Untitled MV-202 (Metavoid-202), Akiyama Yō 秋山陽 Japanese, Unglazed stoneware with rusted iron coating, Japan — Untitled MV-202 (Metavoid-202)
Akiyama Yō 秋山陽
2020

Pair of Cranes in Bamboo Grove, Tanomura Chikuden 田能村竹田 Japanese, Hanging scroll; ink and color on silk, Japan — Pair of Cranes in Bamboo Grove
Tanomura Chikuden 田能村竹田
ca. early 1830s

Peach Blossom Spring Utopia, Tomita Keisen 冨田溪仙 Japanese, Hanging scroll; ink and color on silk, Japan — Peach Blossom Spring Utopia
Tomita Keisen 冨田溪仙
Tomita Yoshiko 冨田芳子
early 20th century

Disappearing Jar (Kieyuku tsubo)

Yamada Hikaru

1976

Clay-Tile Mandala (Tōhen mandara)

Yamada Hikaru

1973

Sword Guard (Tsuba)

Yamada Genshō

18th century

Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi), Yamada Jōkasai (1681–1704) Japanese, Gold-speckled aventurine (nashiji) lacquer with sprinkled and polished design (hiramakie), Japan — Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi)
Yamada Jōkasai (1681–1704)
19th century

Round Box with Design of Bugaku Dance Hat and Musical Instrument

, Yamada Jōkasai (1681–1704) Japanese, Lacquer on wood with gold, mother-of-pearl inlay, and colored lacquer, Japan — Round Box with Design of Bugaku Dance Hat and Musical Instrument
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket, Yamada Jōkasai (1681–1704) Japanese, Sprinkled gold lacquer with mother-of-pearl, stone, and metal<br/>Ojime: ovoid gold bead decorated with grasses<br/>Netuske: black wood carved as a piece of firewood, Japan — Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse), Yamada Jōkasai (1681–1704) Japanese, Lacquer decorated with sprinkled hiramakie lacquer, sprinkled and polished takamakie lacquer relief, and nashiji (pear skin) lacquer; Ojime: ivory and gold lacquer bead; Netsuke: carved wood bird (signed Shuko), Japan — Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse)
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse), Yamada Jōkasai (1681–1704) Japanese, Gold and colored lacquer with inlaid mother-of-pearl on ro-iro black lacquer; ojime: metal bead inlaid with silver; netsuke: carved ebony inlaid with ivory design of Daruma, Japan — Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse)
Yamada Jōkasai (1681–1704)
second half of the 19th century

Album of Flowers and the Moon (Kagetsu jō) 花月帖
, Mori Tetsuzan 森徹山 Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Album of Flowers and the Moon (Kagetsu jō) 花月帖
Multiple artists/makers
late 19th century reprint of original edition of 1836

A Fashionable Representation of the Immortals of Poetry: Picture Book of Waka-no-ura (Fūryū kasen ehon waka no ura) 風流歌仙絵本和歌浦, Takagi Sadatake 高木貞武 Japanese, Set of two woodblock printed books; ink on paper, Japan — A Fashionable Representation of the Immortals of Poetry: Picture Book of Waka-no-ura (Fūryū kasen ehon waka no ura) 風流歌仙絵本和歌浦
Takagi Sadatake 高木貞武
Kichimonjiya Ichibei 吉文字屋市兵衛
1734, eighth month (Kyōho 19)

Memoirs of a Castaway (Hyōryūki) 流記, Hamada Hikozō 浜田彦蔵 (Joseph Heco), Two volumes of woodblock printed books; ink on paper, Japan — Memoirs of a Castaway (Hyōryūki) 流記
Hamada Hikozō 浜田彦蔵
1863

Love of Yatsufuji (Koi no Yatsufuji) 恋のやつふぢ, Utagawa Kunisada 歌川国貞 Japanese, Woodblock printed book; ink and color on paper, Japan — Love of Yatsufuji (Koi no Yatsufuji) 恋のやつふぢ
Utagawa Kunisada 歌川国貞
1837, (Tenpō 8)

