Obverse, Herakles and Dionysos in Olympos Reverse, Dionysos with Olympian deities
This vase is the only known preserved example of a combination psykter and column-krater. The psykter emerged at the end of the sixth century B.C. and had a short and rare existence. Its distinctive shape allowed it to contain wine and remain upright in a krater filled with cold water or snow. In the present piece, the krater has a double wall; openings at the top and bottom of the body allowed cold water to be poured in and to flow out. The figural scenes show Dionysos, god of wine, and Herakles, the hero and protégé of Athena, on Mount Olympos, the home of the gods. The obverse depicts Dionysos with Ariadne and Herakles with Nike. On the reverse, Hera, Zeus, Athena, and Leto approach the seated Dionysos. Most of the names on the vase are inscribed.
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Artwork Details
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Title:Terracotta psykter-column-krater (vase for chilling and mixing wine and water)
Artist:Attributed to the Troilos Painter
Period:Classical
Date:480–470 BC
Culture:Greek, Attic
Medium:Terracotta; red-figure
Dimensions:Other: 20 13/16 x 8 1/4 in. (52.8 x 21 cm)
Classification:Vases
Credit Line:The Bothmer Purchase Fund, 1986
Object Number:1986.11.12
[By 1982, (perhaps late 1970s), with Sandro Cimicchi, Basel, Switzerland]; [until 1985, with Christoph Leon, Basel, Switzerland]; [1985-86, with Christie’s, London]; acquired in 1986, purchased from Christie’s, London.
Christie's, London. 1986. Fine Antiquities. July 16, 1986. lot 141, pp. 38–39.
Carpenter, Thomas H., Thomas Mannack, and Melanie Mendonça. 1989. Beazley Addenda: Additional References to ABV, ARV² & Paralipomena. no. 399, Oxford.
Robertson, Martin. 1992. The Art of Vase-Painting in Classical Athens. p. 26 n. 33, Cambridge: Cambridge University Press.
Wolf, S.R. 1993. Herakles beim Gelage: Eine motiv- und bedeutungsgeschichtliche Untersuchung des Bildes in der archaisch-frühklassischen Vasenmalerei. pp. 28–29, 217 n. 23, figs. 54–55, Köln: Böhlau Verlag.
Carpenter, Thomas H. 1995. "A Symposion of Gods?." In Vino Veritas, Oswyn Murray and Manuela Tecușan, eds. pp.160–61, figs. 10–11, London: British School at Rome.
Carpenter, Thomas H. 1997. Dionysian Imagery in Fifth-Century Athens. p. 67, pl. 27b, Oxford: Oxford University Press.
Hedreen, Guy Michael. 2001. Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art. p. 2 n. 2, Ann Arbor: University of Michigan Press.
Padgett, M. 2002. "A Unique Vase in the Metropolitan Museum of Art." Essays in Honor of Dietrich von Bothmer, A.J. Clark and J. Gaunt, eds. pp. 249–66, pls. 67–70, Amsterdam: Allard Pierson Museum.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 2009. Supplementum: Abellio-Zeus. "Dionysos," p. 174, no. add.18, pl. 77, Düsseldorf: Artemis Verlag.
Williams, Dyfri, Kenneth Lapatin, Nicholaus Dietrich, Judith M. Barringer, Francois Lissarrague, and Edinburgh University Press. 2022. Images at the Crossroads : Media and Meaning in Greek Art, Judith M. Barringer and Francois Lissarrague, eds. pp. 294–97, figs. 13.10, 13.11, Edinburgh.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.