Fragment eines Bodenmosaiks mit einer Personifikation Ktisis'

500–550, with modern restoration
On view at The Met Fifth Avenue in Gallery 301
Abstrakte Konzepte wurden in der spätrömischen und byzantinischen Kunst oft personalisiert. Hier hält eine mit Juwelen geschmückte Frau das Messwerkzeug für den römischen Fuß und wird von der griechischen Inschrift als Ktisis angegeben, die Personifikation der Wohltätigkeit. Neben dem Kopf eines Mannes mit einem Füllhorn, der ursprünglich zu einem Paar gehörte, steht die griechische Inschrift GUTE und damit die Hälfte eines Textes, der wahrscheinlich hieß: GUTE WÜNSCHE. Das Fragment aus Marmor- und Glasmosaiksteinen ist typisch für die außergewöhnlichen Mosaike, die im sechsten Jhd. in der byzantinischen Welt geschaffen wurden.

Artwork Details

Object Information
  • Titel: Fragment eines Bodenmosaiks mit einer Personifikation Ktisis'
  • Datum: ca. 500–550
  • Kultur: Byzantinisch
  • Medium: Marmor, Glas
  • Dimensionen: 151,1 x 199,7 x 2,5 cm
  • Anerkennung: Harris Brisbane Dick Fund und Fletcher Fund, 1998 (1998.69); Neuerwerb, Schenkung von Lila Acheson Wallace, Dodge Fund und Rogers Fund, 1999
  • Akzession Nr.: 1999.99
  • Curatorial Department: Medieval Art and The Cloisters

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Cover Image for 2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

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This restored mosaic represents the type of decoration found on floors of large buildings in the mid-sixth century, the peak of the early Byzantine Empire.

A monumental bust shows a stunningly bejeweled woman with large, inviting eyes. She is Ktisis, the personification of the pre-Christian idea of the generous act of foundation, or providing money for a building.

To the left of Ktisis, there’s a man holding a large cornucopia filled with fruits and leaves. He is identified by the Greek word Kaloi, meaning good or beautiful, and serves as a proclamation of the donor’s generosity. These two figures were part of a larger program, where another man would have appeared to the right of Ktisis, probably with the Greek word Kaipoi, so that the full inscription would read as good wishes.

Floor mosaics originated in the Greek and Roman world. Sometimes rugs were woven in the same patterns to cover the floors in cold weather.

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