Returned to lender The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.

The "Big Medicine Man"

Paul Frenzeny American

Not on view


Here, Frenzeny captured his fellow Harper’s Weekly artist Tavernier at work on a portrait of, most likely, a distinguished Northern Plains Indigenous couple with their horse. Wearing formal European traveling attire, which he would soon exchange for frontiersman garb, Tavernier sits, palette in hand, on a portable artist’s stool before an easel holding a framed oil study. He works on his portrayal before a watchful audience, and a child investigates the art box at his feet.

The "Big Medicine Man", Paul Frenzeny (American (born France), 1840–1902 London), Transparent and opaque watercolor over graphite pencil on blue-gray paper, American

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.