Ring with plain hoop and filigree bezel from a tomb group allegedly from Vulci, one of the richest and most impressive sets of Etruscan jewelry ever found.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
This is a group shot of 40.11.17 paired with 95.15.303.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Gold ring, with stone missing from bezel
Period:Late Archaic
Date:early 5th century BCE
Culture:Etruscan
Medium:Gold
Dimensions:Diam.: 1 in. (2.5 cm)
Classification:Gold and Silver
Credit Line:Harris Brisbane Dick Fund, 1940
Object Number:40.11.17
Said to be from a tomb in Vulci (Lenormant 1834, p. 246)
Between 1829 and 1834, found in Etruria; from 1834, collection of Baron de Rougemont de Löwenberg and descendants, Neuchâtel, Switzerland; [by 1930 and until 1940, with Charles Albert de Burlet, Basel, Switzerland]; acquired in 1940, purchased from Charles Albert de Burlet.
1834. Bullettino dell’Instituto di corrispondenza archeologica p. V, 113, 120, no. 60, Rome.
Lajard, Félix. 1867. Introduction à l'étude du culte public et des mystères de Mithra en Orient et en Occident. pl.69, no. 23, Paris: Imprimerie Royale.
Fürtwangler, Adolf. 1900. Die antiken Gemmen: Geschichte der Steinschneidekunst im klassischen Altertum. vol. I, p. 87, vol. II, pl. VII, 15, vol III, p. 33, no. 15, Leipzig, Berlin: Giesecke & Devrient.
Richter, Gisela M. A. 1940. Handbook of the Etruscan Collection. p. 33, fig. 106, New York: Marchbanks Press.
Grancsay, Stephen V. 1940. "The Art of the Jeweler: A Special Exhibition." Bulletin of the Metropolitan Museum of Art, 35(11): p. 217.
Richter, Gisela M. A. 1940. "Four Notable Acquisitions of the Metropolitan Museum of Art." American Journal of Archaeology, 44 (4): pp. 434–35, fig. 11.
Richter, Gisela M. A. 1940. "A Set of Etruscan Jewelry." Bulletin of the Metropolitan Museum of Art, 35(11): pp. 223–5, figs. 4-5.
Boardman, John. 1967. "Archaic Finger Rings." Antike Kunst, 10(1): no. B IV 17, p. 16.
Martelli, Marina. 1981. "Le manifestazioni artistiche." Gli Etruschi in Maremma : Popolamento e attività produttive, Mauro Cristofani, ed. pp. 253–54, Milano: Silvana.
Cristofani, Mauro and Marina Cristofani Martelli. 1983. "Vulci: il complesso di oreficerie del Metropolitan Museum." L'Oro degli Etruschi. pp. 158–59, 290, no. 131, Novara: Istituto Geografico De Agostini.
Haynes, Sybille. 2000. Etruscan Civilization: A Cultural History. pp. 158–59, fig. 138, Los Angeles: J. Paul Getty Museum.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 344, pp. 296, 473, New York: The Metropolitan Museum of Art.
de Puma, Richard Daniel. 2013. Etruscan Art in the Metropolitan Museum of Art. no. 7.3, pp. 10, 254, 261, 280, New Haven and London: The Metropolitan Museum of Art.
Campbell, Virginia L. 2017. Ancient Rome. p. 95, New York: Thames and Hudson.
Mazet, Christian. 2020. "Les antiques de Gustave-Adolphe Beugnot (1799-1861). Histoire et fortune d’une collection oubliée." Anabases, 32: pp. 107–31, fig 5.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.