The Thirty-Six Immortals of Poetry as Kabuki Actors (Yakusha sanjūrokkasen) 役者三十六歌仙, Utagawa Kunisada 歌川国貞 Japanese, Woodblock printed book; ink and color on paper, Japan — The Thirty-Six Immortals of Poetry as Kabuki Actors (Yakusha sanjūrokkasen) 役者三十六歌仙
Utagawa Kunisada 歌川国貞
Totoya Hokkei 魚屋北渓
1835, first month (Tempō 6)

A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞, Utagawa Kunisada 歌川国貞 Japanese, Set of three woodblock printed books; ink and color on paper, Japan — A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞
Utagawa Kunisada 歌川国貞
ca. 1850

The Actor Ichikawa Ichizō III as Nozarashi Gosuke, likened to Shi Jin the Nine Dragoned (Kyūmonryū Shishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞 Japanese, Right sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Actor Ichikawa Ichizō III as Nozarashi Gosuke, likened to Shi Jin the Nine Dragoned (Kyūmonryū Shishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Utagawa Kunisada 歌川国貞
1854, 7th month)

The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞 Japanese, Center sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Utagawa Kunisada 歌川国貞
1854, 7th month)

The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞 Japanese, Left sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Utagawa Kunisada 歌川国貞
1854, 7th month)

Poems on Portraits of the Famous and the Infamous (Kyōka kijin gazō-shū) 狂歌奇人画像集, Utagawa Kunisada 歌川国貞 Japanese, Polychrome Woodblock printed book; gold lacquer on red lacquer ground, Japan — Poems on Portraits of the Famous and the Infamous (Kyōka kijin gazō-shū) 狂歌奇人画像集
Multiple artists/makers
19th century

Mountains of the Heart (Kyōchūzan) 胸中山, Kameda Bōsai 亀田鵬斎 Japanese, Woodblock printed book; ink and color on paper, Japan — Mountains of the Heart (Kyōchūzan) 胸中山
Kameda Bōsai 亀田鵬斎
preface date: 1816, (Bunka 13)

Fishing in Reclusion, Yasuda Hanpo 安田半圃 Japanese, Hanging scroll; ink and color on paper, Japan — Fishing in Reclusion
Yasuda Hanpo 安田半圃
1931

Cherry Blossoms at Yoshino, Rai San’yō 頼山陽 Japanese, Hanging scroll; ink on paper, Japan — Cherry Blossoms at Yoshino
Rai San’yō 頼山陽
19th century

Chinzan Picture Album (Chinzan-ō gafu) 椿山翁畫譜, Tsubaki Chinzan 椿椿山 Japanese, Accordion album; ink and color on paper, Japan — Chinzan Picture Album (Chinzan-ō gafu) 椿山翁畫譜
Tsubaki Chinzan 椿椿山
1851

Letter, Rai San’yō 頼山陽 Japanese, Hanging scroll; ink on paper, Japan — Letter
Rai San’yō 頼山陽
ca. 1820–28

A Chinese Verse on “Compiling History”, Rai San’yō 頼山陽 Japanese, Hanging scroll; ink on paper, Japan — A Chinese Verse on “Compiling History”
Rai San’yō 頼山陽
ca. late 1820s

Morning Calm (Asanagi) Bowl, Yamamoto Akira 山本晃 Japanese, Welding with copper, silver, copper and gold alloy (shakudō), and copper and silver alloy (shibuichi), Japan — Morning Calm (Asanagi) Bowl
Yamamoto Akira 山本晃
2011

The Nanpo Album (Nanpo jō) 南畝帖, Nagayama Kōin (Hirotora) 長山孔寅画・蜀山人 Japanese, Woodblock printed book; ink and color on paper, Japan — The Nanpo Album (Nanpo jō) 南畝帖
Nagayama Kōin (Hirotora) 長山孔寅画・蜀山人
1824

Squirrels on Bamboo and Rock, Mochizuki Gyokusen 望月玉川 Japanese, Hanging scroll; ink on silk, Japan — Squirrels on Bamboo and Rock
Mochizuki Gyokusen 望月玉川
Yongtian 用田
1812