Images of seated figures holding open scrolls, as here, were understood throughout the Late Roman world to be philosophers, or learned men. Originally part of a large sarcophagus with five niches separated by columns, this figure represented interest in an intellectual life and its usefulness in achieving a happy future life. The philosopher pose was adopted from the 300s onward for images of intellectual leaders of the Christian church, including Christ, his apostles, and the Four Evangelists.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Fragment of a Sarcophagus with a Seated Figure
Date:ca. 250
Geography:Made in Asia Minor
Culture:Roman
Medium:Marble
Dimensions:Overall: 11 x 9 13/16 x 2 3/16 in. (28 x 25 x 5.5 cm)
Classification:Sculpture-Stone
Credit Line:Rogers Fund, 1918
Object Number:18.108
[ Hagop Kevorkian, New York (sold 1918)]
Los Angeles County Museum of Art. "The Middle Ages: Treasures from The Cloisters and The Metropolitan Museum of Art," January 18, 1970–March 29, 1970.
Chicago. Art Institute of Chicago. "The Middle Ages: Treasures from The Cloisters and The Metropolitan Museum of Art," May 16, 1970–July 5, 1970.
New York. The Metropolitan Museum of Art. "Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century," November 19, 1977–February 12, 1978.
McMullen Museum of Art, Boston College. "Memory and The Middle Ages," February 17–May 21, 1995.
Stohlman, W. F. "A Group of Sub-Sidamara Sarcophagi." American Journal of Archaeology: The Journal of the Archaeological Institute of America 25, no. 3 (July-September 1921). pp. 223–232.
Morey, Charles Rufus. "The Sarcophagus of Claudia Antonia Sabina and the Asiatic Sarcophagi." In Roman and Christian Sculpture. Publications of the American Society for the Excavation of Sardis, V, Vol. 5, part 1. Princeton, New Jersey: American Society for the Excavation of Sardis, 1924. p. 46, fig. 81.
Lawrence, Marion. "Columnar Sarcophagi in the Latin West: Ateliers, Chronology, Style." The Art Bulletin 14, no. 2 (June 1932). pp. 116, 183–185, fig. 14, 14cf.
Ferrari, Gloria. Il commercio dei sarcofagi asiatici. Studia archaeologica, Vol. 7. Rome: L'Érma di Bretschneider, 1966. p. 64.
The Metropolitan Museum of Art. "Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 26, no. 5 (January 1968). no. 9, p. 200.
Ostoia, Vera K. The Middle Ages: Treasures from the Cloisters and the Metropolitan Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1969. no. 1, pp. 16–17, 251.
McCann, Anna Marguerite. Roman Sarcophagi in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1978. no. 22, pp. 130–131.
Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979. no. 238, pp. 255–56.
Netzer, Nancy. "Modes of Remembering the Classical Past." In Memory and the Middle Ages, edited by Nancy Netzer, and Virginia Reinburg. Chestnut Hill, Mass.: Boston College Museum of Art, 1995. p. 8, fig. 1.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.