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Oliphant

Kongo peoples; Kongo Kingdom

Not on view

At least ten Kongo oliphants reached Europe; likely presentation pieces, all lack signs of use. Each carved elephant tusk features a mouthpiece on the inner curve, toward the horn’s upper limit, and suspension lugs, that may show European influence. Delicately inscribed bands of abstract geometric patterns with an array of interlace designs embellish their surfaces in horizontal and diagonally spiraling bands. In Kongo thought, this design scheme of a continuous spiral is a visual metaphor for the path taken through time by the dead. Movement in a spiral trajectory is referenced by the term zinga, meaning “to encircle.” Metal attachments and a length of red cord were attached once this work was in Europe, indicating that it might have been used as an instrument.

Oliphant, Ivory, metal (gilt silver?), fiber, Kongo peoples; Kongo Kingdom

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